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Norwich Women’s Film Weekend
'The Norwich Women's Film Weekend'' (or NWFW) was a two-day annual event that ran for 10 years, from 1979 to 1989, at Cinema City in Norwich. It was organised to 'promote and encourage women film-makers and present the audience with films dealing with women's issues', as the first programme (1979) put it. It was the first event created, curated, managed and implemented by a group called Cinewomen. The NWFW lasted longer than any other women's film festival in the UK and forms part of the history of women's cinema and feminism more generally, and also the history of culture and the arts in Norwich. Origins The event was initiated in the late 1970s by Ginette Vincendeau, who had just started her PhD in film studies at the University of East Anglia (UEA) and was a member of the Council of Management of what was then known as the Norfolk and Norwich Film Theatre (NNFT). Part-sponsored by the Eastern Arts Association and the British Film Institute (BFI), NNFT became Cinema City in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwich Cinema City
Cinema City is a Grade I listed cultural cinema in the city of Norwich in Norfolk, England. The building is owned by Norwich City Council and the site is managed by the charity Cinema City Ltd (changed name from Norfolk and Norwich Film Theatre Ltd in August 2014), charity number 288309. Commercial activities - film screenings, bar and restaurant - are carried out by Picturehouse Cinemas Limited which operates a national chain of 'art house' cinemas, called Picturehouse. Picturehouse is part of the Cineworld chain. Cinema City Ltd (the charity) undertakes education activities on site and throughout Norfolk through its education arm Cinema Plus. History The cinema occupies Suckling House, a partly medieval merchant's house in St Andrews Street, named after the Suckling family who owned it in the sixteenth century. The oldest surviving parts of the building are from the early fourteenth century. The front of the house in St Andrew's Hill dates from an eighteenth-century renovation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantal Akerman
Chantal Anne Akerman (; 6 June 19505 October 2015) was a Belgian film director, screenwriter, artist, and Film studies, film professor at the City College of New York. She is best known for films such as ''Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles'' (1975), ''News from Home'' (1977), and ''Les Rendez-vous d'Anna'' (1978); the former was ranked the greatest film of all time in ''Sight & Sound'' magazine's 2022 The Sight and Sound Greatest Films of All Time 2022, "Top 100 Greatest Films of All Time" critics poll. According to film scholar Gwendolyn Audrey Foster, Akerman's influence on feminist and avant-garde cinema is substantial. Early life and education Akerman was born in Brussels, Belgium, to Holocaust survivors from Poland. She was the older sister of Sylviane Akerman, her only sibling. Her mother, Natalia (Nelly), survived years at Auschwitz concentration camp, Auschwitz, where her own parents were murdered. From a young age, Akerman and her mother were exceptiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo Spence
Jo Spence (15 June 1934, London – 24 June 1992) was a British photographer, a writer, cultural worker, and a photo therapist. She began her career in the field of commercial photography but soon started her own agency which specialised in family portraits, and wedding photos. In the 1970s, she refocused her work towards documentary photography, adopting a politicized approach to her art form, with socialist and feminist themes revisited throughout her career. Self-portraits about her own fight with breast cancer, depicting various stages of her breast cancer to subvert the notion of an idealized female form, inspired projects in 'photo therapy', a means of using the medium to work on psychological health. Early life Jo Spence was born on 15 June 1934 in London to working-class parents. Career She started off as a wedding photographer and ran a studio from 1967–1974. Soon afterwards, she began documentary work in the early 1970s, motivated by her political concerns. Both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circles (film Distributor)
Circles was a feminist film and video distribution network in the UK, which was set up out of a desire to distribute and screen women's films on their own terms. It was founded in 1979 by feminist filmmakers Lis Rhodes, Jo Davis, Felicity Sparrow and Annabel Nicolson, publishing a 1980 catalogue including about 30 films, and it closed in 1991, largely due to funding issues that also prompted the merger of Circles and Cinema of Women, which led to the formation of Cinenova. A previous funding crisis in 1987, when funding by Tower Hamlets council had been withdrawn, had been resolved with replacement funding from the British Film Institute. Origins According to Jenny Holland and Jane Harris, "Circles started in 1979, partly as a response to an Arts Council of Great Britain exhibition on experimental film. Feeling that their work on women's involvement in this field was being marginalised, the women on the exhibition committee withdrew their painstakingly researched work and issued a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Film-Makers' Co-op
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX. It grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane, then sharing offices with John 'Hoppy' Hopkins' BIT information service and then, with the breakaway group that formed the New Arts Lab, to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. For most of its life the LFMC was based in Gloucester Avenue in Camden in a run down building which for a number of years also housed the London Musicians Collective. In 1997 the LFMC moved together with London Video Arts to the new Lux Centre, Hoxton Square. Founded by, amongst others, Stephen Dwoskin and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queer
