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Ninkura
Ninkurra or Ninkur was a name of multiple Mesopotamian deities, including a divine artisan, presumably a sculptress. There is no agreement among researchers if this Ninkurra corresponds to the identically named goddess appearing in the myth '' Enki and Ninhursag''. A different deity named Ninkur appears in enumerations of ancestors of Enlil in god lists. This theonym was also employed as a logogram to represent the name of a goddess worshiped in Mari and in Emar on the Euphrates, possibly to be identified as the wife of Dagan, Shalash. Ninkurra in southern Mesopotamia The theonym Ninkurra ('' d nin-kur-ra'') or Ninkur (''dnin-kur'') is sparsely attested in sources from southern Mesopotamia. It is assumed that more than one deity bearing this name existed. According to Dina Katz all of them were female, though in a more recent publication Josephine Fechner and Michel Tanret point out a reference to a male Ninkurra in the god list ''An = Anum''. Craftsman deity Ninkurra (altern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninhursag
, deity_of=Mother goddess, goddess of fertility, mountains, and rulers , image= Mesopotamian - Cylinder Seal - Walters 42564 - Impression.jpg , caption=Akkadian cylinder seal impression depicting a vegetation goddess, possibly Ninhursag, sitting on a throne surrounded by worshippers (circa 2350-2150 BC) , symbol=Omega-like symbol , children = Ninurta, Ashgi, Panigingarra , consort=Enlil, Enki Ninḫursaĝ ( sux, ''Ninḫarsang''; ) sometimes transcribed Ninursag,Britannica, The Editors of Encyclopaedia. "Ninhursag". ''Encyclopedia Britannica'', 2 May 2018, https://www.britannica.com/topic/Ninhursag. Accessed 28 April 2022. Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" (possibly in relation to her standing on the mountain) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninimma
Ninimma was a Mesopotamian goddess best known as a courtier of Enlil. She is well attested as a deity associated with scribal arts, described in modern publications as a divine scholar, scribe or librarian by modern researchers. She could also serve as an assistant of the birth goddess Ninmah, and a hymn describes her partaking in cutting of umbilical cords and determination of fates. It has also been suggested that she was associated with vegetation. In the Middle Babylonian period she additionally came to be viewed as a healing deity. Nippur was Ninimma's main cult center, though she is also known from documents from other cities, such as Adab and Uruk. In known sources, she appears alongside deities such as Nisaba, who like her was associated with scribes, or other members of Enlil's court, such as Shuzianna and Ninkasi. She is sparsely attested in literary texts, with only two hymns dedicated to her presently known. She also appears in the myth ''Enki and Ninmah'' and in a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An = Anum
''An = Anum'', also known as the Great God List, is the longest preserved Mesopotamian god list, a type of lexical list cataloging the deities worshiped in the Ancient Near East, chiefly in modern Iraq. While god lists are already known from the Early Dynastic period, ''An = Anum'' has most likely only been composed in the Kassite period. While often mistakenly described as a list of Sumerian deities and their Akkadian equivalents, ''An = Anum'' is focused on presenting the familial relationships between deities, as well as their courts and spheres of influence. The first four tablets list the major gods and goddesses ( Anu, Enlil, Ninhursag, Enki, Sin, Shamash, Adad and Ishtar) and their courts, arranged according to theological principles, but tablets V and VI do not appear to follow a clear system, and tablet VII is a late appendix listing the names of Marduk and one of his courtiers. Many other works of ancient scholarship were influenced by ''An = Anum'', including a simila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limestone
Limestone ( calcium carbonate ) is a type of carbonate sedimentary rock which is the main source of the material lime. It is composed mostly of the minerals calcite and aragonite, which are different crystal forms of . Limestone forms when these minerals precipitate out of water containing dissolved calcium. This can take place through both biological and nonbiological processes, though biological processes, such as the accumulation of corals and shells in the sea, have likely been more important for the last 540 million years. Limestone often contains fossils which provide scientists with information on ancient environments and on the evolution of life. About 20% to 25% of sedimentary rock is carbonate rock, and most of this is limestone. The remaining carbonate rock is mostly dolomite, a closely related rock, which contains a high percentage of the mineral dolomite, . ''Magnesian limestone'' is an obsolete and poorly-defined term used variously for dolomite, for limes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sennacherib
Sennacherib (Neo-Assyrian cuneiform: or , meaning " Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705BC to his own death in 681BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant. Other events of his reign include his destruction of the city of Babylon in 689BC and his renovation and expansion of the last great Assyrian capital, Nineveh. Although Sennacherib was one of the most powerful and wide-ranging Assyrian kings, he faced considerable difficulty in controlling Babylonia, which formed the southern portion of his empire. Many of Sennacherib's Babylonian troubles stemmed from the Chaldean tribal chief Marduk-apla-iddina II, who had been Babylon's king until Sennacherib's father defeated him. Shortly after Sennacherib inherited the throne in 705BC, Marduk-apla-idd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemstone
