|
No Boundaries (The 5 Browns Album)
''No Boundaries'' is the second album from the classical piano group The 5 Browns. Critical reception James Manheim of AllMusic writes, "U.S. marketers have been looking for a crossover blockbuster to match Britain's parade of chart-topping teens, and they may just have found one in this quintet of well-scrubbed Utah siblings (three girls, two boys) who won separate scholarships to the Juilliard School The Juilliard School ( ) is a private performing arts conservatory in New York City. Established in 1905, the school trains about 850 undergraduate and graduate students in dance, drama, and music. It is widely regarded as one of the most elit ... in New York. The best news is that the playing here is musically solid and the repertoire even a bit challenging" Jed Distler of ''ClassicToday'' says, "These five brothers and sisters really can play!" and concludes his review with, "In all, this is an enjoyable disc, with something for everyone. But if the Browns seriously want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 5 Browns
The 5 Browns are a classical piano ensemble consisting of five siblings—two brothers and three sisters. Their repertoire ranges from beloved concert hall staples, such as Igor Stravinsky's ''The Rite of Spring'', Gershwin's ''Rhapsody in Blue'', and Grieg's ''In the Hall of the Mountain King'' to lesser known works like Nico Muhly's '' Edge of the World'' and John Novacek's ''Reflections on Shenandoah''. In addition to their work on five pianos, The 5 Browns perform and record works for solo piano, two pianos, and in various other combinations. Background In descending age order, the Browns are Desirae (born 1979), Deondra (born 1980), Gregory (born 1982), Melody (born 1984), and Ryan (born 1986). All five siblings, the children of Keith and Lisa Brown, were born in Houston, Texas, where each began piano study with Yelena Kurinets at age 3. In 1991, the family moved to Utah, and the children were homeschooled and continued private study there with Irene Peery-Fox. From 2001 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Firebird
''The Firebird'' (french: L'Oiseau de feu, link=no; russian: Жар-птица, Zhar-ptitsa, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece. Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes; ''L'Oiseau de feu'' was the first such major project. The success of the ballet was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Ginastera
Alberto Evaristo Ginastera (; April 11, 1916June 25, 1983) was an Argentinian composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. Biography Ginastera was born in Buenos Aires to a Spanish father and an Italian mother. During his later years, he preferred to use the Catalan and Italian pronunciation of his surname – , with an initial soft 'G' like that of English 'George' – rather than with a Spanish 'J' sound (). Ginastera studied at the Williams Conservatory in Buenos Aires, graduating in 1938. As a young professor, he taught at the Liceo Militar General San Martín. After a visit to the United States in 1945–47, where he studied with Aaron Copland at Tanglewood, he returned to Buenos Aires. He held a number of teaching posts. Among his notable students were Ástor Piazzolla (who studied with him in 1941), Alcides Lanza, Jorge Antunes, Waldo de los Ríos, Jacqueline Nova and Rafael Aponte-Ledé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzas Argentinas
''Danzas Argentinas'' (''Argentine Dances''), Op. 2, is a set of three dances for solo piano written in 1937 by Alberto Ginastera, one of the leading Latin American composers of the 20th century. ''Danza del viejo boyero'', Op. 2 no. 1 The first piece, ''Danza del viejo boyero'' ("Dance of the Old Herdsman"), immediately strikes the ear as being odd. The reason is as simple as it is strange: the left hand plays only black notes, while the right plays only white notes. This means it is composed of two modes ( bitonality), with the right hand in C Major and the left in D Major. Despite the seemingly unavoidable cacophony of that arrangement, Ginastera manages to frame a simple and charming melody through the use of rhythm and texture. The piece ends with a chord (E - A - D - G - B), the notes of a guitar when tuning. As a result of the criollo influence while looking for an Argentinian language, this was one of Ginastera's favourite chords. ''Danza de la moza donosa'', Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witold Lutoslawski
Witold may refer to: *Vytautas the Great Vytautas (c. 135027 October 1430), also known as Vytautas the Great ( Lithuanian: ', be, Вітаўт, ''Vitaŭt'', pl, Witold Kiejstutowicz, ''Witold Aleksander'' or ''Witold Wielki'' Ruthenian: ''Vitovt'', Latin: ''Alexander Vitoldus'', O ... (ca. 1350–1430), ruler of the Grand Duchy of Lithuania * Witold (given name), people with the given name ''Witold'' {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungarian Rhapsody No
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language, a Finno-Ugric language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine Hungarian or Magyar cuisine is the cuisine characteristic of the nation of Hungary and its primary ethnic group, the Magyars. Traditional Hungarian dishes are primarily based on meats, seasonal vegetables, fruits, bread, and dairy products. ..., the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lowell Liebermann
Lowell Liebermann (born February 22, 1961 in New York City) is an American composer, pianist and conductor. Life and career At the age of sixteen, Liebermann performed at Carnegie Hall, playing his Piano Sonata, op. 1. He studied at the Juilliard School of Music with David Diamond and Vincent Persichetti, earning bachelor's, master's and doctoral degrees. The English composer-pianist Kaikhosru Shapurji Sorabji also expressed interest in Liebermann's early work, having critiqued the young composer's Piano Sonata in a private exchange between the two; Liebermann's Concerto for Piano, op. 12 would be dedicated to Sorabji. His most recorded works are his Sonata for Flute and Piano (1987), '' Gargoyles'' for piano (1989), and his Concerto for Flute and Orchestra (1992). Other notable works include a sonata for flute and guitar (1988), five cello sonatas (most recently 2019) the second piano concerto (1992), the opera ''The Picture of Dorian Gray'' (1996), a second symphony (2000), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gargoyles (Liebermann)
''Gargoyles'', Op. 29, a four-movement suite for solo piano written by the American composer Lowell Liebermann in 1989. The suite was commissioned by the Tcherepnin Society for the pianist Eric Himy, who played its world premiere that October 14 at Alice Tully Hall in New York City. The score exemplifies Liebermann's modernist style, in which tonal harmony and expressive gestures grounded in tradition coexist with avant-garde procedures. The piece has become one of Liebermann's most popular efforts, receiving more than ten recordings. Many cathedral gargoyles portray grotesque faces with great humor, and Liebermann intends precisely that in his pieces, which have the mordant wit of Sergei Prokofiev's "bad boy" style in their ancestry. The brief opening movement commences with an arresting three-note “signal” and move forward with perpetual motion rhythms Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a "movement marked by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
