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New York Etching Club
The New York Etching Club, formally New York Etchers Club, was one of the earliest professional organization in America devoted to the medium of etching. Its founders were inspired by the Etching revival that had blossomed in France and England in the middle of the 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right.E. T. L. “The New York Etching Club.” ''The Art Journal (1875-1887)'' 6 (1880): 186–87. https://doi.org/10.2307/20569534. History The first meeting of the New York Etchers Club took place in the studio of James David Smillie on May 2, 1877. An etching by Robert Swain Gifford was printed on a small press under the supervision of Leroy Milton Yale. Eventually, bi-monthly meetings moved to the studio of Henry Farrer where etchings were printed from a press that Farrer built. Other important members of the New York Etching Club included Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Waterman Wood
Thomas Waterman Wood (November 12, 1823 – April 14, 1903) was an American painter born in Montpelier, Vermont. Early life and education Thomas Waterman Wood's father, John Wood, came to Montpelier from Lebanon, New Hampshire in 1814. The Wood family was of Puritan descent, and it was from Lebanon that John Wood, the father of the artist, married his wife Mary Waterman. John Wood and his brother Cyrus were partners in a cabinet making business, the partnership concluding with the death of Cyrus in 1840. John's other brother, Zenas, lived to be 84 years of age. John Wood was the captain of an artillery company and for a long time, a deacon in the First Congregational Church. Career When fortune permitted, Wood went to Boston and studied for a short time in the studio of Chester Harding, a portrait painter. In 1850 he married Miss Minerva Robinson, then living in Waterbury, Vermont, and in the same year he built a summer home in the Carpenter Gothic style on the west side ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organizations Established In 1877
An organization or organisation (Commonwealth English; see spelling differences), is an entity—such as a company, an institution, or an association—comprising one or more people and having a particular purpose. The word is derived from the Greek word ''organon'', which means tool or instrument, musical instrument, and organ. Types There are a variety of legal types of organizations, including corporations, governments, non-governmental organizations, political organizations, international organizations, armed forces, charities, not-for-profit corporations, partnerships, cooperatives, and educational institutions, etc. A hybrid organization is a body that operates in both the public sector and the private sector simultaneously, fulfilling public duties and developing commercial market activities. A voluntary association is an organization consisting of volunteers. Such organizations may be able to operate without legal formalities, depending on jurisdiction, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Professional Associations Based In The United States
A professional is a member of a profession or any person who works in a specified professional activity. The term also describes the standards of education and training that prepare members of the profession with the particular knowledge and skills necessary to perform their specific role within that profession. In addition, most professionals are subject to strict codes of conduct, enshrining rigorous ethical Ethics or moral philosophy is a branch of philosophy that "involves systematizing, defending, and recommending concepts of right and wrong behavior".''Internet Encyclopedia of Philosophy'' The field of ethics, along with aesthetics, concerns ma ... and moral obligations. Professional standards of practice and ethics for a particular field are typically agreed upon and maintained through widely recognized professional associations, such as the Institute of Electrical and Electronics Engineers, IEEE. Some definitions of "professional" limit this term to those professions t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organizations Based In New York (state)
An organization or organisation (Commonwealth English; see spelling differences), is an entity—such as a company, an institution, or an association—comprising one or more people and having a particular purpose. The word is derived from the Greek word ''organon'', which means tool or instrument, musical instrument, and organ. Types There are a variety of legal types of organizations, including corporations, governments, non-governmental organizations, political organizations, international organizations, armed forces, charities, not-for-profit corporations, partnerships, cooperatives, and educational institutions, etc. A hybrid organization is a body that operates in both the public sector and the private sector simultaneously, fulfilling public duties and developing commercial market activities. A voluntary association is an organization consisting of volunteers. Such organizations may be able to operate without legal formalities, depending on jurisdiction, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of American Print Clubs
This is a list of American artist printmaking societies and print clubs in chronological order of their founding. Note: The purpose of this timeline is to focus on the organization of artist printmakers into societies, and not to focus on clubs of collectors. The distinction between "society" and "club" is not necessarily reflected in the name of the organization nor in the inclusion of an organization in this list. References * Engelbrecht, Theresa Moir"Inter-Collected: The Shared History of the Print Club and Museum Collection,"''Art in Print'' Vol. 7 No. 2 (July–August 2017). * Fredericks, Stephen A., personal email correspondence with Maryly A. Snow, 2009 * Goddard class syllabu* Kushner, Marilyn S. Genesis of the Twentieth-Century Print Club, pages 82–95, in ''American Identities: Twentieth-Century Prints from the Nancy Gray Sherrill, Class of 1954, Collection. ''Wellesley, MA : Davis Museum and Cultural Center, Wellesley College, c2004. 309 pp. * {{cite book, author=La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts, Boston
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved to a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvester Rosa Koehler
Sylvester Rosa Koehler (11 February 1837 Leipzig - 15 September 1900 Littleton, New Hampshire) was a German-born American author and museum curator. He was the first curator of prints at the Museum of Fine Arts, Boston. Biography His grandfather was a musician and composer of note, and his father an artist. Koehler emigrated to the United States in 1849 after he had received the rudiments of a classical education. He moved to the Boston area in 1868, residing for a time in Roxbury, Massachusetts, and became a technical manager at L. Prang & Company for 10 years. He edited the ''American Art Review'' while it existed (1879–81). He commissioned original etchings for it. He made many contributions on art to periodicals in the United States and Europe. He published translations of von Betzold's ''Theory of Color'', edited by Prof. Edward C. Pickering (Boston, 1876), Lalanne's ''Treatise on Etching'', with notes (1880), and was the author of ''Art Education and Art Patronage in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Nimmo Moran
Mary Nimmo Moran (May 16, 1842 – September 25, 1899) was an American 19th-century landscape printmaking, printmaker, specializing in etchings. The first woman to prove "marriage and family were not insurmountable to success." She was the first of many landscape artists and in 1880 she was known as a landscape etcher. She completed roughly 70 landscape etchings, which included scenes of England and Scotland, as well as Long Island, New York; New Jersey, Florida, and Pennsylvania. In 1881, she was one of eight Americans and the first female elected as a fellow to London's Royal Society of Painter-Printmakers, Royal Society of Painter-Etchers. Mary Nimmo Moran's landscape ''View of Newark from the Meadows'' is in the collection of The Newark Museum of Art. She was among the earliest American Artists to explore the medium of etching. Born in Scotland, she immigrated to the United States at the age of five with her widowed father and brother; they settled in Philadelphia. She ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