''Queer'' is an umbrella term for people who are not heterosexual or cisgender. Originally meaning or , ''queer'' came to be used pejoratively against those with same-sex desires or relationships in the late 19th century. Beginning in the late 1980s, queer activists, such as the members of Queer Nation, began to reappropriation, reclaim the word as a deliberately provocative and Gay liberation, politically radical alternative to the more assimilationist branches of the LGBT community. In the 21st century, ''queer'' became increasingly used to describe a broad spectrum of non-normative sexual and/or gender identities and politics. Academic disciplines such as queer theory and queer studies share a general opposition to Gender binary, binarism, normativity, and a perceived lack of intersectionality, some of them only tangentially connected to the LGBT movement. Queer arts, queer cultural groups, and queer political groups are examples of modern expressions of queer identities. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Sewing Machinists Strike Of 1968
The Ford sewing machinists strike of 1968 was a landmark labour-relations dispute in the United Kingdom in England. It was a trigger cause of the passing of the Equal Pay Act 1970. Strike action The strike, led by Rose Boland, Eileen Pullen, Vera Sime, Gwen Davis, Violet Dawson, and Sheila Douglass, began on 7 June 1968, when women sewing machinists at Ford Motor Company Limited's Dagenham plant in London walked out, followed later by the machinists at Ford's Halewood Body & Assembly plant. The women made car seat covers and as stock ran out the strike eventually resulted in a halt to all car production. The Dagenham sewing machinists walked out when, as part of a regrading exercise, they were informed that their jobs were graded in Category C (less skilled production jobs), instead of Category B (more skilled production jobs), and that they would be paid 15% less than the full B rate received by men. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greenham Common Women's Peace Camp
Greenham Common Women's Peace Camp was a series of protest camps established to protest against nuclear weapons being placed at RAF Greenham Common in Berkshire, England. The camp began on 5 September 1981 after a Welsh group, Women for Life on Earth, arrived at Greenham to protest against the decision of the British government to allow cruise missiles to be stored there. After realising that the march alone was not going to get them the attention that they needed to have the missiles removed, women began to stay at Greenham to continue their protest. The first blockade of the base occurred in March 1982 with 250 women protesting, during which 34 arrests and one death occurred. The camp was brought to a close in 2000 to make way for the Commemorative and Historic Site on the land that housed the original Women's Peace Camp at Yellow Gate Greenham Common between the years 1981 and 2000. History In September 1981, 36 women chained themselves to the base fence in protest against n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Oxenberg
Jan Oxenberg (1950) is an American film producer, director, editor, and screenwriter. She is known for her work in lesbian feminist films and in television. Career Oxenberg was born in Brooklyn, New York in 1950. She attended Barnard College for two years where she was active in the experimental college, a collaborative, co-living, and self-directed schooling experiment between Barnard and Columbia University starting in 1968. Oxenberg transferred to California Institute of the Arts (CalArts) and initially she studied feminist art with Judy Chicago and Miriam Shapiro, but later transferring into the CalArts film school. In 1972, Oxenberg was one of the many participants in Womanhouse, the first feminist art installation and performance art (specifically within the art pieces - Three Women, Birth Trilogy, Necco Wafers). In the 1970s she was involved with ELF (education liberation front), a traveling educational resource, carrying information and books on liberation movements, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Breillat
Catherine Breillat (; born 13 July 1948) is a French filmmaker, novelist and professor of auteur cinema at the European Graduate School. In the film business for over 40 years, Catherine Breillat chooses to normalize previously taboo subjects in cinema. Taking advantage of the medium of cinema, Breillat juxtaposes different perspectives to highlight irony found in society.Constable, "Unbecoming Sexual Desires for Women Becoming Sexual Subjects." Life and career Breillat was born in Bressuire, Deux-Sèvres, but grew up in Niort. She decided to become a writer and director at the age of twelve after watching Ingmar Bergman's ''Gycklarnas afton'', believing she had found her "fictional body" in Harriet Andersson's character, Anna.Archived aGhostarchiveand thWayback Machine She started her career after studying acting at Yves Furet's "Studio d'Entraînement de l'Acteur" in Paris together with her sister, actress Marie-Hélène Breillat (born 2 June 1947) in 1967. At the age of 17, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Rainer
Yvonne Rainer (born November 24, 1934) is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental."Yvonne Rainer - Biography" ''The New York Times'', Retrieved 3 November 2014. Her work is sometimes classified as . Rainer currently lives and works in New York."Dia Art Foundation - Yvonne Foundation" , Dia Art Foundation, Retrieved 3 November 2014. Early life Yvonne R ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Keane
Tina Keane (born 1940) is a British artist who has worked with film, video, digital media, and performance, and been a forerunner of multimedia art in the UK. Reflecting a feminist perspective, her works have often explored gender roles, sexuality, and political concerns. She has stated that her work is primarily about "identity and play". Biography Keane studied at the Hammersmith College of Art and at the Sir John Cass School of Art (1967–70) and received an MA in Independent Film and Video from the London College of Printing (1995–96). She was a founder member of the non-profit women’s film distribution organization Circles - Women in Distribution. Keane also curated and programmed exhibitions and screenings including The New Pluralism exhibition at the Tate Gallery, with Michael O'Pray, in 1985. Keane has been an important influence on successive generations of artists in the UK as a teacher at Central Saint Martins College of Arts and Design, London, where she was Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
