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Nijinska
Bronislava Nijinska (; pl, Bronisława Niżyńska ; russian: Бронисла́ва Фоми́нична Нижи́нская, Bronisláva Fomínična Nižínskaja; be, Браніслава Ніжынская, Branislava Nižynskaja; – February 21, 1972) was a Polish ballet dancer, and an innovative choreographer. She came of age in a family of traveling, professional dancers. Her own career began in Saint Petersburg. Soon she joined Ballets Russes which ventured to success in Paris. She met war-time difficulties in Petrograd and revolutionary turbulence in Kiev. In France again, public acclaim for her works came quickly, cresting in the 1920s. She then enjoyed continuing successes in Europe and the Americas. Nijinska played a pioneering role in the broad movement that diverged from 19th-century classical ballet. Her introduction of modern forms, steps, and motion, and a minimalist narrative, prepared the way of future works. Following serious home training, she entered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irina Nijinska
Irina Nijinska (20 November 1913 – 2 July 1991) was a Russian-Polish ballet dancer who performed with the company of Ida Rubinstein; in the Théatre de la Danse Nijinska; the Ballets Russes of Col. de Basil; the Polish Ballet, and other troupes. She spent much of her later life promoting the work of her mother, Bronislava Nijinska, the dancer and choreographer.W. J. Weatherby, 'Defender of the dance', ''The Guardian'', 6 July 1991 Irina Nijinska was born in St Petersburg, the daughter of Nijinska and dancer Alexander Kotchetovsky. Her uncle was the world famous dancer Vaslav Nijinsky; and her grandparents were dancers Thomas Nijinsky and Eleanora Bereda. After her brother Leo was born in Kiev in 1919, her parents separated. Her mother took her two children west in 1921, eventually settling in France. Irina trained as a dancer in Paris, studying with Vera Trefilova and Eugene Lapitsky, and beginning pointe work with her grandmother. She made her debut with Olga Spessivtzeva's trou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely reinvigorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish National Ballet
The Polish National Ballet (PNB) is the largest and the most important ballet company in Poland. It continues a national ballet heritage, which dates to the 17th century. Modernly it was known until 2008 as the ballet of the Teatr Wielki - Polish National Opera. In that year the ballet received artistic autonomy reflected in the theatre's by-laws and was elevated to the rank of Polish National Ballet. Since then, its director is Polish choreographer Krzysztof Pastor. Ballet events in Polish history In 1628 a traveling Italian opera troupe created the first ballet performance in Poland. Ballet scenes were then often incorporated into operas held at the court theater. For many years it was foreign dancers who performed. Eventually in 1765 the first permanent ballet company was formed, on the initiative of the king Stanisław II August. The company functioned with some interruptions in the Saxon’s Opernhaus (opera house), the first Polish public theater. A 1766 book on ballet b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyra Nijinsky
Kyra Vaslavovna Nijinsky (19 June 1913– 1 September 1998), was a ballet dancer of Polish and Hungarian ancestry, with a Russian dance and cultural heritage. She was the daughter of Vaslav Nijinsky and the niece of Bronislava Nijinska. In the 1930s she appeared in ballets mounted by Ida Rubinstein, Max Reinhardt, Marie Rambert, Frederick Ashton, Antony Tudor. Her father Vaslav (1889-1950) was a world-renowned dancer with the Ballets Russes in Paris. Her aunt Bronia (1891-1972) also excelled in dance and was a leading choreographer, initially with Ballets Russes. Her mother Romola de Pulszky was a socialite and author. Romola's mother, Kyra's grandmother, was Emilia Márkus, a popular Hungarian actress. Kyra was born to Romola and Vaslav in Vienna.Nadine Meisner, Klaudia Zelazowska, Life and career During Kyra's earliest years she evidently delighted in her father's love and affection. Unfortunately he became unbalanced and by 1917 had ceased performing, yet his fame as a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaslav Nijinsky
Vaslav (or Vatslav) Nijinsky (; rus, Вацлав Фомич Нижинский, Vatslav Fomich Nizhinsky, p=ˈvatsləf fɐˈmʲitɕ nʲɪˈʐɨnskʲɪj; pl, Wacław Niżyński, ; 12 March 1889/18908 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century. Born in Kiev to Polish parents, Nijinsky grew up in Imperial Russia but considered himself to be Polish. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance ''en pointe'', a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps. Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His elder brother Stanislav and younger sister Bronislava "Bronia" Nijinska also became dancers; Bronia also became a choreographer, working closely with him for much of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Noces
