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Niccolò Barbieri
Niccolò (or Nicolò) Barbieri (Vercelli, 1586 - 1641) was an Italian writer and actor of the commedia dell'arte theatrical genre. He was also known as Beltrame di Milano ("Beltrame of Milan") in reference to one of his most popular characters, Beltrame; this was the main character of one of Barbieri's best known plays, '' L'inavertito'', which is known to have inspired Moliere's ''L'Étourdi ou les Contretemps'' ("The Blunderer"). Besides popularizing Beltrame, Barbieri is also credited with creating another ''commedia dell'arte'' mask, Scapino Scapino, or Scapin, is a zanni character from the commedia dell'arte. His name is related to the Italian word "scappare" (to escape) and his name translates to “little escape artist” in reference to his tendency to flee from fights, even those ....Niccolò Barbieri' Barbieri was a successful author and actor, and one of those that toured Europe; he is known, for example, to have played at the royal court of France. Besides plays, he ...
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Beltrame
Beltrame (in Milanese: ''Baltramm'') is a traditional character of the Italian ''commedia dell'arte'' associated to the city of Milan, and dating back to the 16th-17th century or earlier.Beltrame di Milano' It is also often referenced by the full name Beltrame di Milano and also as Beltrame di Gaggiano (from the ''borgo'' - now a ''comune'' - of Gaggiano, in the surroundings of Milan) or Beltrame de la Gippa (where the "gippa" is the large blouse, or tunic, worn by the character).The Commedia dell'arte'' The creation of Beltrame character is sometimes credited to Niccolò Barbieri. In any case, Barbieri largely contributed to the popularity of the character with plays such as ''L'inavvertito''.The Blunderer' Barbieri was an actor as well as a comedian, and assumed the role and stage name of Beltrame himself. His character is a usually a crafty, astute villager and husband and blunderer, always trying to appear of higher rank than he really is;. He took on several different roles, ...
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Vercelli
Vercelli (; pms, Vërsèj ), is a city and ''comune'' of 46,552 inhabitants (January 1, 2017) in the Province of Vercelli, Piedmont, northern Italy. One of the oldest urban sites in northern Italy, it was founded, according to most historians, around 600 BC. The city is situated on the Sesia River in the plain of the Po River between Milan and Turin. It is an important centre for the cultivation of rice and is surrounded by rice paddies, which are flooded in the summer. The climate is typical of the Po Valley with cold, foggy winters ( in January) and oppressive heat during the summer months ( in July). Rainfall is most prevalent during the spring and autumn; thunderstorms are common in the summer. The languages spoken in Vercelli are Italian and Piedmontese; the variety of Piedmontese native to the city is called ''Varsleis''. The world's first university funded by public money was established in Vercelli in 1228 (the seventh university founded in Italy), but was closed in 1 ...
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Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ...
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L'Étourdi Ou Les Contretemps
''L’Étourdi ou les Contretemps'' (''The Blunderer, or the Counterplots''), also known in English as ''The Bungler'', is a five-act theatrical comedy by the French playwright Molière. After premiering in Lyon in 1655, it appeared at the Théâtre du Petit-Bourbon in Paris in November 1658. The plot follows a servant's schemes to help his wealthy employer win the affections of a poor young woman. Characters * Lelio (''Lélie'' in the French original), a young aristocrat * Leander (''Léandre''), Lelio's rival * Mascarille, Lelio's servant * Hippolyta (''Hippolyte''), a young woman * Celia (''Célie''), a gypsy woman * Trufaldin, an old man * Pandolphus (''Pandolfe''), Lelio's father * Anselmo (''Anselme''), Hippolyta's father * Ergaste, a servant * Andrès, a young man Plot Two young aristocrats, Lelio and Leander, have been romancing a woman named Hippolyta, who is now engaged to Lelio. However, both men have become infatuated with Celia, a young gypsy who is Debt bondage, en ...
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Scapino
Scapino, or Scapin, is a zanni character from the commedia dell'arte. His name is related to the Italian word "scappare" (to escape) and his name translates to “little escape artist” in reference to his tendency to flee from fights, even those he himself begins. He has been dated to the last years of the 16th century, and his creation is sometimes credited to Niccolò Barbieri.Niccolò Barbieri' He is a Bergamo native, and was popularized by the actor Francesco Gabrielli. Costume Later versions show his costume with green (or sometimes turquoise) and white stripes, similar to Mezzetino's red and white, but Callot shows Scapino in an outfit similar to the early Brighella's, white with a tabaro and a sword on his belt, and topped with a torn hat adorned with feathers. He is in fact a variant on Brighella, more cowardly and less clever. Some people call him Brighella's brother, some his son. Character Scapino tends to make a confusion of anything he undertakes and metaphorica ...
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La Supplica
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ...
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17th-century Italian Writers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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17th-century Italian Male Writers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ...
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People From Vercelli
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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