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Neurofunk
Neurofunk (also known informally as neuro) is a dark subgenre of drum and bass which emerged between 1997 and 1998 in London, England as a progression of techstep. It was further developed by juxtaposing elements of darker, heavier, and harder forms of funk with multiple influences ranging from techno, house and jazz, distinguished by consecutive stabs over the bassline; razor-sharp backbeats; scarce or nonexistent traditional melodies; a hyper focus on sub sound design; the use of modulated, distorted and filtered synthesizers and audio capture from samplers such as the Akai S1000 and Emu E6400. Neurofunk is very closely related to Techstep, but the primary characteristic that distinguishes the two genres is Neurofunk has more emphasis on flowing complex rhythms using processed and enhanced sampled breakbeats/percussion and expressive, distorted, filtered and modulated bass sounds overlaid with rich layered soundscapes and percussive stab sounds. Neurofunk, as described by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical (artist)
Matt Quinn, known by his stage name Optical, is a British musician, producer and DJ. He is co-founder and owner oVirus Recordings a widely regarded drum and bass record label. He is best known as one half of drum and bass duo Ed Rush and Optical (with his long-time musical partner Ed Rush), whose debut album ''Wormhole'' has been described as one of the most significant LPs of the drum and bass genre. He is also the brother of Jamie Quinn also known as Matrix. Early years Quinn started making music as a teenager, and performing as a DJ on the UK free festival scene with Bedlam, Spiral Tribe and Techno Travellers Soundsystem including the legendary Castlemorton Common Festival. He had his first releases in 1992 using the namLittle Matt released on Fat Chuna Recordings, and also under his short-lived hardcore jungle alias ''Teknarchi'' in 1993, and later as a techno producer (under various monikers such aFly By Wirefeatured oCarl Cox's F.A.C.T 2release, and Morpheus). He worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Rush
Ed Rush is the stage name used by the drum and bass producer and DJ, Ben Settle (born 1973). Rush has been releasing records since 1992 and primarily with his musical partner Optical (Matt Quinn), since 1997. Along with Optical he is also the co-founder of the record label Virus Recordings which releases his records along with other drum and bass acts. He is most associated with the aggressive styles of drum and bass music known as techstep, darkcore and neurofunk. Early career Rush's first releases were a pair of self-released white label 12" singles, the Prince Jammy-sampling "I Wanna Stay in the Jungle" and "Look What They've Done" in late 1992. In early 1993, Rush begun playing on the London pirate radio station Don FM, where he was to first meet future production partner DJ Trace, resulting in the duo releasing the track "Don Bad Man", produced by engineer Nico Sykes. Shortly after, Rush recorded the classic "Bludclot Artattack" which was released on Sykes' No U Turn Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techstep
Techstep is a dark subgenre of drum and bass that was created in the mid-1990s. Style It is characterized by a dark, sci-fi mood, near-exclusive use of synthesised or sampled sound sources, 2-step kicks and snares and influences from industrial and techno music, what some writers have described as a "clinical" sound. Although described as having a "techy" feel, techstep's relationship with techno should not be overstated. It shares the technique of creating a high-energy collage from abstract, synthetic noises, including samples, bleeps and squelches: it rarely uses instruments that have not been processed by effects. Similarly, quantized drum-machine kit and percussion sounds are favored over naturalistic human breakbeats. However, it usually adheres to drum and bass norms in other regards, especially in terms of musical structure, with the emphasis on the "drop". Techstep saw jungle music's obsession with bass change, from aiming for low and deep to exploring timbre, artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wormhole (album)
''Wormhole'' is the debut album by the English drum and bass act Ed Rush & Optical. Recorded between 1997 and 1998, the album was issued on 16 November 1998 through their self-run Virus Recordings label on vinyl and CD formats. The CD edition was a double disc, the second disc containing an hour-long continuous mix while the LP was a five-disc boxset, with a single track per side. On 26 November 2012 the album was reissued on both formats with new artwork, the LP edition being pressed on green vinyl. Since the album's initial release in 1998, it has gained praise amongst critics, with some even considering it as one of the best drum and bass albums of all time. ''Wormhole'' is also considered to be the first neurofunk Neurofunk (also known informally as neuro) is a dark subgenre of drum and bass which emerged between 1997 and 1998 in London, England as a progression of techstep. It was further developed by juxtaposing elements of darker, heavier, and harder ... (a subgen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments ( tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave Music
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African Americans, African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove (music), groove of a bassline played by an electric bassist and a drum part played by a drum kit, percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with Rhythm section, rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
V Recordings
V, or v, is the twenty-second and fifth-to-last letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''vee'' (pronounced ), plural ''vees''. History The letter V ultimately comes from the Phoenician letter '' waw'' by way of U. See U for details. During the Late Middle Ages, two minuscule glyphs of U developed which were both used for sounds including and modern . The pointed form "v" was written at the beginning of a word, while a rounded form "u" was used in the middle or end, regardless of sound. So whereas "valour" and "excuse" appeared as in modern printing, "have" and "upon" were printed as "haue" and "vpon". The first distinction between the letters "u" and "v" is recorded in a Gothic script from 1386, where "v" preceded "u". By the mid-16th century, the "v" form was used to represent the consonant and "u" the vowel sound, giving us the modern letter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', '' Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
