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New England Art Union
The New England Art Union (c. 1848 – 1852) was established in Boston, Massachusetts, for "the encouragement of artists, the promotion of art" in New England and the wider United States. Edward Everett, Franklin Dexter, and Henry Wadsworth Longfellow served as officers of the board. The short-lived but lively union ran a public gallery on Tremont Street, and published a journal. Artists affiliated with the union included Chester Harding, Fitz Henry Lane, Alvan Fisher, and other American artists of the mid-19th century. History The union was organized around 1848, and incorporated in Massachusetts in 1850. The board included Everett, Dexter, and Longfellow, and a mix of prominent Bostonian businessmen, artists, and other notables: Joseph Andrews; Thomas G. Appleton; Edward C. Cabot; Alvan Fisher; Nathaniel Langdon Frothingham; James B. Gregerson; Chester Harding; Joshua H. Hayward; George S. Hilliard; Albert G. Hoit; Jonathan Mason; Benjamin S. Rotch; G. G. Smith; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Joseph Vernet
Claude-Joseph Vernet (14 August 17143 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Life and work Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the whales at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studios of whale painter Bernardino Fergioni and marine landscapist Adrien Manglard. Manglard and Fergioni initiated Vernet into seascape painting. In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernet's paintings. Slowly Vernet attracted notice in the artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Henry Hall (artist)
George Henry Hall (1825–1913) was an American still-life and landscape artist. He studied art in Düsseldorf and Paris and he worked and lived in New York City, the Catskills of New York and in Europe. His works are in museum collections in the United States and Europe. Over the course of his career he sold 1,659 paintings. Early life George Henry Hall was born on September 21, 1825 in Boston, Massachusetts and raised in Manchester, New Hampshire.David Bernard Dearinger. Paintings and Sculpture in the Collection of the National Academy of Design: 1826–1925'. Hudson Hills; 2004. . p. 246. His father was a successful lumber dealer and his ancestors had come to the United States in the early 18th century from Ireland. Gerald M. Ackerman. American Orientalists'. www.acr-edition.com; 1994. . p. 106. Hall attended public schools and studied art from 16 years of age. He joined a Boston art association, since there was no art school there, and met with its members in their studios t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Lancaster Gerry
__NOTOC__ Samuel Lancaster Gerry (1813–1891) was an artist in 19th-century Boston, Massachusetts. He painted portraits and also landscapes of the White Mountains and other locales in New England. He was affiliated with the New England Art Union, and the Boston Artists' Association. In 1857 he co-founded the Boston Art Club. Born in Boston, Gerry was self-taught as an artist. He showed works in many public settings, such as the 1841 exhibit of the Massachusetts Charitable Mechanic Association; and an 1879 exhibit of contemporary art at the Museum of Fine Arts, Boston The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works .... He attended the 1860 convention of the National Art Association in Washington, DC. Students of Gerry included H. Frances Osborne, Samuel Green Wheeler Benjamin, Fan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Edwards (artist)
Thomas Edwards (1795–1869) was an artist in 19th-century Boston, Massachusetts, specializing in portraits. Born in London and trained at the Royal Academy,Boston Daily Advertiser, Oct. 17, 1820 he worked in Boston in the 1820s-1850s, and in Worcester in the 1860s. Biography Edwards kept a studio in Boston on Winter Street, then on Market Street/Cornhill, Tremont Street (Tremont Temple), and Tremont Row. In the mid-1850s he may have travelled in Italy and elsewhere in Europe, producing drawings of landscapes and the like. He "was a frequent exhibitor in the early years of the Boston Athenaeum." He also exhibited with the Massachusetts Charitable Mechanic Association in 1847 ("...Two landscapes. Rather heavy in style"); and with the New England Art Union in 1851 and 1852. In 1855 he exhibited at No.43 Tremont Row, Boston, "a collection of about 75 landscapes and other original compositions ... all finished by him during the last few years. The subjects are chiefly views of Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Amory Codman
__NOTOC__ John Amory Codman (1824-1886) was an artist in Boston, Massachusetts, in the 19th century. He was affiliated with the New England Art Union, and kept a studio in Amory Hall in the 1850s. His wealth came from the Russian and China clipper trade. He married Martha Pickman Rogers (1829-1905) and their only surviving child was Martha Codman Karolik Martha Catherine Codman Karolik (July 24, 1858 – April 21, 1948) was a philanthropist and American art collector based in Newport, Rhode Island. In 1939 and 1947 she and her husband Maxim Karolik donated two major collections of early American .... She was a major benefactor to the arts. Codman's will was the subject of several sensational court cases. He had left a substantial amount to his mistress, the widow Mrs. Eliza Ann Hales Kimball Violet Kimball, but the bequest was challenged by his wife and daughter. The decision on the first case allowed the bequest to stand but it was appealed and the will was overthrown. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Champney
Benjamin Champney (November 20, 1817Champney (1900) – December 11, 1907) was a painter known for his role in White Mountain art of the 19th century. He began his training as a lithographer under celebrated marine artist Fitz Henry Lane at Pendleton's Lithography shop in Boston. Most art historians consider him the founder of the "North Conway Colony" of painters who came to North Conway, New Hampshire and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals. He exhibited regularly at the Boston Athenæum and was a founder of the Boston Art Club. Early life Champney was born in New Ipswich, New Hampshire. He first visited Conway in 1838. In 1841, Champney went to France to study, returning to Boston in 1846, and then returned to Europe almost at once to paint a panorama of the Rhine River. He returned to Boston in 1848 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Bierstadt
