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Noise Rap
Industrial hip hop is a fusion genre of industrial music and hip hop. History 1980s The origins of industrial hip hop are in the work of Mark Stewart, Bill Laswell, and Adrian Sherwood. In 1985, former The Pop Group singer Mark Stewart released ''As the Veneer of Democracy Starts to Fade'', an application of the cut-up style of industrial music, with the house band of Sugar Hill Records (Doug Wimbish, Keith Leblanc, and Skip McDonald). In 1986, The Beatnigs were formed in San Francisco. As a collaboration between Michael Franti, Rono Tse and Kevin Carnes, The Beatnigs combined hardcore punk, industrial and hip hop influences, described as "a kind of avant-garde industrial jazz poets collective". The band's stage performance included the use of power tools such as a rotary saw on a metal bar to create industrial noise and pyrotechnics. In the late 1980s, Laswell's Material project began to take increasing influence from hip hop. Adrian Sherwood was a major figure in British du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or ..., creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch (music), pitch, frequency, or duration of each Musical note, note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano, except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Wimbish
Douglas Arthur Wimbish (born September 22, 1956) is an American bass player, primarily known for being a member of rock band Living Colour and funk/dub/hip hop collective Tackhead, and as a session musician with artists such as Sugarhill Gang, Grandmaster Flash and the Furious Five, The Rolling Stones, Mick Jagger, Depeche Mode, James Brown, Annie Lennox, and Barrington Levy (as well as his studio work for the rap/hip hop label Sugarhill Records and the experimental dub label On-U Sound). Biography and career Born in Hartford, Connecticut, Wimbish started playing guitar at the age of 12 and switched to bass guitar at the age of 14. In 1979 he was hired together with guitarist Skip McDonald and drummer Keith LeBlanc to form the house rhythm section for Sugarhill Records. Although they did not play on the Sugarhill Gang's famous song "Rapper's Delight" (the rhythm tracks for this song were played by the group Positive Force), they did play on many other popular song trac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugar Hill Records (rap)
Sugar Hill Records was an American record label specializing in hip hop music that was founded in 1979 by husband and wife Joe and Sylvia Robinson with Milton Malden and funding from Tony Riviera and Morris Levy, the owner of Roulette Records. History Joe Robinson had parlayed a music publishing company that he established years before in New York into Red Robin, Fury, Fire, Enjoy, All Platinum, Stang, Vibration, and Turbo Records before establishing the Sugar Hill label. Artists included his wife Sylvia Robinson, of Mickey & Sylvia fame (who had success in the 1950s with "Love Is Strange"), The Moments ("Love on a Two Way Street"), Brother to Brother, Shirley and Company (" Shame Shame Shame"). Beginnings The Sugar Hill label's first record was "Rapper's Delight" (1979) by The Sugarhill Gang, which was also the first top 40 hip hop single. Afterwards Super Wolf, The Sequence, Grandmaster Flash and the Furious Five, Funky Four Plus One, Crash Crew, Treacherous Three, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut-up
The cut-up technique (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William S. Burroughs. It has since been used in a wide variety of contexts. Technique The cut-up and the closely associated fold-in are the two main techniques: *''Cut-up'' is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, ''TO MAKE A DADAIST POEM''. *''Fold-in'' is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in '' The Third Mind''. It is a joint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
As The Veneer Of Democracy Starts To Fade
''As the Veneer of Democracy Starts to Fade'' is the second album by British singer Mark Stewart, released in 1985 through Mute Records. Accolades Track listing Personnel ;Mark Stewart and the Maffia * Mark Stewart – vocals, production * Keith LeBlanc – drums *Skip McDonald – guitar *Adrian Sherwood – keyboards, production *Doug Wimbish Douglas Arthur Wimbish (born September 22, 1956) is an American bass player, primarily known for being a member of rock band Living Colour and funk/dub/hip hop collective Tackhead, and as a session musician with artists such as Sugarhill Gang ... – bass ;Additional musicians and production *Jill Mumford – design *Tim Young – mastering Chart positions References External links * {{Authority control 1985 albums Albums produced by Adrian Sherwood Mute Records albums Mark Stewart (English musician) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pop Group
The Pop Group are an English rock band formed in Bristol in 1977 by vocalist Mark Stewart, guitarist John Waddington, bassist Simon Underwood, guitarist/saxophonist Gareth Sager, and drummer Bruce Smith. Their work in the late 1970s crossed diverse musical influences including punk, dub, funk, and free jazz with radical politics, helping to pioneer post-punk music. The group released two albums, '' Y'' (1979) and ''For How Much Longer Do We Tolerate Mass Murder?'' (1980), and the singles "She Is Beyond Good and Evil" and " We Are All Prostitutes" (both 1979), then split in 1981. Its members worked on a variety of subsequent projects, including New Age Steppers and Rip Rig + Panic. In 2010, the band reunited, touring and releasing new material. History Original run (1977–1981) The Pop Group was formed in 1977 in Bristol when teenager Mark Stewart set out to start a funk group with schoolmates John Waddington and Simon Underwood. Inspired by the energy of punk rock but fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Sherwood
Adrian Maxwell Sherwood (born 20 January 1958, London, England) is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody. Career Sherwood was co-founder of Carib Gems and Pressure Sounds, and founder of Hitrun R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Laswell
William Otis Laswell (born February 12, 1955) is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles. According to music critic Chris Brazier, "Laswell's pet concept is 'collision music' which involves bringing together musicians from wildly divergent but complementary spheres and seeing what comes out." The credo of one record label run by Laswell which typifies much of his work is "Nothing Is True, Everything Is Permitted". Although his bands may be credited under the same name and often feature the same roster of musicians, the styles and themes explored on different albums can vary dramatically. Material began as a noisy dance music band, but later albums concentrated on hip hop, jazz, or spoken word readings by William S. Burroughs. Most versions of the band Praxis have included guitarist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Stewart (English Musician)
Mark Stewart (born 28 April 1960) is an English singer and founding member of The Pop Group.Strong, Martin C. (1999) "The Great Alternative & Indie Discography", Canongate, A pioneer of post-punk and industrial hip-hop, he has recorded for On-U Sound Records and Mute Records. Career Stewart was educated at Bristol Grammar School, one of Bristol's leading public schools, and was in the same year as fellow musician Nick Sheppard. Stewart began his music career in 1977 as a founder of The Pop Group, a band whose sonic experimentation, political conviction, and willingness to collaborate laid the foundations for his later work. The Pop Group split in 1981, with Stewart and two other members heading off to London to hook up with the emerging On-U Sound "conspiracy of outsiders" as part of the New Age Steppers. On-U became a focal point of a diverse set of networks – punks, reggae players from both the UK and Jamaica and free-jazzers. His first post-Pop Group release was as 'Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
