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New Fantasy
''New Fantasy'' is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1964 and released on the Verve label.Lalo Schifrin website accessed March 7, 2012 accessed March 7, 2012Payne, D accessed March 7, 2012 Reception The review states "Schifrin often succeeds brilliantly in his own big-band idiom, loaded with trademarks that would pop up in ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalo Schifrin
Boris Claudio "Lalo" Schifrin (born June 21, 1932) is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner, and has been nominated for six Academy Awards and four Emmy Awards. Schifrin's best known compositions include the " Theme from ''Mission: Impossible''", and the scores to '' Cool Hand Luke'' (1967), ''Bullitt'' (1968), ''THX 1138'' (1971), ''Enter the Dragon'' (1973), ''The Four Musketeers'' (1974), ''Voyage of the Damned'' (1976), ''The Amityville Horror'' (1979), and the ''Rush Hour'' trilogy (1998–2007). Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the ''Dirty Harry'' series of films. He also composed the Paramount Pictures fanfare used from 1976 to 2004. In 2019, he received an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snooky Young
Eugene Edward "Snooky" Young (February 3, 1919 – May 11, 2011) was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds. Biography Young was lead trumpeter of the Jimmie Lunceford band from 1939 to 1942. He played with Count Basie (three stints totalling eight years), Gerald Wilson and Lionel Hampton, among others, and was an original member of the Thad Jones/Mel Lewis Big Band. His longest engagement was with NBC, where, as a studio trumpeter, he joined The Tonight Show Band, ''The Tonight Show'' Band in 1967 and remained with them until 1992, when the band was replaced by a new, smaller group. He was part of the touring ensemble, the "Now Generation Brass" that traveled with Doc Severinsen, an ensemble that included other jazz greats such as reed man Lew Tabackin, drummer Ed Shaughnessy, saxophonist & arranger Tommy Newsom as well as singer Robert Ozn. Young went on to performing live concert d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marky Markowitz
Irvin "Marky" Markowitz (aka Irwin Markowitz, Irving Markowitz; December 11, 1923 - November 18, 1986) was an American jazz trumpeter. Born the youngest of seven children of Russian-Jewish immigrants who disembarked in Baltimore, and settled on 4 1/2 Street, Southwest, in Washington, D.C., Markowitz learned the trumpet at the local Police Boys' Club. He played early in his career in a number of big bands, including those of Charlie Spivak (1941–42), Jimmy Dorsey, Boyd Raeburn, and Woody Herman (1946). He played in Buddy Rich's orchestra in 1946–47, then returned to service under Herman in 1947–48. Moving his family from Washington, D.C. to New York in 1958, and eventually settling in Nyack, he worked primarily as a studio musician in the 1960s, 1970s, and 1980s. Some live appearances included work with Herman, Gene Krupa (1958), Lee Konitz (1959), Ralph Burns, George Russell (composer), George Russell, Al Cohn (1962), Paul Desmond (1969), and Bill Evans (1974). Marky was a " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Salón México
''El Salón México'' is a symphonic composition in one movement by Aaron Copland, which uses Mexican folk music extensively. Copland began the work in 1932 and completed it in 1936, following several visits to Mexico. The four melodies of the piece are based on sheet music he purchased during his visits. The dance hall The work is a musical depiction of a dance hall in Mexico City called "El Salón México", which, as its name implies, represents the country of Mexico, with multiple types of music played. The subtitle was "A Popular Type Dance Hall in Mexico City." Copland observed that he despaired of the ability to portray, or even understand, the complexity that is Mexico. He continues to say that what he wrote, and what he knew he was writing, was a portrayal of the "visible" Mexico, to some extent the touristy Mexico. He chose dance as the vehicle for his musical portrayal. Although Copland wrote in his autobiography that he had been taken to "El Salón México" by C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
