Never Let Go (Camel Song)
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Never Let Go (Camel Song)
"Never Let Go" is the first single by English progressive rock band Camel, released in November 1972. The B-side of the single is the Peter Bardens song "Curiosity". It is from their debut album ''Camel A camel (from: la, camelus and grc-gre, κάμηλος (''kamēlos'') from Hebrew or Phoenician: גָמָל ''gāmāl''.) is an even-toed ungulate in the genus ''Camelus'' that bears distinctive fatty deposits known as "humps" on its back. C ...'' (1973), and is considered one of their signature songs. In addition to the single version (which is shortened from the album version), the song appeared on three different live albums (and giving the title to the band's 1993 live double-CD ''Never Let Go'', recorded in the Netherlands). Structure The song, written by Andy Latimer, starts with him repeatedly playing a ten-second riff four times as other instruments fill the song. Then comes the first verse, where Peter Bardens sings. There is a short instrumental break, and then c ...
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Camel (band)
Camel are an English progressive rock band formed in Guildford, Surrey, in 1971. Led by guitarist Andrew Latimer, they have released fourteen studio albums and fourteen singles, plus numerous live albums and DVDs. Without achieving mass popularity, the band gained a cult following in the 1970s with albums such as ''Mirage'' (1974) and '' The Snow Goose'' (1975). They moved into a jazzier, more commercial direction in the early 1980s, but then went on an extended hiatus. Since 1991 the band has been independent, releasing albums on their own label. Despite no new studio releases since 2002, the band performed on tour as recently as 2018. Their music has influenced artists including Marillion, Opeth and Steven Wilson. Music journalist Mark Blake described Camel as "the great unsung heroes of 70s prog rock". History 1970s Andrew Latimer (guitar), Andy Ward (drums), and Doug Ferguson (bass) had been playing as a trio called the Brew around the Guildford, Surrey area of England. ...
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Camel (album)
''Camel'' is the debut studio album by English progressive rock band Camel, released on 28 February 1973 by MCA Records. Timeline By August 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, ''Camel''. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years. Tour Camel gigged 9 months of the year and firmly established a reputation for their live sound in the UK, Switzerland, Belgium, and the Netherlands. They shared the stage with other artists such as Stackridge, Barclay James Harvest, Gong, Hawkwind, Pink Fairies, Global Village Trucking Company, and Spyro Gyra. Reception In their ranking o ...
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Morgan Studios
Morgan Studios (founded as Morgan Sound Studios) was an independent recording studio in Willesden in northwest London. Founded in 1967, the studio was the location for recordings by such notable artists as Jethro Tull, the Kinks, Paul McCartney, Yes, Black Sabbath, Donovan, Joan Armatrading, Cat Stevens, Rod Stewart, UFO and many more. Morgan sold its studios in the early 1980s, with some of its studios succeeded by Battery Studios. History Morgan Sound Studios was founded in 1967 by Barry Morgan, Monty Babson, Jerry Allen, and Leon Clavert, who were operating a jazz record label at Lansdowne Studios and wanting dedicated office space for their label. Upon securing a location at 169–171 High Road, in the Willesden area of northwest London, the musicians decided to also build a recording studio. They hired ex-Olympic Studios engineer Terry Brown to manage the studio, who appointed another Olympic Studios alumni, Andy Johns as chief engineer. Roy Thomas Baker, who would later ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Art Rock
Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music."Art Rock"
Encyclopædia Britannica. Retrieved 15 December 2011.
Influences may be drawn from genres such as , avant-garde music,

MCA Records
MCA Records was an American record label owned by MCA Inc., which later became part of Universal Music Group. Pre-history MCA Inc., a powerful talent agency and a television production company, entered the recorded music business in 1962 with the purchase of the New York-based US Decca Records (established in 1934), including Coral Records and Brunswick Records. MCA was forced to exit the talent agency business in order to complete the merger. As American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into a top film studio, producing several hits. In 1966, MCA formed Uni Records and in 1967, purchased Kapp Records which was placed under Uni Records management. History The early years In 1937, the owner of Decca, E. R. Lewis, chose to split off the UK Decca company from the US company (keeping his US Decca holdings), fearing the financial damage that would arise for UK Companies if the emerging hostilities of Nazi Germany should lead t ...
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Andrew Latimer
Andrew Latimer (born 17 May 1949) is an English musician and composer. He is a founding member of the progressive rock band Camel and the only member who has been with them since their formation in 1971. Best known as a guitarist and singer, Latimer is a flautist and keyboardist as well. Career Along with partner Susan Hoover, Latimer relocated to America where they established a music production company named Camel Productions to release Camel's new studio albums: ''Dust and Dreams'' (1991), ''Harbour of Tears'' (1996), ''Rajaz'' (1999) and '' A Nod and a Wink'' (2002) as well as a host of "Official Bootlegs" on CD. The band went on the road in 1992, 1997, 2000, 2001, and 2003. They released their first full concert DVD in 1997 titled Coming of Age which began a series of subsequent DVD releases. In mid-2006, Latimer and Hoover returned to the UK and established Camel Productions UK Ltd. In May 2007, Hoover announced through the Camel Productions website and newsletter that ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Peter Bardens
Peter Bardens (19 June 1945 – 22 January 2002) was an English keyboardist and a founding member of the British progressive rock group Camel. He played keyboards, sang, and wrote songs with Andrew Latimer. During his career, Bardens worked alongside Rod Stewart, Peter Green, Mick Fleetwood and Van Morrison. He recorded eleven solo albums. Career Bardens was born in Westminster, London, England, to Marie Marks and Dennis Bardens, the latter a novelist and biographer, and grew up in Notting Hill. He studied fine art at Byam Shaw School of Art, and learned the piano, before switching to the Hammond organ after listening to Jimmy Smith. In 1965, he spent a brief spell with Them after leaving The Cheynes. After leaving Them, he formed a band called The Peter B's, releasing a single, in 1966, called "If You Wanna Be Happy" (b/w "Jodrell Blues"), an instrumental version of the old standard. He moved on and formed Peter B's Looners which eventually morphed into Shotgun Express, a ba ...
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1972 Debut Singles
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an ...
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Canterbury Scene
The Canterbury scene (or Canterbury sound) was a musical scene centred on the town of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia. These musicians played together in numerous bands, with ever-changing and overlapping personnel, creating some similarities in their musical output. Many prominent British avant-garde or fusion musicians began their career in Canterbury bands, including Hugh Hopper, Steve Hillage, Dave Stewart (the keyboardist), Robert Wyatt, Kevin Ayers, Daevid Allen, and Mike Ratledge. Definition and history The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. These are not tied by very strong musical similarities, but a certain whimsicality, touches of psychedelia, rather abstruse lyrics, and a use of improvisation derived from jazz are common element ...
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