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Nils Von Dardel
Nils Dardel (full name Nils Elias Kristofer von Dardel, sometimes known as ''Nils de Dardel'') was a 20th-century Swedish Post-Impressionist painter, grandson to famous Swedish painter Fritz von Dardel. Biography Dardel was born in Bettna, Södermanland, Sweden in 1888. He studied at the Royal Swedish Academy of Arts in Stockholm between 1908–1910. Some of his most famous paintings are ''Den döende dandyn'', ''Crime Passionnel'', ''Svarta Diana'' and ''John blund''. Family life Nils Dardel was born into the Swedish noble family ''von Dardel'', son of the landowner Fritz August von Dardel and Sofia Matilda Norlin. His grandfather was the Swedish painter Fritz von Dardel, adjutant to the later king Charles XV of Sweden and member of the Royal Swedish Academy of Arts in Stockholm, where Nils later studied between 1908–1920, and of which he eventually became a member in 1934. In 1919, he proposed to Nita Wallenberg, but her father, a Swedish diplomat, disapproved of Dard ...
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Bettna
Bettna is a locality situated in Flen Municipality, Södermanland County, Sweden with 412 inhabitants in 2010. It is also a parish with the same name. Bettna is located at a similar distance from Flen, Katrineholm and Nyköping (20-30 km) and about from the nearest village of Vrena across the Nyköping municipal line. The boundary goes a few hundred metres from the village entrance by national road 52. The topography around the village is generally flat with occasional rolling hills and little elevation is covered when travelling to either of the three nearby municipal centres. It lies at roughly above sea level. Bettna is also adjacent to the lake Yngaren and also has other lakes in its vicinity. The oldest part of the church was built in the 12th century. Its organ was approved by the Swedish king Gustaf III shortly before his assassination in 1792. The organ was reconstructed in 1988. The Swedish post-impressionist painter Nils von Dardel was born in Bettna in 1888. Riks ...
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Edita Morris
Edith (Edita) Dagmar Emilia Morris, born ''Toll'' (5 March 1902 – 15 March 1988) was a Swedish-American writer and political activist. Biography Edita Morris was born in Örebro in Sweden. Her parents were Reinhold Toll, an agronomist who had published books on dairy and cattle farming, and Alma Prom-Möller. The Toll family was well known in Sweden. Her grandfather was a general. She grew up in Stockholm as the youngest of four sisters. When she was still a child her father left the family and emigrated to England. In 1925, she married the journalist and writer Ira Victor Morris (1903–1972), whose father, Ira Nelson Morris, served as the US envoy in Stockholm; and whose grandfather, Nelson Morris, was the founder of the Chicago meatpacking firm, Morris & Company. He gave them a manor house in the small village of Nesles-la-Gilberde, 60 kilometers outside Paris. Ira and Edita had several homes and traveled widely throughout the world. They spent the Second World War ...
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Senlis, Oise
Senlis () is a commune in the northern French department of Oise, Hautes de France. The monarchs of the early French dynasties lived in Senlis, attracted by the proximity of the Chantilly forest. It is known for its Gothic cathedral and other historical monuments. Its inhabitants are called "Senlisiens" and "Senlisiennes". Geography Senlis is situated on the river Nonette, between the forests of Chantilly and d'Ermenonville in the South and d'Halatte on the North. It is located 40 kilometers to the north of Paris, 44 km from Beauvais and 79 km from Amiens. The highest point of the town (140m) lies at the heart of the forest Halatte and the lowest point is located on the banks of the Nonette, west of the city. Geologically, the area is occupied by a vast limestone plateau of the Lutetian covered mostly in silt. History Senlis was known in early Roman imperial times as Augustomagus and later as Civitas Silvanectium ("City of the Silvanectes"). During the 3rd century, ...
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Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionism, Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today an ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris ( Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Pau ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Post-Impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ...
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Fauvists
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' ( French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). The paintings of the Fauves were characterized by seem ...
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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ...
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Sigrid Hjerten
Sigrid is a Scandinavian given name for women from Old Norse ''Sigríðr'', composed of the elements ''sigr'' "victory" and ''fríðr'' "beautiful". Common short forms include Siri, Sigga, Sig, and Sigi. An Estonian and Finnish variant is Siiri. The Latvian version of the name is Zigrīda. People * Sigrid (singer), Norwegian singer * Princess Sigrid of Sweden, Swedish princess * Sigrid Alegría, Chilean actress * Sigrid Alexandersen (born 1995), Norwegian orienteer * Sigrid Agren, French fashion model * Sigrid Banér, Swedish letter writer * Sigrid Björkegren (1845 – 1936), Swedish entrepreneur * Sigrid Borge (born 1995), Norwegian javelin thrower * Sigrid Brahe, Swedish countess * Sigrid Brattabø Handegard (born 1963), Norwegian politician * Sigrid D. Peyerimhoff, a German chemist * Sigrid Elmblad (1860 – 1926), a Swedish journalist and poet * Sigrid Eskilsdotter (Banér), a Swedish noble * Sigrid Fick, a Swedish tennis player * Sigrid af Forselles (1860—1935), F ...
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Einar Jolin
Einar Jolin (7 August 189029 August 1976) was a Swedish Painting, painter best known for his decorative and slightly naïve art, naïve Expressionism, Expressionist style. After studying at Konstfack, Stockholm in 1906 and at the ''Konstnärsförbundets skola, Konstnärsförbundets målarskola'' (the Artists Association Art School), Jolin and his friends Isaac Grünewald and Einar Nerman went to Paris for further studies at Henri Matisse's academy from 1908 to 1914. He painted portraits, still lifes and cityscapes, always accentuating what he called "the beautiful" in his motifs. He mainly worked in Oil paint, oils and Watercolor painting, watercolors, using delicate brush strokes and light colors. His most noted works are his paintings of Stockholm during the 1910s and 1920s in his trademark naïve style. Jolin made numerous travels, collecting impressions and inspiration for his paintings. He journeyed to Africa, India and the West Indies, but favored the countries around the ...
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Isaac Grünewald
Isaac Grünewald (2 September 1889 – 22 May 1946) was a Swedish-Jewish expressionist painter born in Stockholm. He was the leading and central name in the first generation of Swedish modernists from 1910 up until his death in 1946, in other words during almost his entire career spanning four decades. He was a highly productive painter as well as a writer and public speaker. Biography Having studied at an influential Swedish art school for three years, at age 19 Grünewald travelled with his friends Einar Jolin and Einar Nerman to Paris where they soon began studies at Henri Matisse's academy. In 1909 he gained recognition in his homeland when he exhibited his work with a group of Scandinavian artists known as The Young Ones. He met his future wife Sigrid Hjertén in 1909 and encouraged her to study painting with him in Paris. Having married in 1911, Grünewald and Hjertén from 1912 on regularly exhibited together at home and abroad. Art historians nowadays often cite them ...
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