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Norimasa Kaeriyama
(1 March 1893 – 6 November 1964) was a pioneering Japanese film director and film theorist. Biography Beginning with articles he submitted to Yoshizawa Shōten's magazine ''Katsudō shashinkai'' while still a student, Kaeriyama developed a long series of critiques of contemporary Japanese cinema that would make him the leading spokesman of the Pure Film Movement in the 1910s. The ideas about what cinema should be that he developed in the journal ''Kinema Record'', which he helped found with Yukiyoshi Shigeno, were accumulated in his 1917 book, ''The Production and Photography of Moving Picture Drama'' (Katsudō shashingeki no sōsaku to satsueihō), an influential work that continued to be reprinted into the 1920s. Although an engineer by training, Kaeriyama entered the film industry, first at Nihon Kinetophone in 1914, and then at Tennenshoku Katsudō Shashin (Tenkatsu) in 1917. It was at the latter that he was able to put his ideals into practice with films such as ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1893 Births
Events January–March * January 2 – Webb C. Ball introduces railroad chronometers, which become the general railroad timepiece standards in North America. * Mark Twain started writing Puddn'head Wilson. * January 6 – The Washington National Cathedral is chartered by Congress; the charter is signed by President Benjamin Harrison. * January 13 ** The Independent Labour Party of the United Kingdom has its first meeting. ** U.S. Marines from the ''USS Boston'' land in Honolulu, Hawaii, to prevent the queen from abrogating the Bayonet Constitution. * January 15 – The ''Telefon Hírmondó'' service starts with around 60 subscribers, in Budapest. * January 17 – Overthrow of the Kingdom of Hawaii: Lorrin A. Thurston and the Citizen's Committee of Public Safety in Hawaii, with the intervention of the United States Marine Corps, overthrow the government of Queen Liliuokalani. * January 21 ** The Cherry Sisters first perform in Marion, Iowa. ** The T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theorists
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Film Directors
This article is a list of Japanese film directors. __NOTOC__ A * Yutaka Abe * Masao Adachi * Kyōko Aizome * Masatoshi Akihara * Keita Amemiya * Tetsurō Amino * Hiroshi Ando * Hideaki Anno * Shinji Aoyama * Tarō Araki * Genjiro Arato * Mari Asato D * Masanobu Deme * Nobuhiro Doi F * Kei Fujiwara * Kinji Fukasaku * Jun Fukuda * Yasuo Furuhata * Tomoyuki Furumaya G * Hideo Gosha * Heinosuke Gosho H * Sachi Hamano * Tsutomu Hanabusa * Susumu Hani * Masato Harada * Yasuharu Hasebe * Kazuhiko Hasegawa * Ryusuke Hamaguchi * Ryōsuke Hashiguchi * Kaizo Hayashi * Shinji Higuchi * Hideyuki Hirayama * Ryūichi Hiroki * Ishirō Honda I * Jun Ichikawa * Kon Ichikawa * Mako Idemitsu * George Iida * Takahiko Iimura * Toshiharu Ikeda * Kazuo Ikehiro * Yutaka Ikejima * Kaoru Ikeya * Kunihiko Ikuhara * Tadashi Imai * Shohei Imamura * Shinji Imaoka * Hiroshi Inagaki * Haruo Inoue * Umetsugu Inoue * Isshin Inudo * Minoru Inuzuka * Yu Irie * Katsuhito Ishii * S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shizue Natsukawa
was a Japanese actress. Career Natsukawa was born in Tokyo and first appeared on stage at age seven. She joined the Nikkatsu studio in 1927 and came to fame through such films as ''Kantsubaki'' and Kenji Mizoguchi's ''Tokyo March''. She married the song composer Nobuo Iida and retired from acting for a while, but returned to the screen with Shiro Toyoda's ''Kojima no haru''. She played many secondary roles on film and television after the war. Both her brother Daijirō Natsukawa and her daughter Kahoru Natsukawa took up acting. Selected filmography Film *''The Glow of Life'' (1918) *''Tokyo March'' (1929) *''Young People'' (1937) *'' Spring on Leper's Island'' (1940) *''Love Letter'' (1953) *'' Be Happy, These Two Lovers'' (1953) *''Twenty-Four Eyes'' (1954) *''Shuzenji Monagatari'' (1955), Hōjō Masako *''Anzukko is a 1958 Japanese drama film directed by Mikio Naruse. It is based on a novel by Saisei Murō. Plot Kyoko, daughter of successful writer Hirayama, rejects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minoru Murata
was a Japanese film director, screenwriter, and actor who was one of the major directors of the silent era in Japan. Career Born in Tokyo, Murata started out as a shingeki actor on the stage. Murata's troupe appeared in the first " pure films" directed by Norimasa Kaeriyama at Tenkatsu in 1918. On the recommendation of the playwright Kaoru Osanai, he then joined Shochiku in 1920 and participated in the actors school Osanai ran there. He ended up directing ''Souls on the Road'' (1921), a ground breaking reformist film that is one of the few films surviving from that era. Murata later moved to Nikkatsu, where he directed such critical hits as '' Seisaku's Wife'' (1924) and ''The Street Juggler'' (1925) which were "important in establishing the form of Japanese films about contemporary life." He later worked at Shinkō Kinema. He started up the important journal, ''Eiga kagaku kenkyū'', in 1928 with Kiyohiko Ushihara, and helped found the Directors Guild of Japan in 1936, becom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maid Of The Deep Mountains
A maid, or housemaid or maidservant, is a female domestic worker. In the Victorian era domestic service was the second largest category of employment in England and Wales, after agricultural work. In developed Western nations, full-time maids are now only found in the wealthiest households. In other parts of the world, maids remain common in urban middle-class households. "Maid" in Middle English meant an unmarried woman, especially a young one, or specifically a virgin. These meanings lived on in English until recent times (and are still familiar from literature and folk music), alongside the sense of the word as a type of servant. Description In the contemporary Western world, comparatively few households can afford live-in domestic help, usually relying on cleaners, employed directly or through an agency (Maid service). Today a single maid may be the only domestic worker that upper-middle class households employ, as was historically the case. In less developed nations, v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theorist
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L'illus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
