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Norse Mythology
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Worlds
Norse cosmology is the study of the cosmos (cosmology) as perceived by the ancient North Germanic peoples. The topic encompasses concepts from Norse mythology, such as notions of time and space, cosmogony, personifications, anthropogeny, and eschatology. Like other aspects of Norse mythology, these concepts are primarily recorded in the ''Poetic Edda'', a collection of poems compiled in the 13th century, and the ''Prose Edda'', authored by Icelander Snorri Sturluson in the 13th century, who drew from earlier traditional sources. Together these sources depict an image of Nine Worlds around a cosmic tree, Yggdrasil. Time and space Concepts of time and space play a major role in the Old Norse corpus's presentation of Norse cosmology. While events in Norse mythology describe a somewhat linear progression, various scholars in ancient Germanic studies note that Old Norse texts may imply or directly describe a fundamental belief in cyclic time. According to scholar John Lindow, "th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Neopaganism
Heathenry, also termed Heathenism, contemporary Germanic Paganism, or Germanic Neopaganism, is a modern Pagan religion. Scholars of religious studies classify it as a new religious movement. Developed in Europe during the early 20th century, its practitioners model it on the pre-Christian religions adhered to by the Germanic peoples of the Iron Age and Early Middle Ages. In an attempt to reconstruct these past belief systems, Heathenry uses surviving historical, archaeological, and folkloric evidence as a basis, although approaches to this material vary considerably. Heathenry does not have a unified theology but is typically polytheistic, centering on a pantheon of deities from pre-Christian Germanic Europe. It adopts cosmological views from these past societies, including an animistic view of the cosmos in which the natural world is imbued with spirits. The religion's deities and spirits are honored in sacrificial rites known as ''blóts'' in which food and libation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Mythology In Popular Culture
The Norse mythology, preserved in such ancient Icelandic texts as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends at this time, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. In the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as Japanese animation. Storytelling was an important aspect of Norse mythology and centuries later, with the rediscovery of the myth, Norse mythology once again relies on the impacts of storytelling to spread its agenda. Reintroduction to popular culture Antiquaries of the 19th century such as George Webbe Dasent brought the mythology of Scandinavia back to the popular notice of many people in Germany and England; in both cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking Revival
The Viking revival was a movement reflecting new interest in, and appreciation for Viking medieval history and culture. Interest was reawakened in the late 18th and 19th centuries, often with added heroic overtones typical of that Romantic era. The revival began earlier with historical discoveries and early modern publications dealing with Old Norse culture. The first printed edition of the 13th-century ''Gesta Danorum'' or the ''Legend of the Danes'' by Saxo Grammaticus, came out in 1514 just as book printing began become more practical and printing trade was quickly spreading. Olaus Magnus's ''Historia de gentibus septentrionalibus'', or "History of the northern peoples", was printed in 1555. The pace of publication increased during the 17th century with Latin translations of the famous Edda, notably Peder Resen's ''Edda Islandorum'' of 1665. The Edda consisted of two 13th-century Medieval Icelandic literary works on Norse mythology, written down in the 13th century, but certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Indo-European Religion
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, the hypothetical speakers of the reconstructed Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions. The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates – linguistic siblings from a common origin –, and associated with similar attributes and body of myths: such as *''Dyḗws Ph₂tḗr'', the daylight-sky god; his consort *''Dʰéǵʰōm'', the earth mother; his daughter *''H₂éwsōs'', the dawn goddess; his sons the Divine Twins; and ''*Seh₂ul'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Linguistics
Historical linguistics, also termed diachronic linguistics, is the scientific study of language change over time. Principal concerns of historical linguistics include: # to describe and account for observed changes in particular languages # to reconstruct the pre-history of languages and to determine their relatedness, grouping them into language families ( comparative linguistics) # to develop general theories about how and why language changes # to describe the history of speech communities # to study the history of words, i.e. etymology Historical linguistics is founded on the Uniformitarian Principle, which is defined by linguist Donald Ringe as: History and development Western modern historical linguistics dates from the late-18th century. It grew out of the earlier discipline of philology, the study of ancient texts and documents dating back to antiquity. At first, historical linguistics served as the cornerstone of comparative linguistics, primarily as a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comparative Mythology
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics.Littleton, p. 32 Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalysis, psychoanalytical theories. The comparative study of mythologies reveals the trans-national motifs that unify spiritual understanding globally. The significance of this study generates a "broad, sympathetic understanding of these "stories" in human history". The similarities of myth which remind humanity of the universality in the human experience. Background Anthropologist C. Scott Littleton defined comparative mythology as "the systematic comparison of myths and mythic themes drawn from a wide variety of cultures". By comparing different cultures' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Líf And Lífþrasir
In Norse mythology, Líf (identical with the Old Norse noun meaning "life, the life of the body")Cleasby & Vigfusson s.v. ''líf''. and Lífþrasir (Old Norse masculine name from ''líf'' and ''þrasir'' and defined by ''Lexicon Poëticum'' as ''"Livæ amator, vitæ amans, vitæ cupidus"'' "Líf's lover, lover of life, zest for life"),Egilsson s.v. ''Lífþrasir''. sometimes anglicized as Lif and Lifthrasir, female and male respectively, are two humans who are foretold to survive the events of Ragnarök by hiding in a wood called Hoddmímis holt and, after the flames have abated, to repopulate the newly risen and fertile world. Líf and Lífþrasir are mentioned in the ''Poetic Edda'', which was compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. Many scholars have speculated as to the underlying meaning and origins of the two names. Attestations In the poem ''Vafþrúðnismál'', collected in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragnarök
In Norse mythology, (; non, Ragnarǫk) is a series of events, including a great battle, foretelling the death of numerous great figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters, and the submersion of the world in water. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet and the world will be repopulated by two human survivors. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'', the event is referred to as (), a usage popularised by 19th-century composer Richard Wagner with the title of the last of his ''Der Ring des Nibelungen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ask And Embla
In Norse mythology, Ask and Embla ( non, Askr ok Embla )—male and female respectively—were the first two humans, created by the gods. The pair are attested in both the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In both sources, three gods, one of whom is Odin, find Ask and Embla and bestow upon them various corporeal and spiritual gifts. A number of theories have been proposed to explain the two figures, and there are occasional references to them in popular culture. Etymology Old Norse literally means " ash tree" but the etymology of ''embla'' is uncertain, and two possibilities of the meaning of ''embla'' are generally proposed. The first meaning, "elm tree", is problematic, and is reached by deriving ''*Elm-la'' from ''*Almilōn'' and subsequently to ("elm").Simek (2007:74). The second suggestion is "vine", which is reached through ''*Ambilō'', which may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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