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Nicolas Cammaille-Saint-Aubin
Nicolas Cammaille-Saint-Aubin (25 March 1770, Paris – 26 August 1832, Paris) was a French playwright. Biography Cammaille made his acting debut at the Théâtre de l'Ambigu-Comique in 1792 and the very day after the assassination of Marat, announced in the ''Journal des spectacles'' that he had written a comedy in tribute to the Revolutionary leader. That was ''L'Ami du peuple ou Les intrigants démasqués'' which met an important success when given at the Ambigu-Comique in 1793. ''Le Concert de la rue Feydeau ou la Folie du jour'' witten with René Perin triggered unrest in the political press conducted by Alphonse Martainville. Director of the Ambigu-Comique in 1797, he became an employee by the Ministry of police after the Coup of 18 Fructidor then became head of the Théâtre de la Cité in 1800 a position he held only a year due to the little success of the plays that were presented at that time. He continued to perform in his own plays then, in 1804, joined the troupe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Ambigu-Comique
The Théâtre de l’Ambigu-Comique (, literally, Theatre of the Comic-Ambiguity), a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in 1827 was destroyed by fire. A new, larger theatre with a capacity of 2,000 as compared to the earlier 1,250 was built nearby on the boulevard Saint-Martin at its intersection with the rue de Bondy and opened the following year. The theatre was eventually demolished in 1966. History of the first theatre in the boulevard du Temple It was founded in 1769 on the boulevard du Temple, originally known as the Promenades des Ramparts, in Paris by Nicolas-Médard Audinot, formerly a comedian of the Opéra-Comique, which he had left to become a puppet-master at the Paris fairs. Audinot had already been a success in one of the sites of the Saint-Germain Fair, where his large marionettes (called "bamboches") were in vogue. Under the name of his foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Guillaume Ducray-Duminil
François Guillaume Ducray-Duminil (1761, Paris - 29 October 1819, Ville-d'Avray) was a French novelist, poet and songwriter. Career Born in Paris, from 1790 onward, Ducray-Duminil was the literary editor of ''Les Petites Affiches'' where he was known for the great forbearance of his reviews. A member of several literary societies, most notably of the ''Société du Caveau'', he wrote poetry and lyrics as well as a few plays that were never produced. He is best known as a writer for children and young adults, a genre in which he became extremely popular. Worried about the moral message of his works, he saw to it that virtue and innocence should prevail after a series of ingenious twists in the plot. In ''Les Misérables'' Victor Hugo refers to his works as "stupid romances" which the favourite reading of Thénardiers, Madame Thénardier. Critics ridiculed his style and syntax, but he mainly aimed at clarity, an essential quality considering the type of audience he was addres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1770 Births
Year 177 ( CLXXVII) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Commodus and Plautius (or, less frequently, year 930 ''Ab urbe condita''). The denomination 177 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Commodus Caesar (age 15) and Marcus Peducaeus Plautius Quintillus become Roman Consuls. * Commodus is given the title ''Augustus'', and is made co-emperor, with the same status as his father, Marcus Aurelius. * A systematic persecution of Christians begins in Rome; the followers take refuge in the catacombs. * The churches in southern Gaul are destroyed after a crowd accuses the local Christians of practicing cannibalism. * Forty-seven Christians are martyred in Lyon (Saint Blandina and Pothinus, bishop o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century French Dramatists And Playwrights
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Data
In the pursuit of knowledge, data (; ) is a collection of discrete values that convey information, describing quantity, quality, fact, statistics, other basic units of meaning, or simply sequences of symbols that may be further interpreted. A datum is an individual value in a collection of data. Data is usually organized into structures such as tables that provide additional context and meaning, and which may themselves be used as data in larger structures. Data may be used as variables in a computational process. Data may represent abstract ideas or concrete measurements. Data is commonly used in scientific research, economics, and in virtually every other form of human organizational activity. Examples of data sets include price indices (such as consumer price index), unemployment rates, literacy rates, and census data. In this context, data represents the raw facts and figures which can be used in such a manner in order to capture the useful information out of it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Larousse
Pierre Athanase Larousse (23 October 18173 January 1875) was a French grammarian, lexicographer and encyclopaedist. He published many of the outstanding educational and reference works of 19th-century France, including the 15-volume ''Grand dictionnaire universel du XIXe siècle''. Early life Pierre Larousse was born in Toucy, where his father was a blacksmith. At the age of sixteen he won a scholarship at the teaching school in Versailles. Four years later, he returned to Toucy to teach in a primary school, but became frustrated by the archaic and rigid teaching methods. In 1840 he moved to Paris to improve his own education by taking free courses. Career From 1848 to 1851 he taught at a private boarding school, where he met his future wife, Suzanne Caubel (although they did not marry until 1872). Together, in 1849, they published a French language course for children. In 1851 he met Augustin Boyer, another disillusioned ex-teacher, and together they founded the ''Librairie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ménétrier
Charles Ménétrier (born 1804 at Vimont (Calvados) - 19 May 1888) was a French theater critic as well as a playwright. A journalist working for ''La Tribune'', ''L'Entr'acte'', '' Le Magasin pittoresque'' and the ''Revue et Gazette des Théâtres'', and a friend of Camille Corot, Rodolphe Walter, Élisabeth Foucart-Walter, ''Corot à Mantes'', 1997, he wrote under the pen name Charles Listener. His plays were presented on the stage of the Gymnase-Enfantin. Works *1833 : ''Caliban, par deux ermites de Ménilmontant rentrés dans le monde'', with Édouard Pouyat *1836 : ''Le cœur d'une mère'', one-act comédie en vaudeville, with Xavier Veyrat *1837 : ''Le Nabab, ou la Sœur des anges'', one-act comedy, mingled with songs *1840 : ''Arthur de Bretagne'', épisode de l'histoire d'Angleterre (1202), in 1 act, mingled with songs *1841 : ''Un bal d'enfants'', one-act comédie en vaudeville *1842 : ''Les Enfants d'Armagnac'', épisode de l'histoire de Paris, 1418, in 1 act mingled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also *Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Marat
Jean-Paul Marat (; born Mara; 24 May 1743 – 13 July 1793) was a French political theorist, physician, and scientist. A journalist and politician during the French Revolution, he was a vigorous defender of the ''sans-culottes'', a radical voice, and published his views in pamphlets, placards and newspapers. His periodical ''L'Ami du peuple'' (''Friend of the People'') made him an unofficial link with the radical Jacobin group that came to power after June 1793. His journalism was known for its fierce tone and uncompromising stance toward the new leaders and institutions of the revolution. Responsibility for the September massacres has been attributed to him, given his position of renown at the time, and an alleged paper trail of decisions leading up to the massacres. Others posit the collective mentality that made them possible resulted from circumstances and not from the will of any particular individual.Lefebvre, p. 236 Marat was assassinated by Charlotte Corday, a Giro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-François Ribié
Louis-François Ribié (1758 in Paris – 1830 in Martinique), also known as César Ribié, was a French actor and theatre manager Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perform .... External links Louis-François Ribiéon Data.bnf.fr Louis-François Ribiéon Wikisource Ribié's plays and their presentationsoCÉSAR Male actors from Paris 1758 births 1830 deaths French theatre managers and producers Directors of La Monnaie 18th-century French male actors 19th-century French male actors French male stage actors 18th-century French dramatists and playwrights {{France-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