''Les Noces'' (French for The Wedding; russian: Свадебка, ''Svadebka'') is a ballet and orchestral concert work composed by Igor Stravinsky for percussion, pianists, chorus, and vocal soloists. The composer gave it the descriptive title "Choreographed Scenes with Music and Voices" and dedicated it to impresario Sergei Diaghilev. Though initially intended to serve as a ballet score, it is often performed without dance. The ballet premiered under the musical direction of Ernest Ansermet at the Ballets Russes with choreography by Bronislava Nijinska on 13 June 1923, in Paris. Several versions of the score have been performed, either substituting orchestra for the percussion and pianos or using pianolas in accordance with a version of the piece that Stravinsky abandoned without completing. Composition Stravinsky first conceived of writing the ballet in 1913 and completed it in short score by October 1917. He wrote the libretto himself using Russian wedding lyrics taken prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rite Of Spring
''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography List of classical music concerts with an unruly audience response, caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (ballet)
''Carnaval'' (Russian: Карнавал) is a ballet based on the music of Robert Schumann's piano suite '' Carnaval'', Op. 9, as orchestrated by Alexander Glazunov, Nikolai Rimsky-Korsakov, Anatoly Lyadov and Alexander Tcherepnin. It was choreographed by Michel Fokine to his own libretto, with costumes designed by Léon Bakst, and premiered in Pavlovsk on 5 March (old style, 20 February) 1910. The leading dancers of the Imperial Ballet were engaged in the production: Tamara Karsavina (Columbine), Leonid Leontiev (Harlequin), Vera Fokina (Chiarina), Ludmilla Schollar (Estrella), Bronislava Nijinska (Papillon), Vsevolod Meyerhold (Pierrot), Vasily Kiselev (Florestan), and Alexander Shiryaev (Eusebius). The ballet became world-famous due to its production by Sergei Diaghilev's Ballets Russes (Theater des Westens, Berlin, 20 May 1910), with new sets and costumes by Bakst, with Lydia Lopokova as Columbine and Vaslav Nijinsky as Harlequin. History ''Carnaval'' was created in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minsk
Minsk ( be, Мінск ; russian: Минск) is the capital and the largest city of Belarus, located on the Svislach and the now subterranean Niamiha rivers. As the capital, Minsk has a special administrative status in Belarus and is the administrative centre of Minsk Region (voblast) and Minsk District (raion). As of January 2021, its population was 2 million, making Minsk the 11th most populous city in Europe. Minsk is one of the administrative capitals of the Commonwealth of Independent States (CIS) and the Eurasian Economic Union (EAEU). First documented in 1067, Minsk became the capital of the Principality of Minsk before being annexed by the Grand Duchy of Lithuania in 1242. It received town privileges in 1499. From 1569, it was the capital of the Minsk Voivodeship, an administrative division of the Polish–Lithuanian Commonwealth. It was part of a region annexed by the Russian Empire in 1793, as a consequence of the Second Partition of Poland. From 1919 to 1991, aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Dance And Hall Of Fame
The National Museum of Dance and Hall of Fame, in the Saratoga Spa State Park, Saratoga Springs, New York, was established in 1986. It contains photographs, videos, artifacts, costumes, and biographies. The museum is located in the former Washington Bath House and was founded by Marylou Whitney. It is related to the Saratoga Performing Arts Center and also provides dance classes and master classes through the Lewis A. Swyer School for the Arts, which hosts the New York State Summer School of the Arts during July and August. The National Museum of Dance and Hall of Fame purposed a mission from its very foundation. It was "to cultivate, promote, foster, sponsor, and develop among its members and the community at large, the appreciation, understanding, taste, and love of the Musical Arts, especially the Dance; to create a National Hall of Fame for the advancement of such purposes; to secure the interest of the patrons of these Arts, and to promote and encourage the means for popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Fokine
Michael Fokine, ''Mikhail Mikhaylovich Fokin'', group=lower-alpha ( – 22 August 1942) was a groundbreaking Imperial Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatr Wielki, Warsaw
The Grand Theatre in Warsaw ( pl, Teatr Wielki w Warszawie), known in full as the Grand Theatre–National Opera, is a theatre and opera complex situated on the historic Theatre Square in central Warsaw, Poland. The Warsaw Grand Theatre is home to the Polish National Ballet and is one of the largest theatrical venues in the world, with a seating capacity of over 2,000. The Warsaw Grand Theatre was inaugurated on 24 February 1833 with a production of Rossini's ''The Barber of Seville''. After the building's bombing and near-complete destruction in World War II, it was rebuilt and reopened on 19 November 1965 after having been closed for over twenty years. The original building was designed in a neoclassical style by architects Antonio Corazzi and Chrystian Piotr Aigner, and later restored by Bohdan Pniewski. History From 1833 The Theatre was built on Theatre Square between 1825 and 1833, replacing the former building of Marywil, from Polish classicist designs by the Italian a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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