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Norman Tucker
Norman Walter Gwynn Tucker (24 April 1910 – 10 August 1978) was an English musician, administrator and translator. Trained as a concert pianist, he was invited to join Sadler's Wells Opera in 1947 in an administrative role, and from 1948 to 1966 he was the managerial head of the company. His translations of operas new to the repertoire and fresh translations of repertoire works were performed by the company at Sadler's Wells Theatre and, after his retirement and the company's move, at the London Coliseum. Early years Tucker was born in the London suburb of Wembley, the son of Walter Edwin Tucker and his wife Agnes Janet."Tucker, Norman Walter Gwynn" ''Who Was Who'', A & C Black, 1920–2008; online edition, Oxford University Press, December 2007, accessed 13 June 2011 He was educated at [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HM Treasury
His Majesty's Treasury (HM Treasury), occasionally referred to as the Exchequer, or more informally the Treasury, is a department of His Majesty's Government responsible for developing and executing the government's public finance policy and economic policy. The Treasury maintains the Online System for Central Accounting and Reporting (OSCAR), the replacement for the Combined Online Information System (COINS), which itemises departmental spending under thousands of category headings, and from which the Whole of Government Accounts (WGA) annual financial statements are produced. History The origins of the Treasury of England have been traced by some to an individual known as Henry the Treasurer, a servant to King William the Conqueror. This claim is based on an entry in the Domesday Book showing the individual Henry "the treasurer" as a landowner in Winchester, where the royal treasure was stored. The Treasury of the United Kingdom thus traces its origins to the Treasury of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glen Byam Shaw
Glencairn Alexander "Glen" Byam Shaw, CBE (13 December 1904 – 29 April 1986) was an English actor and theatre director, known for his dramatic productions in the 1950s and his operatic productions in the 1960s and later. In the 1920s and 1930s Byam Shaw was a successful actor, both in romantic leads and in character parts. He worked frequently with his old friend John Gielgud. After working as co-director with Gielgud at the end of the 1930s, he preferred to direct rather than act. He served in the armed forces during the Second World War, and then took leading directorial posts at the Old Vic, the Shakespeare Memorial Theatre and Sadler's Wells (later known as the English National Opera). Life and career Early years Byam Shaw was born in London, the youngest of five siblings (four sons and one daughter) born to artist John Byam Liston Shaw and his wife, Caroline Evelyn Eunice Pyke-Nott (1870–1959), also an artist.Denison, Michael"Shaw, Glencairn Alexander Byam (1904–1986 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Saint-Denis
Michel Jacques Saint-Denis (13 September 1897 – 31 July 1971), ''dit'' Jacques Duchesne, was a French actor, theatre director, and drama theorist whose ideas on actor training have had a profound influence on the development of European theatre from the 1930s on. Life and career Saint-Denis was born in Beauvais, the nephew of Jacques Copeau, who had founded the Théâtre du Vieux-Colombier in 1913. Saint-Denis was exposed to theatre early in his life. He joined Copeau's troupe in 1919, after their return from New York City, where they had performed for two years. Saint-Denis was greatly influenced by Copeau's approach to theatre taught at his Ecole du Vieux-Colombier, which embraced not only the play on stage but also the actor training itself. He soon became Copeau's right-hand man, like Charles Dullin or Louis Jouvet before him. Together with other members of the troupe of the Vieux-Colombier, he followed his uncle to Burgundy in 1924, where they formed a new troupe that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Makropulos Affair
''Věc Makropulos'' is a Czech play written by Karel Čapek. Its title—literally ''The Makropulos Thing''—has been variously rendered in English as ''The Makropulos Affair'', ''The Makropulos Case'', or ''The Makropulos Secret'' (Čapek's own preferred English rendition). The main topic of the play is immortality. The play opens with an inheritance dispute between the aristocratic Prus family and the Gregor family, illegitimate descendants of a Prus nobleman who died in the 1820s. The dispute has lasted for a century. Famous singer Emilia Marty appears to be greatly interested in the case, without revealing her motives. She gradually reveals intimate knowledge of the 19th century nobleman and his household, along with personal experiences from the French Revolution. Emilia turns out to be Elina Makropulos, a woman from Crete who was accidentally granted a centuries-long life through a decision of Rudolf II, Holy Roman Emperor. She has lived for over 300 years, using many ali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Káťa Kabanová
''Káťa Kabanová'' (also known in various spellings including ''Katia'', ''Katja'', ''Katya'', and ''Kabanowa'') is an opera in three acts, with music by Leoš Janáček to a libretto by the composer based on '' The Storm'', a play by Alexander Ostrovsky, translated by . The opera was also largely inspired by Janáček's love for Kamila Stösslová. Although he was 67 when it was premiered, ''Káťa Kabanová'' is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre Brno on 23 November 1921. The opera has had a complex publication history. František Neumann, the conductor of the opera's first performance, made changes that were incorporated into the first publication of the score in 1922 by Universal Edition. Conductor Václav Talich later produced a "re-orchestrated" version of the score. In 1992, Sir Charles Mackerras published a critical edition of the opera.Wingfield, Paul, "Reviews of Music" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mackerras
Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra. He also specialized in Czech music as a whole, producing many recordings for the Czech label Supraphon. Early life and education Mackerras was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin. His father was an electrical engineer and a Quaker. Mackerras grew up in a very musical family and his mother was immensely cultured. In 1928, when Charles was aged two, the family returned to Sydney, Australia. They initially lived in the suburb of Rose Bay, and in 1933 they moved to the then semi-rural suburb of Turramurra. Mackerras was the eldest of seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luisa Miller
''Luisa Miller'' is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play ''Kabale und Liebe'' (''Intrigue and Love'') by the German dramatist Friedrich von Schiller. Verdi's initial idea for a new opera – for which he had a contract going back over several years – was rejected by the Teatro San Carlo in Naples. He attempted to negotiate his way out of this obligation and, when that failed, Cammarano came up with the idea of adapting the Schiller play, with which Verdi was familiar. The process was set in motion, with Verdi still living and working on initial ideas from Paris, where he had been living for almost two years before moving back to his home town of Busseto in the summer of 1849. It was from there that he wrote the music and traveled to Naples for rehearsals. The first performance was given on 8 December 1849. This was Verdi's 15th opera and it is regarded as the beginning of the composer's "middle period".Parke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
