|
Nirvana (band) Members
( , , ; sa, निर्वाण} ''nirvāṇa'' ; Pali: ''nibbāna''; Prakrit: ''ṇivvāṇa''; literally, "blown out", as in an oil lampRichard Gombrich, ''Theravada Buddhism: A Social History from Ancient Benāres to Modern Colombo.'' Routledge) is a concept in Indian religions (Buddhism, Hinduism, Jainism, and Sikhism) that represents the ultimate state of soteriological release, the liberation from duḥkha and ''saṃsāra''. In Indian religions, nirvana is synonymous with ''moksha'' and ''mukti''. All Indian religions assert it to be a state of perfect quietude, freedom, highest happiness as well as the liberation from attachment and worldly suffering and the ending of ''samsara'', the round of existence.Gavin Flood, ''Nirvana''. In: John Bowker (ed.), '' Oxford Dictionary of World Religions'' However, non-Buddhist and Buddhist traditions describe these terms for liberation differently. In Hindu philosophy, it is the union of or the realization of the identity of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Poisons
The three poisons (Sanskrit: ''triviṣa''; Tibetan: ''dug gsum'') or the three unwholesome roots (Sanskrit: ''akuśala-mūla''; Pāli: ''akusala-mūla''), in Buddhism, refer to the three root kleshas: '' Moha'' (delusion, confusion), '' Raga'' (greed, sensual attachment), and '' Dvesha'' (aversion, hate). These three poisons are considered to be three afflictions or character flaws innate in a being, the root of ''Taṇhā'' (craving), and thus in part the cause of '' Dukkha'' (suffering, pain, unsatisfactoriness) and rebirths. The three poisons are symbolically drawn at the center of Buddhist '' Bhavachakra'' artwork, with rooster, snake, and pig, representing greed, ill will, and delusion respectively. Brief description In the Buddhist teachings, the three poisons (of ignorance, attachment, and aversion) are the primary causes that keep sentient beings trapped in samsara. These three poisons are said to be the root of all of the other kleshas. The three poisons are represe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Philosophy
Hindu philosophy encompasses the philosophies, world views and teachings of Hinduism that emerged in Ancient India which include six systems ('' shad-darśana'') – Samkhya, Yoga, Nyaya, Vaisheshika, Mimamsa and Vedanta.Andrew Nicholson (2013), Unifying Hinduism: Philosophy and Identity in Indian Intellectual History, Columbia University Press, , pages 2–5 In Indian tradition, the word used for philosophy is Darshana (Viewpoint or perspective), from the Sanskrit root ('to see, to experience'). These are also called the Astika (theistic) philosophical traditions and are those that accept the Vedas as an authoritative, important source of knowledge. Ancient and medieval India was also the source of philosophies that share philosophical concepts but rejected the Vedas, and these have been called (heterodox or non-orthodox) Indian philosophies. Nāstika Indian philosophies include Buddhism, Jainism, Chārvāka, Ājīvika, and others.P Bilimoria (2000), Indian Philosoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nirvana (Buddhism)
Nirvana (Sanskrit: निर्वाण, '; Pali: ') is "blowing out" or "quenching" of the activities of the worldly mind and its related suffering. Nirvana is the goal of the Hinayana and Theravada Buddhist paths, and marks the soteriological release from worldly suffering and rebirths in ''saṃsāra''. Nirvana is part of the Third Truth on "cessation of '' dukkha''" in the Four Noble Truths, and the "'' summum bonum'' of Buddhism and goal of the Eightfold Path." In the Buddhist tradition, nirvana has commonly been interpreted as the extinction of the "three fires", or "three poisons", greed ('' raga''), aversion ('' dvesha'') and ignorance ('' moha''). When these ''fires'' are extinguished, release from the cycle of rebirth (''saṃsāra'') is attained. Nirvana has also been claimed by some scholars to be identical with '' anatta'' (non-self) and '' sunyata'' (emptiness) states though this is hotly contested by other scholars and practicing monks. ; ; In time, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retroflexion
A retroflex ( /ˈɹɛtʃɹoːflɛks/), apico-domal ( /əpɪkoːˈdɔmɪnəl/), or cacuminal () consonant is a coronal consonant where the tongue has a flat, concave, or even curled shape, and is articulated between the alveolar ridge and the hard palate. They are sometimes referred to as cerebral consonants—especially in Indology. The Latin-derived word ''retroflex'' means "bent back"; some retroflex consonants are pronounced with the tongue fully curled back so that articulation involves the underside of the tongue tip (subapical). These sounds are sometimes described as "true" retroflex consonants. However, retroflexes are commonly taken to include other consonants having a similar place of articulation without such extreme curling of the tongue; these may be articulated with the tongue tip (apical) or the tongue blade (laminal). Types Retroflex consonants, like other coronal consonants, come in several varieties, depending on the shape of the tongue. The tongue may be eithe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandhi
