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New-school Hip Hop
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream. The somewhat broader era of Golden age hip hop is applied to late 1980s-to-early 1990s mainstream hip hop, characterized by diversity, quality, innovation and influence, and associat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De La Soul
De La Soul () is an American hip hop trio formed in 1988 in the Amityville area of Long Island, New York. They are best known for their eclectic sampling, quirky lyrics, and their contributions to the evolution of the jazz rap and alternative hip hop subgenres. The members are Posdnuos, Trugoy, and Maseo. The three formed the group in high school and caught the attention of producer Prince Paul with a demo tape of the song "Plug Tunin'". With its playful wordplay, innovative sampling, and witty skits, the band's debut album, '' 3 Feet High and Rising'', has been called "a hip hop masterpiece." The album was the band's biggest commercial success to date, with subsequent ones selling progressively less, despite receiving high praise from critics. They were influential in the early stages of rapper/actor Mos Def's career, and are a core part of the Spitkicker collective. They are the second longest standing Native Tongues group, after the Jungle Brothers. In 2006, the group won ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultramagnetic MCs
The Ultramagnetic MCs is an American Hip hop music, hip hop group based in The Bronx, New York City. Founded by Kool Keith, the group also includes Ced Gee, TR Love, and Moe Love. Tim Dog became an unofficial member in 1989. In 1990, DJ Jaycee was added as a road manager and backup DJ. Big.D was put down with the crew by Kool Keith in 1989. A former member, Rooney Roon, was fired following an assault arrest. Beat-boxer Rahzel was also involved with the group early in its career. The group's work was associated with unorthodox Sampling (music), sampling, polysyllabic rhymes, and bizarre lyrical imagery. History The Ultramagnetic MCs formed in 1984. Their first single was "To Give You Love" (1985) on the Diamond International label. The group released "Ego Trippin'", its first 12-inch single on Next Plateau Records in 1986. It was the first hip hop song to feature the "Synthetic Substitution" drum break sample, composed by Melvin Bliss and one of the most sampled songs of all ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric B
The given name Eric, Erich, Erikk, Erik, Erick, or Eirik is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly elected, to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie Down Productions
Boogie Down Productions (BDP) was an American hip hop group originally composed of KRS-One, D-Nice, and DJ Scott La Rock. DJ Scott La Rock was murdered on August 27, 1987, five months after the release of BDP's debut album, ''Criminal Minded''. The name of the group, Boogie Down, derives from a nickname for the South Bronx section of New York City. The group pioneered the fusion of dancehall reggae and hip hop music and their debut LP ''Criminal Minded'' contained frank descriptions of life in the South Bronx during the late 1980s, thus setting the stage for what would eventually become gangsta rap. Members BDP's membership changed throughout its existence, the only constant being KRS-One. The group was founded by KRS-One and DJ Scott La Rock, with producer Lee Smith, who was essential in the production of the songs on ''Criminal Minded'', being added as a member shortly after. From those beginnings, BDP members and collaborators included Ced Gee of Ultramagnetic MC's, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KRS-One
Lawrence "Kris" Parker (born August 20, 1965), better known by his stage names KRS-One (; an abbreviation of "Knowledge Reigns Supreme Over Nearly Everyone") and Teacha, is an American rapper from New York City. He rose to prominence as part of the hip hop group Boogie Down Productions, which he formed with DJ Scott La Rock in the mid-1980s. KRS-One is known for his songs, "Sound of da Police", "Love's Gonna Get'cha (Material Love)", and "My Philosophy". Boogie Down Productions received numerous awards and critical acclaim in their early years. Following the release of the group's debut album, ''Criminal Minded'', fellow artist Scott La Rock was shot and killed, but KRS-One continued the group, effectively as a solo project. He began releasing records under his own name in 1993. He is politically active, having started the Stop the Violence Movement after Scott's death. He is also a vegan activist, expressed in songs such as "Beef". He is widely considered an influence on many hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (band)
"Public enemy" is a term which was first widely used in the United States in the 1930s to describe individuals whose activities were seen as criminal and extremely damaging to society, though the phrase had been used for centuries to describe pirates, vikings, highwaymen, bandits, mobsters, and similar outlaws. Origin and usage The expression dates back to Roman times. The Senate declared emperor Nero a ''hostis publicus'' in AD 68. Its direct translation is "public enemy". Whereas "public" is currently used in English in order to describe something related to collectivity at large, with an implication towards government or the State, the Latin word "publicus" could, in addition to that meaning, also refer directly to people, making it the equivalent of the genitive of ''populus'' ("people"), ''populi'' ("popular" or "of the people"). Thus, "public enemy" and "enemy of the people" are, etymologically, near-synonyms. The words "'' ennemi du peuple''" were extensively used duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airplay
Airplay is how frequently a song is being played through broadcasting on radio stations. A song which is being played several times every day (spins) would have a significant amount of airplay. Music which became very popular on jukeboxes, in nightclubs and at discotheques between the 1940s and 1960s would also have airplay. Background For commercial broadcasting, airplay is usually the result of being placed into rotation, also called adding it to the station's playlist by the music director, possibly as the result of a Pay for Play sponsored by the record label. For student radio and other community radio or indie radio stations, it is often the selection by each disc jockey, usually at the suggestion of a music director. Geography Most countries have at least one radio airplay chart in existence, although larger countries such as Canada, the United States, the United Kingdom, Germany, Australia, Japan, and Brazil have several, to cover different genres and areas of the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novelty Hits
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. They had a resurgence of interest in the 1950s and 1960s. The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. Humorous songs, or those containing humorous elements, are not necessarily novelty songs. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song " They're Coming to Take Me Away, Ha-Haaa!", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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