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German-American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century. Bierstadt was born in Prussia, but his family moved to the United States when he was one year old. He returned to study painting for several years in Düsseldorf. He became part of the second generation of the Hudson River School in New York, an informal group of like-minded painters who started painting along the Hudson River. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called '' luminism''. Bierstadt was an important interpreter of the western landscape, and he is also grouped with the Rocky Mountain School. Early life and education Bierstadt was born in Sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Fitch Bellows
Albert Fitch Bellows (November 20, 1829November 24, 1883), was an American landscape painter of the Hudson River School. Early years Bellows was born at Milford, Massachusetts. He first studied architecture and, in 1849, became the partner of Boston architect John D. Towle as Towle & Bellows. However, Bellows quickly turned to painting. From 1850 to 1856 he taught at the New England School of Design in Boston. He resigned his post to travel and study abroad, and spent time in Paris and at the Royal Academy at Antwerp as well as in England. He exhibited his first work at the National Academy of Design in 1857, becoming a full member in 1861. Return to New York Bellows settled in New York City in 1858 on his return to America. He spent most of his remaining career in New York, though he briefly moved to Boston. In 1859, he was elected into the National Academy of Design as an Associate member, and became a full member in 1861. He visited Europe again in 1867. In New York he kept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Ball (artist)
Thomas Ball (June 3, 1819 – December 11, 1911) was an American sculptor and musician. His work has had a marked influence on monumental art in the United States, especially in New England. Life He was born in Charlestown, Massachusetts, to Thomas Ball, a house and sign painter and Elizabeth Wyer Hall. His father died when he was twelve. After several odd jobs to help support his family he spent three years working at the New England Museum, the precursor to the Boston Museum. There he entertained the visitors by drawing portraits, playing the violin, and singing, and repaired mechanical toys. He then became an apprentice for the museum wood-carver Abel Brown. He taught himself oil painting by copying prints and casts in the studio of the museum superintendent. Sculptor His earliest work was a bust of Jenny Lind, whom he saw on her 1850 tour of the United States. Copies of his Lind work and his bust of Daniel Webster sold widely before being widely copied by others. His wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Alexander Ames
Joseph Alexander Ames (1816–1872) was an American artist, primarily known for portrait and genre painting. Biography Originally named Joseph Emes, he was born in Roxbury, New Hampshire. Ames began painting at a young age. At the age of twelve Henry Theodore Tuckerman wrote about one of his paintings. After moderate success at home in Saugus, Massachusetts, he left for Boston in 1841. While in Boston, Ames tried to replicate the style of Washington Allston. In 1848, Ames traveled to Rome, where he painted a portrait of Pope Pius IX that was featured at the National Academy of Design's annual exhibition in 1850. When he returned from Italy he was commissioned by Rufus Choate, Daniel Webster, and Abraham Lincoln. He kept a studio in Boston in Amory Hall (ca.1849), and later on Tremont Street (ca.1856), and then on Summer Street.Boston Directory, 1861 Ames exhibited at the Boston Athenæum, the National Academy of Design, and the Pennsylvania Academy. He eventually moved to Balt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adin Ballou
Adin Ballou (1803–1890) was an American proponent of Christian nonresistance, Christian anarchism and socialism, abolitionism and the founder of the Hopedale Community. Through his long career as a Universalist and Unitarian minister, he tirelessly advocated for the immediate abolition of slavery and the principles of Christian anarcho-socialism, and promoted the nonviolent theory of praxis (or moral suasion) in his prolific writings. Such writings drew the admiration of Leo Tolstoy, who frequently cited Ballou as a major influence on his theological and political ideology in his nonfiction texts like ''The Kingdom of God is Within You,'' along with sponsoring Russian translations of some of Ballou's works. As well as heavily inspiring Tolstoy, Ballou's Christian anarchist and nonresistance ideals in texts like Practical Christianity' were passed down from Tolstoy to Mahatma Gandhi, contributing not only to the nonviolent resistance movement in the Russian Revolution led ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
