New York Big Band
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New York Big Band
''New York Big Band'' is a live album by George Russell released on the Italian Soul Note label in 1982, featuring performances by Russell with his New York Big Band recorded in 1978 and one track with The Swedish Radio Jazz Orchestra recorded in 1977 at the same concert that produced '' Vertical Form VI''. Reception The Allmusic review awarded the album 4½ stars.Allmusic Reviewaccessed 12 November 2009. Track listing :''All compositions by George Russell except as indicated'' # "Living Time: Event V" - 10:47 # "Big City Blues" - 9:22 # "Listen to the Silence Part 1" - 4:32 # "Cubano Be, Cubano Bop" (Dizzy Gillespie, Russell) - 10:25 # "Mystic Voices" ( Stanton Davis) - 5:56 # " God Bless the Child" (Arthur Herzog Jr., Billie Holiday) - 5:25 # "Listen to the Silence Part 2" - 3:57 :* Recorded in Estrad, Sodertalje, Sweden on March 10, 1977 (track 4) and New York City on August 16, 1978 (tracks 1-3 & 5-7). Personnel * George Russell - conductor, arranger * Stanley Cowell ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Conductor (music)
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, a ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Mark Slifstein
Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * Finnish markka ( sv, finsk mark, links=no), the currency of Finland from 1860 until 28 February 2002 * Mark (currency), a currency or unit of account in many nations * Polish mark ( pl, marka polska, links=no), the currency of the Kingdom of Poland and of the Republic of Poland between 1917 and 1924 German * Deutsche Mark, the official currency of West Germany from 1948 until 1990 and later the unified Germany from 1990 until 2002 * German gold mark, the currency used in the German Empire from 1873 to 1914 * German Papiermark, the German currency from 4 August 1914 * German rentenmark, a currency issued on 15 November 1923 to stop the hyperinflation of 1922 and 1923 in Weimar Germany * Lodz Ghetto mark, a special currency for Lodz Ghetto. * R ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Cameron Brown (musician)
Cameron Langdon Brown (born December 21, 1945) is an American jazz double bassist known for his association with the Don Pullen/ George Adams Quartet. Biography Cameron started studying music at age 10, first on piano, later on clarinet. But, drawn to the bass, he found himself playing a tin bass in a student dance band. As an exchange student in Europe, he worked with George Russell's Sextet and Big Band for one year and played with Don Cherry, Aldo Romano, Booker Ervin, and Donald Byrd. In 1966 he returned to graduate at Columbia College, Columbia University (1969, B.A. in Sociology). In 1974, Brown met Sheila Jordan, gigged with free jazz pioneers Roswell Rudd and Beaver Harris, joined Archie Shepp's quintet in 1975, and recorded with Harris' and The 360 Degree Music Experience around that time. The famous ''Don Pullen/ George Adams Quartet'', with him and drummer Dannie Richmond, developed into an intense and rewarding partnership which lasted during the 1980s. In addition ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Warren Smith (jazz Musician)
Warren Smith (born May 14, 1934) is an American jazz drummer and percussionist, known as a contributor to Max Roach's M'boom ensemble and leader of the Composer's Workshop Ensemble ( Strata-East). Biography Smith was born May 14, 1934, in Chicago, Illinois, to a musical family. His father played saxophone and clarinet with Noble Sissle and Jimmie Noone, and his mother was a harpist and pianist. At the age of four, Smith studied clarinet with his father. He graduated from the University of Illinois in 1957, then received a master's degree in percussion from the Manhattan School of Music in 1958. He found work in Broadway pit bands in 1958, and also played with Gil Evans that year. In 1961, he co-founded the Composers Workshop Ensemble. In the 1960s, Smith accompanied Aretha Franklin, Nina Simone, Lloyd Price, and Nat King Cole; he worked with Sam Rivers from 1964–1976 and with Gil Evans again from 1968 to 1976. In 1969, he played with Janis Joplin and in 1971 with King Curtis a ...
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Organ (instrument)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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