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New London Theatre
The Gillian Lynne Theatre (formerly New London Theatre) is a West End theatre located on the corner of Drury Lane and Parker Street in Covent Garden, in the London Borough of Camden. The Winter Garden Theatre formerly occupied the site until 1965. On 1 May 2018, the theatre was officially renamed the Gillian Lynne Theatre in honour of Gillian Lynne. It is the first theatre in the West End of London to be named after a non-royal woman. Previous buildings The modern theatre is built on the site of previous taverns and music hall theatres, where a place of entertainment has been located since Elizabethan times. Nell Gwynn was associated with the tavern, which became known as the ''Great Mogul'' by the end of the 17th century, and presented entertainments in an adjoining hall, including "glee clubs" and "sing-songs". The ''Mogul Saloon'' was built on the site in 1847, which was sometimes known as the "Turkish Saloon" or the "Mogul Music Hall." In 1851, it became the Middlesex Music ...
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Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. Notable landmarks The street originated as an early medieval lane referred to in Latin as the ''Via de Aldwych'', which probably connected St. Giles Leper Hospital with the fields of Aldwych Close, owned by the hospital but traditionally said to have been granted to the Danes as part of a peace treaty with King Alfred the Great in Saxon times. It acquired its name from the Suffolk barrister Sir Robert Drury, who built a mansion called Drury House on the lane around 1500. After the death in 1615 of his great-great-grandson, another Robert Drury, the property passed out of the family. It became the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia. Subsequently, the gardens and courtyards ...
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Edward Laurillard
Edward Laurillard (20 April 1870 – 7 May 1936) was a cinema and theatre producer in London and New York City during the first third of the 20th century. He is best remembered for promoting the cinema early in the 20th century and for Edwardian musical comedies produced in partnership with George Grossmith, Jr., including '' Tonight's the Night'' (1914), ''Theodore & Co'' (1916) and '' Yes, Uncle!'' (1917). Life and career Born in Rotterdam in The Netherlands, he was educated at Osnabrück and in Paris. Laurillard moved to London, England as a young man.Obituary from ''The Times'', Friday, 8 May 1936; p. 18 He was married and divorced twice. Early career In 1894, Laurillard became manager of Terry's Theatre, producing ''King Kodak'', and his first big success was ''The Gay Parisienne'' at the Duke of York's Theatre, which introduced the hit song "Sister Mary Jane's Top Note." Other early productions included ''My Old Dutch'' and ''Oh! Susannah'', after which he toured the Un ...
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Leslie Henson
Leslie Lincoln Henson (3 August 1891 – 2 December 1957) was an English comedian, actor, producer for films and theatre, and film director. He initially worked in silent films and Edwardian musical comedy and became a popular music hall comedian who enjoyed a long stage career. He was famous for his bulging eyes, malleable face and raspy voice and helped to form the Entertainments National Service Association (ENSA) during the World War II, Second World War. Born in Notting Hill, London, Henson became interested in the theatre from an early age, writing and producing theatrical pieces while at school. He studied with the Cairns James School of Musical and Dramatic Art as a child, making his professional stage début at the age of 19. His first West End theatre, West End role was in ''Nicely, Thanks!'' (1912) and he later starred in several hit West End Edwardian musical comedies, including ''To-Night's the Night (musical), To-Night's the Night'' (1915) and ''Yes, Uncle!'' (191 ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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Primrose (musical)
''Primrose'' is a musical in three acts with a book by Guy Bolton and George Grossmith Jr., lyrics by Desmond Carter and Ira Gershwin, and music by George Gershwin. It centres on a writer whose story-within-a-story forms the basis of the plot. It was written expressly for the London stage, where it ran for 255 performances in 1924 and 1925. The musical played in Australia,Reilly, Lucas"A Forgotten George Gershwin Musical Just Made Its American Debut" ''Mental Floss'', 8 July 2017 but it was not performed in the United States until more than half a century after it was written.1987 sleeve notes by John McGlinn to EMI recording CDC 7 47977 2 George Gershwin, at 25 years old, was an established songwriter by 1924 when Grossmith and his producing partners, J. A. E. Malone and Edward Laurillard, hired him to produce the score for ''Primrose'' for them in London. The musical is the first in which Gershwin wrote some of the orchestrations himself. The year was one of the busiest for ...
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To-Night's The Night (musical)
''To-Night's the Night'' is a musical comedy composed by Paul Rubens, with lyrics by Percy Greenbank and Rubens, and a book adapted by Fred Thompson. Two songs were composed by Jerome Kern. The story is based on the farce '' Les Dominos roses'' by Alfred Hennequin and Alfred Delacour. The musical was produced by George Grossmith, Jr. and Edward Laurillard and directed by Austen Hurgon. It opened at the Shubert Theatre in New York on December 24, 1914. It then was produced at the Gaiety Theatre in London, opening on April 18, 1915 and running for a very successful 460 performances. Grossmith starred in the piece with Leslie Henson. Grossmith told ''The New York Times'' that the musical was the first Gaiety Theatre Company production presented in New York before opening in London. Roles and original cast *Montagu Lovitt-Lovitt – James Blakeley *Henry (His Nephew) – Leslie Henson *Pedro (A Tango Teacher) – Max Dearly *Robin Carraway – Vernon Davidson *Alphonse (H ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Sally (musical)
''Sally'' is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton (inspired by the 19th century show, ''Sally in our Alley''), with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn. She poses as a famous foreign ballerina and rises to fame (and finds love) through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. " Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical ''Little Mary Sunshine''. The piece was first produced in 1920 on Broadway by Florenz Ziegfeld, and ran for 570 performances, one of the longest runs on Broadway up to that time. The show was designed as a debut star vehicle for Marilyn Miller. It had a successful London ...
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