Sandhi ( sa, सन्धि ' , "joining") is a cover term for a wide variety of sound changes that occur at morpheme or word boundaries. Examples include fusion of sounds across word boundaries and the alteration of one sound depending on nearby sounds or the grammatical function of the adjacent words. Sandhi belongs to morphophonology. Sandhi occurs in many languages, particularly in the phonology of Indian languages (especially Sanskrit, Tamil, Sinhala, Telugu, Marathi, Hindi, Pali, Kannada, Bengali, Assamese, Malayalam). Many dialects of British English show linking and intrusive R. A subset of sandhi called tone sandhi more specifically refers to tone changes between words and syllables. This is a common feature of many tonal languages such as Mandarin Chinese. Types Internal and external sandhi Sandhi can be either * internal, at morpheme boundaries within words, such as ''syn- + pathy'': ''sympathy'', or * external, at word boundaries, such as the pronunciation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upanishad
The Upanishads (; sa, उपनिषद् ) are late Vedic Sanskrit texts that supplied the basis of later Hindu philosophy.Wendy Doniger (1990), ''Textual Sources for the Study of Hinduism'', 1st Edition, University of Chicago Press, , pages 2-3; Quote: "The Upanishads supply the basis of later Hindu philosophy; they are widely known and quoted by most well-educated Hindus, and their central ideas have also become a part of the spiritual arsenal of rank-and-file Hindus." They are the most recent part of the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge; earlier parts of the Vedas deal with mantras, benedictions, rituals, ceremonies, and sacrifices.Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veda
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas ( mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavata Purana
The ''Bhagavata Purana'' ( sa, भागवतपुराण; ), also known as the ''Srimad Bhagavatam'', ''Srimad Bhagavata Mahapurana'' or simply ''Bhagavata'', is one of Hinduism's eighteen great Puranas (''Mahapuranas''). Composed in Sanskrit by Veda Vyasa, it promotes '' bhakti'' (devotion) towards Krishna, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent ''devas'' (deities) and evil ''asuras'' (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari" and " Vāsudeva" in the text) – first makes peace with the demons, understands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihadaranyaka Upanishad
The ''Brihadaranyaka Upanishad'' ( sa, बृहदारण्यक उपनिषद्, ) is one of the Principal Upanishads and one of the first Upanishadic scriptures of Hinduism. A key scripture to various schools of Hinduism, the ''Brihadaranyaka Upanisad'' is tenth in the Muktikā or "canon of 108 Upanishads". The ''Brihadaranyaka Upanishad'' is estimated to have been composed about 7th-6th century BCE, excluding some parts estimated to have been composed after the '' Chandogya Upanishad''. The Sanskrit language text is contained within the ''Shatapatha Brahmana'', which is itself a part of the Shukla Yajur Veda. The ''Brihadaranyaka Upanishad'' is a treatise on Ātman (Self), includes passages on metaphysics, ethics and a yearning for knowledge that influenced various Indian religions, ancient and medieval scholars, and attracted secondary works such as those by Adi Shankara and Madhvacharya. Chronology The chronology of ''Brihadaranyaka Upanishad'', like other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śūnyatā
''Śūnyatā'' ( sa, शून्यता, śūnyatā; pi, suññatā) pronounced in English as (shoon-ya-ta), translated most often as ''emptiness'', ''vacuity'', and sometimes ''voidness'', is a Buddhist concept which has multiple meanings depending on its doctrinal context. It is either an ontological feature of reality, a meditative state, or a phenomenological analysis of experience. In Theravāda Buddhism, ''Suññatā'' often refers to the non-self (Pāli: ''anattā'', Sanskrit: ''anātman'') nature of the five aggregates of experience and the six sense spheres. ''Suññatā'' is also often used to refer to a meditative state or experience. In Mahāyāna Buddhism, ''śūnyatā'' refers to the tenet that "all things are empty of intrinsic existence and nature ('' svabhava'')", but may also refer to the Buddha-nature teachings and primordial or empty awareness, as in Dzogchen, Shentong, or Chan. Etymology "''Śūnyatā''" (Sanskrit) is usually translated as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Upanishad")
.jpg "Click for more on -> Śūnyatā")