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No Distance Left To Run (film)
''No Distance Left to Run'' is a documentary film about the British rock band Blur, released in cinemas on 19 January 2010. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews. It was released on DVD on 15 February 2010 region free and the recording of the 2009 Hyde Park concert is included on a second disc. It aired on BBC2 on 14 March 2010. It is the band's second documentary video, following '' Starshaped'' seventeen years before in 1993. Track listing DVD one ''No Distance Left to Run'' #''No Distance Left to Run'' (the film) #Theatrical trailer DVD two ''Live at Hyde Park'' (filmed 2 July 2009) #"Intro" #" She's So High" #" Girls & Boys" #"Tracy Jacks" #"There's No Other Way" #"Jubilee" #"Badhead" #"Beetlebum" #" Out of Time" #"Trimm Trabb" #"Coffee & TV" #" Tender" #"Country House" #"Oily Water" #"Chemical World" #"Sunday Sunday" #"Parklife" #"End of a Century" #" To the End" #"This Is a Low" #"Popscene" ...
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Damon Albarn
Damon Albarn (; born 23 March 1968) is an English-Icelandic musician, singer-songwriter and composer, best known as the frontman and primary lyricist of the rock band Blur and as the co-creator and primary musical contributor of the virtual band Gorillaz. Raised in Leytonstone, East London, and around Colchester, Essex, Albarn attended The Stanway School, where he met guitarist Graham Coxon and formed Blur. They released their debut album ''Leisure'' in 1991. After spending long periods touring the US, Albarn's songwriting became increasingly influenced by British bands from the 1960s. The result was the Blur albums ''Modern Life Is Rubbish'' (1993), ''Parklife'' (1994) and '' The Great Escape'' (1995). All three received critical acclaim, while Blur gained mass popularity in the UK, aided by a Britpop chart rivalry with Oasis. Subsequent albums such as '' Blur'' (1997), '' 13'' (1999) and ''Think Tank'' (2003) incorporated influences from lo-fi, art rock, electronic an ...
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Tender (song)
"Tender" is a song by English rock band Blur from their sixth studio album, '' 13'' (1999). Written by the four band members about Blur frontman Damon Albarn's breakup with musician turned painter Justine Frischmann, the song became Blur's eleventh top-10 hit on the UK Singles Chart, debuting and peaking at number two on 28 February 1999. It also reached the top 20 in Greece, Iceland, Ireland, Italy, New Zealand, Norway, and Spain. Background, lyric and live performances The song's lyric, by Damon Albarn and Graham Coxon, describes the break-up between Albarn and Justine Frischmann, then the lead singer of Britpop band Elastica. Frischmann told British newspaper ''The Observer'' that she cried the first time she heard the song, then felt embarrassed and angered before she calmed down. The writers share the singing, with backing vocals by the London Community Gospel Choir. : During Coxon's hiatus from the group, Blur continued to perform the song, with Albarn asking audiences ...
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Grammy Award For Best Long Form Music Video
The Grammy Award for Best Music Film is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally named the Gramophone Awards, to performers, directors, and producers of quality videos or musical programs. Criteria Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". In order to qualify for this category, concert/performance films or music documentaries must be released theatrically or for sale to the public for the first time or first appearing on television or online during the current eligibility year. Dramatic feature films and biopics are not eligible. Background The category was preceded by the Grammy Award for Video of the Year, which was presented in 1982 and 1983, awarding long form videos ...
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Rotten Tomatoes
Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance, the original inspiration comes from a scene featuring tomatoes in the Canadian film ''Léolo'' (1992). Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango. Warner Bros. retained a minority stake in the merged entities, including Fandango. History Rotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong. His objective in creating Rotten Tomatoes was "to create a site where people can get access to reviews from ...
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The Universal
"The Universal" is a song by English alternative rock band Blur and is featured on their fourth studio album, '' The Great Escape'' (1995). It was released on 13 November 1995 as the second single from that album, charting at number five on the UK Singles Chart and number 12 in both Iceland and Ireland. In keeping with the song's science fiction theme, the single's cover art is an allusion to the opening shot of '' 2001: A Space Odyssey'', and the music video is a tribute to the movie ''A Clockwork Orange'', with the band dressed up in costumes similar to Alex and his droogs. Both films were directed by Stanley Kubrick. Music video A music video for the song was directed by Jonathan Glazer. The band is presented in imitation of the opening scenes from the 1971 film ''A Clockwork Orange'', in the Milk Bar. Blur star as the quasi-Droogs, complete with Damon Albarn wearing eyeliner similar to the character Alex DeLarge. They perform in the bar in all-white. Though the band do no ...
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For Tomorrow (song)
"For Tomorrow" is a song by English alternative rock band Blur. It is the lead track to their second album, ''Modern Life Is Rubbish'' (the title appears in the lyric). Released 19 April 1993 as the first single from the album, "For Tomorrow" charted at number 28 in the UK Singles Chart. The Visit to Primrose Hill Extended version of "For Tomorrow" was included in the band's compilation albums, '' Blur: The Best of'', (being the only song from ''Modern Life Is Rubbish'' to be featured) and '' Midlife: A Beginner's Guide to Blur''. Single background In this period the band had gone on a tour of the US which they greatly detested, especially as the country was the home of grunge and audiences were not receptive to their music. After that tour lead singer Damon Albarn started to write songs with a very British feel. This was one such song, written on Christmas Day 1992 at the family piano in his parents' house. David Balfe, the head of the band's record company, commissioned this ...
