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Nicolás Guillén
Nicolás Cristóbal Guillén Batista (10 July 1902 – 17 July 1989) was a Cuban poet, journalist, political activist, and writer. He is best remembered as the national poet of Cuba.Associated Press, "Nicolas Guillen, 87, National Poet of Cuba"
''The New York Times'', 18 July 1990: A19.
Born in , he studied law at the , but abandoned a legal career and worked as both a typographer and journalist. His poetry was published in various magazines from the early 1920s; his fir ...
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:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ...
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Mixed-race
Mixed race people are people of more than one race or ethnicity. A variety of terms have been used both historically and presently for mixed race people in a variety of contexts, including ''multiethnic'', ''polyethnic'', occasionally ''bi-ethnic'', '' Métis'', '' Muwallad'', ''Colored'', ''Dougla'', ''half-caste'', '' ʻafakasi'', ''mestizo'', ''Melungeon'', ''quadroon'', ''octoroon'', '' sambo/zambo'', ''Eurasian'', ''hapa'', ''hāfu'', ''Garifuna'', ''pardo'' and ''Guran''. A number of these terms are now considered offensive, in addition to those that were initially coined for pejorative use. Individuals of mixed-race backgrounds make up a significant portion of the population in many parts of the world. In North America, studies have found that the mixed race population is continuing to grow. In many countries of Latin America, mestizos make up the majority of the population and in some others also mulattoes. In the Caribbean, mixed race people officially make up the major ...
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La Noche De Los Mayas (suite)
''La noche de los mayas'' is a film score by the Mexican composer Silvestre Revueltas for the 1939 film of the same name, which relates to Mexico's pre-Columbian heritage. Revueltas's score consists of 36 sequences without any organic relation to one another, composed to be easily fitted to an already-edited film. The work is best known in the symphonic suite extracted by the Mexican conductor , whose arrangement extensively alters Revueltas' original score. Concert suites Since Revueltas' death in 1940, the film score has been arranged for performance in the concert hall. Hindemith In 1946 the German composer Paul Hindemith made a visit to Mexico where he met Rosaura Revueltas, sister of Silvestre. This led to his concert arrangement in two movements. Hindemith's version calls for a small orchestra consisting of: *2 flutes (both doubling piccolo) *1 oboe *2 clarinets *1 bassoon *4 horns *1 trumpet *1 trombone *1 tuba *timpani *percussion (tamtam, bass drum, cymbals, indian drum ...
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Sensemayá
''Sensemayá'' is a composition for orchestra by the Mexican composer Silvestre Revueltas, which is based on the poem of the same title by the Cuban poet Nicolás Guillén. It is one of Revueltas's most famous compositions. Poem Guillén's poem evokes a ritual Afro-Caribbean chant performed while killing a snake: : The poem "Sensemayá" is based on Afro-Cuban religious cults, preserved in the cabildos, self-organized social clubs for the African slaves. African religions were transmitted from generation to generation. In this poem we meet an adept known as the ''mayombero''. He is knowledgeable in the area of herbal medicine, as well as being the leader of rituals. In ''Sensemayá'', the mayombero leads a ritual which offers the sacrifice of a snake to a god. One of the main motives in ''Sensemayá'' is based on this word ''mayombero''. This chant "mayombe, bombe mayombé", is an example of Guillén's use of repetition, derived from an actual ceremony. Orchestral composition Re ...
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Silvestre Revueltas
Silvestre Revueltas Sánchez (December 31, 1899 – October 5, 1940) was a Mexican composer of classical music, a violinist and a conductor. Life Revueltas was born in Santiago Papasquiaro in Durango, and studied at the National Conservatory in Mexico City, St. Edward's University in Austin, Texas, and the Chicago College of Music. He gave violin recitals and in 1929 was invited by Carlos Chávez to become assistant conductor of the National Symphony Orchestra of Mexico, a post he held until 1935. He and Chávez did much to promote contemporary Mexican music. It was around this time that Revueltas began to compose in earnest. He began his first film score, ''Redes'', in 1934, a commission which resulted in Revueltas and Chávez falling out. Chávez had originally expected to write the score, but political changes led to him losing his job in the Ministry of Education, which was behind the film project. Revueltas left Chávez's orchestra in 1935 to be the principal conductor ...
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Son (music)
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Onomatopoeia
Onomatopoeia is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as ''oink'', ''meow'' (or ''miaow''), ''roar'', and ''chirp''. Onomatopoeia can differ between languages: it conforms to some extent to the broader linguistic system; hence the sound of a clock may be expressed as ''tick tock'' in English, in Spanish and Italian (shown in the picture), in Mandarin, in Japanese, or in Hindi. The English term comes from the Ancient Greek compound ''onomatopoeia'', 'name-making', composed of ''onomato''- 'name' and -''poeia'' 'making'. Thus, words that imitate sounds can be said to be onomatopoeic or onomatopoetic. Uses In the case of a frog croaking, the spelling may vary because different frog species around the world make different sounds: Ancient Greek (only in Aristophanes' comic play ''The Frogs'') probably ...
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Mestizo
(; ; fem. ) is a term used for racial classification to refer to a person of mixed Ethnic groups in Europe, European and Indigenous peoples of the Americas, Indigenous American ancestry. In certain regions such as Latin America, it may also refer to people who are culturally European even though their ancestors are not. The term was used as an ethnic/racial category for mixed-race that evolved during the Spanish Empire. Although, broadly speaking, means someone of mixed European/Indigenous heritage, the term did not have a fixed meaning in the colonial period. It was a formal label for individuals in official documents, such as censuses, parish registers, Inquisition trials, and others. Priests and royal officials might have classified persons as mestizos, but individuals also used the term in self-identification. The noun , derived from the adjective , is a term for racial mixing that did not come into usage until the twentieth century; it was not a colonial-era term.Rappap ...
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Afro-Cuban
Afro-Cubans or Black Cubans are Cubans of West African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba thought to emanate from this community and the combining of native African and other cultural elements found in Cuban society such as race, religion, music, language, the arts and class culture. Demographics According to a 2012 national census which surveyed 11.2 million Cubans, 1 million Cubans described themselves as Afro-Cuban or Black, while 3 million considered themselves to be "mulatto" or "mestizo". Thus a significant proportion of those living on the island affirm some African ancestry. Although, there has been much discussion over the actual demographic composition of the island. While the 2012 national census showed that only 11% of Cubans reported themselves to be Afro-Cuban or Black, most international sources and independent studies have shown the proportion of Cubans who are black, or possess significant African genetic ...
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Black Poetry
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have often been used to describe opposites such as good and evil, the Dark Ages versus Age of Enlightenment, and night versus day. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason it is still commonly worn by judges and magistrates. Black was one of the first colors used by artists in Neolithic cave paintings. It was used in ancient Egypt and Greece as the color of the underworld. In the Roman Empire, it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches, and magic. In the 14th century, it was worn by royalty, clergy, judges, and government officials in much of Europe. It became the color worn by English romantic poets, businessme ...
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