Norns (1832) From Die Helden Und Götter Des Nordens, Oder Das Buch Der Sagen
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Norns (1832) From Die Helden Und Götter Des Nordens, Oder Das Buch Der Sagen
The Norns ( non, norn , plural: ) are deities in Norse mythology responsible for Fates, shaping the course of human destinies.''Nordisk familjebok'' (1907) In the ''Völuspá'', the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from Urðarbrunnr, their sacred well to nourish the Yggdrasill, tree at the center of the cosmos and prevent it from rot.The article Nornor' in ''Nordisk familjebok'' (1913). These three Norns are described as powerful maiden giantesses (Jötunn, Jotuns) whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in the ''Vafþrúðnismál''. Beside the three Norns tending Yggdrasill, Christianization of Scandinavia, pre-Christian Scandinavians attested to Norns who visit a newborn child in order to determine the person's future. These Norns could be malevolent or benevolent: the former causing tragic events in the world while the latter were kind and protective. Etymology ...
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Wyrd
Wyrd is a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny. The word is ancestral to Modern English ''weird'', whose meaning has drifted towards an adjectival use with a more general sense of "supernatural" or "uncanny", or simply "unexpected". The cognate term to ''wyrd'' in Old Norse is , with a similar meaning, but also personified as a deity: Urðr (anglicized as ), one of the Norns in Norse mythology. The word also appears in the name of the well where the Norns meet, Urðarbrunnr. Etymology The Old English term derives from a Proto-Germanic term . ''Wyrd'' has cognates in Old Saxon , Old High German , Old Norse , Dutch (to become), and German . The Proto-Indo-European root is meaning 'to twist', which is related to Latin ''vertere'' 'turning, rotating', and in Proto-Germanic is with a meaning 'to come to pass, to become, to be due'. The same root is also found in , with the notion of 'origin' or ' worth' both in the sense of 'connotati ...
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Skáldskaparmál
''Skáldskaparmál'' (Old Norse: 'The Language of Poetry'; c. 50,000 words; ; ) is the second part of the ''Prose Edda''. The section consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both Norse mythology and discourse on the nature of poetry are intertwined. The origin of a number of ''kennings'' is given; then Bragi delivers a systematic list of ''kennings'' for various people, places and things. He then goes on to discuss poetic language in some detail, in particular ''heiti'', the concept of poetical words which are non-periphrastic (like ''steed'' for ''horse''), and again systematises these. This in a way forms an early form of poetic thesaurus. References Bibliography * Further reading * Anthony Faulkes"The sources of ''Skáldskaparmál'': Snorri’s intellectual background" in: Alois Wolf (ed.), ''Snorri Sturluson'', Volume 51 of ScriptOralia, Gunter Narr Verlag (1993), 59–76. External ...
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Snorri Sturluson
Snorri Sturluson ( ; ; 1179 – 22 September 1241) was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker of the Icelandic parliament, the Althing. He is commonly thought to have authored or compiled portions of the ''Prose Edda'', which is a major source for what is today known as Norse mythology, and ''Heimskringla'', a history of the Norwegian kings that begins with legendary material in ''Ynglinga saga'' and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of ''Egil's saga''. He was assassinated in 1241 by men claiming to be agents of the King of Norway. Biography Early life Snorri Sturluson was born in (commonly transliterated as Hvamm or Hvammr) as a member of the wealthy and powerful Sturlungar clan of the Icelandic Commonwealth, in AD 1179. His parents were ''Sturla Þórðarson the Elder'' of ''Hvammur'' and his second wife, ''Guðný Böðvarsdóttir''. ...
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Old Norse Poetry
Old Norse poetry encompasses a range of verse forms written in Old Norse, during the period from the 8th century (see Eggjum stone) to as late as the far end of the 13th century. Most of the Old Norse poetry that survives was preserved in Iceland, but there are also around 122 verses preserved in Swedish rune inscriptions, 54 in Norwegian and 12 in Danish. Poetry played an important role in the social and religious world of the Vikings. In ''Skáldskaparmál'' (1), Snorri Sturluson, recounts the myth of how Odin brought the mead of poetry to Asgard. Poetry is referred to in such terms as 'the drink of the raven-god (= Odin)' even in the oldest preserved poetry, which is an indicator of its significance within the ancient Scandinavian culture. Old Norse poetry developed from the common Germanic alliterative verse, and as such has many commonalities with Old English, Old Saxon, and Old High German poetry, including alliteration, poetic circumlocutions termed kennings, and an exp ...