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Song 2
"Song 2" is a song by English rock band Blur. The song is the second song on their eponymous fifth studio album. Released on 7 April 1997, "Song 2" peaked at number two on the UK Singles Chart, number four on the Australian ARIA Singles Chart, and number six on the US '' Billboard'' Modern Rock Tracks chart (now called the Alternative Airplay chart). At the 1997 MTV Video Music Awards, "Song 2" was nominated for Best Group Video, and Best Alternative Video. At the 1998 Brit Awards, the song was nominated for Best British Single, and Best British Video. In 1998, BBC Radio 1 listeners voted "Song 2" the 15th Best Track Ever. In 2011, ''NME'' placed it number 79 on its list "150 Best Tracks of the Past 15 Years". Background According to Graham Coxon, "Song 2" was intended to be a joke on the record company. Damon Albarn had recorded an acoustic demo of the song which was slower but featured the song's distinctive "woo-hoo" chorus in whistle form. Coxon then suggested that t ...
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Popscene
"Popscene" is a song by English alternative rock band Blur, released as a non-album single on 30 March 1992. Despite its relatively low chart placing, it has since become critically praised and regarded as one of the pioneering songs of the Britpop genre. Recording The song was first played live in late 1991, and recorded at Matrix Studios in Holborn with producer Steve Lovell. The lyrics showed frontman Damon Albarn's distaste for the music business, complaining that there were too many insignificant indie bands. Musically, it was different to the style seen on the group's first album ''Leisure'' and featured heavily flanged guitars, a Can influenced drumbeat, and brass from session players the Kick Horns. The band considered "Popscene" to be the loudest and best thing they had worked on at that point. Reception The single reached No. 32 on the UK Singles Chart, and was panned by both '' Melody Maker'' and ''NME''. The Beastie Boys, guest reviewing for NME, suggested the ...
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This Is A Low
"This Is a Low" is a song by English rock band Blur for their third studio album, ''Parklife''. The song was released as a promotional single in 1995. Background and recording Originally titled "We Are the Low", the song began life as an instrumental during the ''Parklife'' sessions. In the guitar solo, Graham Coxon played three solos, including one of him sat in front of his amp, turned up to maximum volume. According to bassist Alex James, Damon Albarn was finding it hard to write lyrics. In his autobiography, ''A Bit of a Blur'', he revealed that "for Christmas I bought him a handkerchief with a map of the shipping forecast regions on it... you can never tell where the muse is going to appear." "We always found the shipping forecast soothing," James explained. "We used to listen to it n the American tourto remind us of home. It's very good for a hangover. Good cure for insomnia, too." On 4 February 1994, the penultimate day of official recording, Albarn was due to go into ...
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To The End (Blur Song)
"To the End" is a song by English alternative rock band Blur. It appears on their third studio album, ''Parklife'' (1994), and was released as a single in May 1994. The song describes a couple unsuccessfully trying to overcome a bad patch in a relationship, and features full orchestral accompaniment with a choric refrain in French by Lætitia Sadier from Stereolab. The song was produced by Stephen Hague, unlike the rest of the ''Parklife'' album, which was produced by Stephen Street. Blur have produced several different recordings of the song. Release Single "To the End" was released on 30 May 1994 as the second single from ''Parklife''. It was not one of Blur's major hits, charting only at number 16 in the UK Singles Chart, unlike the singles released before and after, which both reached the top 10. French version Blur also recorded a version in which Albarn sings the lead vocal in French. This was released as the third track on the 12" and CD2 editions of the "Parklife" ...
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End Of A Century
"End of a Century" is a song by English alternative rock band Blur. Released in November 1994, it was the last single to be released from their third album, ''Parklife'' (1994). "End of a Century" reached number 19 on the UK Singles Chart, considered a disappointment by Andy Ross of Food Records. Albarn later stated that "End of a Century" may not have been the best choice for the album's fourth single, and that "This Is a Low" would have been a better alternative. Lyrical content Damon Albarn stated that the song is about "how couples get into staying in and staring at each other. Only instead of candle-light, it's the TV light." The opening line, "she said there's ants in the carpet", refers to an infestation of ants that Albarn and his then-girlfriend Justine Frischmann suffered in their then-home in Kensington. The lyrics seem to emphasise the then upcoming millennium change and the fact that people contemplate the future rather than take care of the present. Producer St ...
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Parklife (song)
"Parklife" is the title track from English rock band Blur's third studio album, ''Parklife'' (1994). When released as the album's third single in August 1994, it reached No. 10 on the UK Singles Chart and No. 30 in Ireland. The song contains elements of spoken word in the verses, narrated by actor Phil Daniels, who also appears in the song's music video. The choruses are sung by lead singer Damon Albarn. The song won British Single of the Year and British Video of the Year at the 1995 Brit Awards and was also performed at the 2012 Brit Awards. The Massed Bands of the Household Division performed "Parklife" at the London 2012 Olympics closing ceremony. The song is one of the defining tracks of Britpop, and features on the 2003 compilation album '' Live Forever: The Rise and Fall of Brit Pop''. Background According to Coxon the song was sarcastic, rather than a celebration of Englishness. He explained the song "wasn't about the working class, it was about the park class: dustb ...
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