A gemstone (also called a fine gem, jewel, precious stone, or semiprecious stone) is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments. However, certain rocks (such as lapis lazuli, opal, and obsidian) and occasionally organic materials that are not minerals (such as amber, jet, and pearl) are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity and notoriety are other characteristics that lend value to gemstones. Apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem expert is a gemologist, a gem maker is called a lapidarist or gemcutter; a diamond cutter is called a diamantaire. Characteristics and classification The traditional classification in the West, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mîs-pî
Mîs-pî, inscribed KA-LUḪ.Ù.DA and meaning “washing of the mouth,” is an ancient Mesopotamian ritual and incantation series for the cultic induction or vivification of a newly manufactured divine idol. It involved around eleven stages: in the city, countryside and temple, the workshop, a procession to the river, then beside the river bank, a procession to the orchard, in reed huts and tents in the circle of the orchard, to the gate of the temple, the niche of the sanctuary and finally, at the quay of the ''Apsû'', accompanied by invocations to the nine great gods, the nine patron gods of craftsmen, and assorted astrological bodies. The ritual The extant corpus of tablets comprising ''mîs-pî'' consist of two ritual accounts, one late Babylonian and one earlier Assyrian, together with several Sumerian incantations to be recited at the various stages of the ritual, recovered from a wide distribution of find spots. These date from the eighth to the fifth centuries BC and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptress
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clay
Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4). Clays develop plasticity when wet, due to a molecular film of water surrounding the clay particles, but become hard, brittle and non–plastic upon drying or firing. Most pure clay minerals are white or light-coloured, but natural clays show a variety of colours from impurities, such as a reddish or brownish colour from small amounts of iron oxide. Clay is the oldest known ceramic material. Prehistoric humans discovered the useful properties of clay and used it for making pottery. Some of the earliest pottery shards have been dated to around 14,000 BC, and clay tablets were the first known writing medium. Clay is used in many modern industrial processes, such as paper making, cement production, and chemical filtering. Between one-half and two-thirds of the world's population live or work in buildings made with clay, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ea (god Enki)
, image = Enki(Ea).jpg , caption = Detail of Enki from the Adda Seal, an ancient Akkadian cylinder seal dating to circa 2300 BC , deity_of = God of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic, mischief , symbol = Goat, fish, goat-fish, chimera , consort = Ninhursag, Damkina , children = Marduk, Dumuzid, Ninsar, Ninkurra, Uttu, Ninti , parents = An and Nammu , Greek_equivalent = Poseidon, PrometheusStephanie West. "Prometheus Orientalized" page 147 Museum Helveticum Vol. 51, No. 3 (1994), pp. 129–149 (21 pages) Enki ( sux, ) is the Sumerian god of water, knowledge ('' gestú''), crafts (''gašam''), and creation (''nudimmud''), and one of the Anunnaki. He was later known as Ea ( akk, ) or Ae in Akkadian (Assyrian- Babylonian) religion, and is identified by some scholars with Ia in Canaanite religion. The name was rendered Aos in Greek sources (e.g. Damascius). He was originally the patron god of the city of Eridu, but lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incantation
An incantation, a spell, a charm, an enchantment or a bewitchery, is a magical formula intended to trigger a magical effect on a person or objects. The formula can be spoken, sung or chanted. An incantation can also be performed during ceremonial rituals or prayers. In the world of magic, wizards, witches, and fairies allegedly perform incantations. In medieval literature, folklore, fairy tales, and modern fantasy fiction, enchantments are charms or spells. This has led to the terms "enchanter" and "enchantress" for those who use enchantments. The English language borrowed the term "incantation" from Old French in the late 14th century; the corresponding Old English term was ''gealdor'' or '' galdor'', "song, spell", cognate to ON galdr. The weakened sense "delight" (compare the same development of "charm") is modern, first attested in 1593 (OED). Words of incantation are often spoken with inflection and emphasis on the words being said. The tone and rhyme of how the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akkadian Language
Akkadian (, Akkadian: )John Huehnergard & Christopher Woods, "Akkadian and Eblaite", ''The Cambridge Encyclopedia of the World's Ancient Languages''. Ed. Roger D. Woodard (2004, Cambridge) Pages 218-280 is an extinct East Semitic language that was spoken in ancient Mesopotamia ( Akkad, Assyria, Isin, Larsa and Babylonia) from the third millennium BC until its gradual replacement by Akkadian-influenced Old Aramaic among Mesopotamians by the 8th century BC. It is the earliest documented Semitic language. It used the cuneiform script, which was originally used to write the unrelated, and also extinct, Sumerian (which is a language isolate). Akkadian is named after the city of Akkad, a major centre of Mesopotamian civilization during the Akkadian Empire (c. 2334–2154 BC). The mutual influence between Sumerian and Akkadian had led scholars to describe the languages as a '' Sprachbund''. Akkadian proper names were first attested in Sumerian texts from around the mid 3rd-mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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