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Nobody Better
"Nobody Better" is a song by American singer Tina Moore. The original version of the song appears on her 1995 self-titled debut album. Like her previous single " Never Gonna Let You Go", a 2-step garage mix by Kelly G was released on the Delirious label in 1997. It was a top 20 hit in the UK, peaking at No. 20 on the UK Singles Chart in early 1998. Single formats also include another garage remix by Dem 2, 'Dem 2's Luv Unlimited Mix', and an R&B remix by Blacksmith. Critical reception ''Record Mirror'' Dance Update gave "Nobody Better" five out of five and named it Tune of the Week, writing, "Needless to say, they em 2pull this off brilliantly, creating so much depth and space allowing Tina Moore's sultry vocal to shine through. In massive demand already with very limited one-sided promo mailout, this will fly." Track listing * CD maxi-single # "Nobody Better" (Kelly G Radio Edit) # "Nobody Better" (Dem 2's Luv Unlimited Remix) # "Nobody Better" (Blacksmith A blacksmith i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Moore
Tina Moore (born October 17, 1970, in Racine, Wisconsin) is an American R&B musician. She scored two Top 20 hit singles in the UK in 1997 with " Never Gonna Let You Go" (#7) and " Nobody Better" (#20). Both singles were UK garage remixes of songs from her 1995 album ''Tina Moore Tina Moore (born October 17, 1970, in Racine, Wisconsin) is an American R&B musician. She scored two Top 20 hit singles in the UK in 1997 with " Never Gonna Let You Go" (#7) and " Nobody Better" (#20). Both singles were UK garage remix A rem ...''. Discography Studio albums Singles References External links * Musicians from Racine, Wisconsin Living people American contemporary R&B singers 20th-century African-American women singers UK garage singers 1970 births 21st-century American singers 21st-century American women singers Scotti Brothers Records artists 21st-century African-American women singers {{US-RnB-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Moore (album)
''Tina Moore'' is the debut album by American R&B singer Tina Moore, originally released in 1995. It includes the singles "Color Me Blue", which reached number 73 on the US Hot R&B/Hip-Hop Songs chart, "All I Can Do", which reached number 48, and " Never Gonna Let You Go", which peaked at number 27. The album was released in Europe in 1997 with two extra tracks, including the UK garage version of "Never Gonna Let You Go", which reached number seven on the UK Singles Chart. A remix of " Nobody Better" was also released as a single, reaching number 20 in the UK in 1998. Track listing Personnel Adapted from AllMusic. *Tina Moore – primary artist, background vocals *Scott Ahaus – mixing *Paul D. Allen – assistant engineer, drums, keyboard programming, keyboards *Curtiss Boone – arranger, drum programming, keyboards *Johnny Buzzerio – photography *Irving Collier – background vocals *Tony Dawsey – mastering * M. Doc – producer * Kevin Evans – executive producer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2-step Garage
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage.''A transcription of this article is availablhere as a PDF file.'' One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat. Characteristics A typical 2-step drum pattern features syncopated kick drums that skip a beat, with shuffled rhythm or triplets applied to other elements of the percussion, resulting in a sound noticeably distinct to those present in other house or techno music. Although rhythms with two kicks to a bar may be considered less energetic than the four on the floor pattern, 2-step rhythms maintain the listener's interest with off-beat snare placements and accents in the dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Never Gonna Let You Go (Tina Moore Song)
"Never Gonna Let You Go" is a song by American singer Tina Moore. Originally released as a single in May 1995 from her self-titled debut album, the song reached number 27 on the US '' Billboard'' Hot R&B/Hip-Hop Songs chart. In August 1997, a UK garage remix of the song by Kelly G was released on the Delirious label and became a top-10 hit in the UK, peaking at number seven on the UK Singles Chart. On the Eurochart Hot 100, it reached number 23 in September 1997. Several remixes are included on the CD and 12-inch formats, such as the 'Tuff Jam Classic Vocal Mix' and 'Warehouse Junkie Mix'. Critical reception Larry Flick from '' Billboard'' wrote that Moore "skips and slinks over hand-clapping R&B rhythm with a youthful, thoroughly appealing style." He noted that "there are moments when her fluttering range takes on a tone that is notably close to Mariah Carey", and complimented its "festive sing-along chorus." An editor from '' Daily Record'' viewed it as "impressive". '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hit Song
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. Origins The evolution of house music in the United Kingdom in the early to mid-1990s led to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dem 2
Dem 2 is the name of UK garage musician Dean Boylan. They were originally a duo which consisted of Boylan and Spencer Edwards, who are from Thurrock in Essex. Since 2011, Boylan continued releasing material under the Dem 2 moniker as a solo artist. The duo founded the record label New York Soundclash Records in 1994 and released the 12" vinyl "Reach". They are best known for the songs "Destiny", "Baby (You're So Sexy)" and Da Grunge Mix of "All I Know", released under the alias U.S. Alliance. "Destiny" was a hit single in 1998, reaching No. 58 on the UK Singles Chart and No. 1 on the UK Dance Singles Chart. Alexis Petridis, writing for ''The Guardian'' in 2019, looking back at the genre after 20 years, listed "Destiny" at number 13 in his list of his 20 best UK garage tracks. Simon Reynolds, writing in ''The Wire ''The Wire'' is an American Crime film, crime drama Television show, television series created and primarily written by author and former police reporter David Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blacksmith (musical Group)
Blacksmith are a British record production and remixing trio consisting of brothers Hugh and Karl Atkins, and Pete Trotman. They are also known by their aliases Tim Blacksmith, Karl Blacksmith and Peter Blacksmith, respectively. In 1988, under the alias The Beat Lads they released the single "It's You" on 4th & Broadway Records then in 1989 and 1990 released the singles "Get Back to Love" and "Hold You Back" on London Records' sublabel FFRR. Among their earliest remixes (in 1989) include those of Bananarama's " Cruel Summer '89 (Swing Beat Dub)", Cookie Crew's "Come On & Get Some (Jack Swing Mix)", Big Daddy Kane's "Ain't No Stoppin' Us Now (Brixton Dance Hall Mix)" and the Brixton and UPSO mixes of Salt-N-Pepa's "Expression (song), Expression". Throughout the 1990s and 2000s, they produced and remixed for many artists including Salt-N-Pepa, Eric B. & Rakim, DJ Jazzy Jeff & the Fresh Prince, Massive Attack, Tony! Toni! Toné!, Another Level (group), Another Level, Eternal (grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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