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Artistic License
Artistic license (alongside more contextually-specific derivative terms such as poetic license, historical license, dramatic license, and narrative license) refers to deviation from fact or form for artistic purposes. It can include the alteration of grammar or language, or the rewording of pre-existing text. History The artistic license may also refer to the ability of an artist to apply smaller distortions, such as a poet ignoring some of the minor requirements of grammar for poetic effect. For example, Mark Antony's "Friends, Romans, Countrymen, lend me your ears" from Shakespeare's ''Julius Caesar'' would technically require the word "and" before "countrymen", but the conjunction "and" is omitted to preserve the rhythm of iambic pentameter (the resulting conjunction is called an asyndetic tricolon). Conversely, on the next line, the end of "I come to bury Caesar, not to praise him" has an extra syllable because omitting the word "him" would make the sentence unclear, but ad ...
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Valkyrie
In Norse mythology, a valkyrie ("chooser of the slain") is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become (Old Norse "single (or once) fighters"Orchard (1997:36) and Lindow (2001:104).). When the are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions. The Old English cognate term appears in several Old E ...
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Hamingja
The hamingja was a type of female guardian spirit in Norse mythology. It was believed that she accompanied a person and decided their luck and happiness. Consequently, the name was also used to indicate happiness, and that is what it means in modern Icelandic. When a person died, the hamingja passed to a beloved family member and thus accompanied a family for several generations, continuing to influence their fortunes. It was even possible to lend one's own hamingja to a friend, as happened when Hjalti Skeggiason was about to leave on a perilous voyage and asked Olaf II of Norway to lend him his hamingja. It usually appears during sleep in the form of an animal, but it can also be the spirit of a sleeping person who appears in the form of an animal, as Bödvar Bjarki in the saga of Hrólfr Kraki. In Norse mythology, ''hamingja'' (Old Norse "luck"Orchard (1997:73).) refers to two concepts: * the personification of the good fortune or luck of an individual or family, * the altered ...
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Fylgja
In Norse mythology, a fylgja (Old Norse: , plural ) is a supernatural being or spirit which accompanies a person in connection to their fate or fortune. Description The word means "to accompany" similar to that of the Fetch in Irish folklore. It can also mean "afterbirth of a child" meaning that the afterbirth and the fylgja are connected. In some instances, the fylgja can take on the form of the animal that shows itself when a baby is born or as the creature that eats the afterbirth. In some literature and sagas, the fylgjur can take the form of mice, dogs, foxes, cats, birds of prey, or carrion eaters because these were animals that would typically eat such afterbirths. Other ideas of fylgjur are that the animals reflect the character of the person they represent, akin to a totem animal. Men who were viewed as a leader would often have fylgja to show their true character. This means that if they had a "tame nature", their fylgja would typically be an ox, goat, or boar. If ...
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Berlin Neues Museum Vaterlaendischer Saal Nornen Restored
Berlin is the capital and largest city of Germany, both by area and by population. Its more than 3.85 million inhabitants make it the European Union's most populous city, as measured by population within city limits having gained this status after the United Kingdom's, and thus London's, departure from the European Union. Simultaneously, the city is one of the states of Germany, and is the third smallest state in the country in terms of area. Berlin is surrounded by the state of Brandenburg, and Brandenburg's capital Potsdam is nearby. The urban area of Berlin has a population of over 4.5 million and is therefore the most populous urban area in Germany. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's second-largest metropolitan region after the Rhine-Ruhr region, and the fifth-biggest metropolitan region by GDP in the European Union. Berlin was built along the banks of the Spree river, which flows into the Havel in the western bor ...
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