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Noli Me Tangere (Bernini)
''Noli Me Tangere'' is a large sculptural arrangement that forms part of the Alaleona Chapel in the church of Santi Domenico e Sisto, in Rome. The architecutal outline of the chapel was designed by the Italian artist Gianlorenzo Bernini. The sculpture, which shows Jesus responding to Mary Magdalene with the words '''Do not touch me''' upon her recognition of him following the Resurrection, was also designed by Bernini and carried out by his pupil Antonio Raggi Antonio Raggi (1624–1686), also called ''Antonio Lombardo'', was a sculptor of the Roman Baroque, originating from today's Ticino. Biography He was born in Vico Morcote on the Lake Lugano. His mentor in Rome for nearly three decades was Gian ..., probably from 1649 to 1652. Preparatory Work A wash drawing exists in the Uffizi Gallery, Florence, that shows the overall design, although it appears that Raggi made some changes to the sculptural group. Patronage The chapel was commissioned by Sister Maria Eleono ...
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Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ...
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Santi Domenico E Sisto
The Church of Santi Domenico e Sisto is one of the titular churches in Rome, Italy in the care of the Roman Catholic Order of Preachers, better known as the Dominicans. It is located at No. 1 Largo Angelicum on the Quirinal Hill on the campus of the Pontifical University of St. Thomas Aquinas (Angelicum), of which it is the University Church. As a titular church it has been held by Cardinal José Tolentino Mendonça since 5 October 2019. History Exterior The first church at the site, '' Santa Maria a Magnanapoli'', was built sometime before the year 1000. The present church was built at the order of Dominican Pope Pius V. Construction on the church began in 1569 and on a convent for Dominican nuns in 1575. The original plan was the work of Giacomo della Porta though during the long construction period that stretched until 1663 several other architects were involved. The lower part of the church was designed by Nicola Torriani, and the upper part by Torriani or Vince ...
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Busts Of Pope Innocent X
The Busts of Pope Innocent X are two portrait busts by the Italian artist Gianlorenzo Bernini of Pope Innocent X, Giovanni Battista Pamphili. Created around 1650, both sculptures are now in the Galleria Doria Pamphili in Rome. Like the two busts of Cardinal Scipione Borghese, it is believed that Bernini created a second version of the bust once a flaw was discovered in the first version. There exist several similar versions of the bust done by other artists, most notably Alessandro Algardi Alessandro Algardi (July 31, 1598 – June 10, 1654) was an Italian high- Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the maj .... Wittkower 1955, p. 270. See also * List of works by Gian Lorenzo Bernini References ;Notes ;Bibliography * * * * * External links * 1650s sculptures Marble sculptures in Italy Sculptures of popes Pope Innocent X Busts in Italy
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Bust Of Francesco I D'Este
The ''Bust of Francesco I d'Este'' is a marble portrait bust by the Italian sculptor Gian Lorenzo Bernini. Completed in 1652, the work depicts Francesco I d'Este, Duke of Modena. It is in the Museo Estense, Modena, Italy. The noble yet detached expression of the face, the extensive drapery and the lavish locks of hair are often taken to be emblematic of the way Bernini represented "absolute monarchs" as seemingly adopting superior poses, oblivious to their surroundings. A painting of the portrait bust, surrounded by various objects, undertaken by the artist Francesco Stringa in the late 1660s is in the Minneapolis Institute of Art. See also *List of works by Gian Lorenzo Bernini The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roma ... Notes References * * * External links * {{Gian ...
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Gianlorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ...
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Jesus
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label= Hebrew/ Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow ...
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Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion and resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons had been driven out of her, a statement which is repeated in Mark 16. In all the four canonical gospels, Mary Magdalene was a witness to the crucifixion of Jesus and, in the Sy ...
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Antonio Raggi
Antonio Raggi (1624–1686), also called ''Antonio Lombardo'', was a sculptor of the Roman Baroque, originating from today's Ticino. Biography He was born in Vico Morcote on the Lake Lugano. His mentor in Rome for nearly three decades was Gianlorenzo Bernini. He initially joined the studio of Alessandro Algardi, but none of his work there is independently recognized and by 1647, like Ercole Ferrata, Raggi was working for Bernini, for whom he was to become his closest and most prolific pupil. "In most cases Bernini supplied Raggi with detailed ''modelli'' and supervised his work closely enough so that Raggi's statues express Bernini's conceit almost as well as a statue from Bernini's own hand." He completed the stucco decoration of ''San Tomaso di Villanova'' in Castel Gandolfo (1660–1), the stucco decoration of Bernini's Sant'Andrea al Quirinale, Sant'Andrea 1662–1665), the statues of ''Saint Bernardino'' and ''Pope Alexander VII Chigi'' for Duomo di Siena and the ''Virgin ...
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Wash Drawing
A wash is a term for a visual arts technique resulting in a semi-transparent layer of colour. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash."Pen, ink and wash"
National Portrait Gallery Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full . The classic East Asian tradition of

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List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:List Of Works By Gian Lorenzo Bernini Bernini Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his ... Works by Gian Lorenzo Bernini Lists of sculptures ...
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1640s Sculptures
Year 164 ( CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 '' Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoist (d. 244) * Yu Fan, Chinese scholar and official (d. ...
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1650s Sculptures
Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 '' Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commerc ...
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