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Netherlands Filmmuseum
Eye Filmmuseum is a film archive, museum, and cinema in Amsterdam that preserves and presents both Dutch and foreign films screened in the Netherlands. Location and history Eye Filmmuseum is located in the Overhoeks neighborhood of Amsterdam in the Netherlands. Its predecessor was the Dutch Historical Film Archive, founded in 1946 by David van Staveren, Felix Halverstad, and directors of Filmtheater Kriterion Piet Meerburg and Paul Kijzer. Following the accession of the archives of the Filmtheater de Uitkijk, the archive was renamed the Netherlands Filmmuseum under the leadership of its first director, film collector Jan de Vaal. The Filmmuseum was located in Kriterion and Stedelijk Museum until 1975, when de Vaal succeeded in acquiring a discrete space for the Filmmuseum in the Vondelpark Pavilion. In 2009, Nederlands Filmmuseum merged with Holland Film, the Netherlands Institute for Film Education and the Filmbank and plans were announced for a new home on the north bank of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Archive
An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmbank
Experimental filmmakers ask whether things could not be done differently. Underground films analyse and critique the mainstream film industry. They step back and reflect. Simultaneously, they take forward leaps to assess new options. Sometimes the makers are self-taught visual artists who make innovative work thanks to their original point of view. Other filmmakers primarily play with the medium film and seek an alternative to the dominant visual culture. The 1920s The history of Dutch experimental or avant-garde film dates back to the 1920s. 1927 saw the publication of a manifesto for the founding of the Filmliga. The movement's leaders Menno ter Braak and E. du Perron's embraced free film art, paying particular attention to the editing, rhythm and composition of films. The Filmliga movement includes the Soviet avant-garde inspired documentaries of Joris Ivens, the scientific films of J.C. Mol (who evoked an aesthetic, abstract world with his 'Het rijk der kristallen') and the work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EYE Film Institute Netherlands - Eye Study - Collection Building - Front - 2017
Eyes are organs of the visual system. They provide living organisms with vision, the ability to receive and process visual detail, as well as enabling several photo response functions that are independent of vision. Eyes detect light and convert it into electro-chemical impulses in neurons (neurones). In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods. The most simple eyes, pit eyes, are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony McCall
Anthony McCall (born 1946) is a British-born New York based artist known for his ‘solid-light’ installations, a series that he began in 1973 with "Line Describing a Cone," in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Occupying a space between cinema, sculpture, and drawing, his work's historical importance has been recognised in such exhibitions as "Into the Light: the Projected Image in American Art 1964–77,” Whitney Museum of American Art (2001–02); "The Expanded Screen: Actions and Installations of the Sixties and Seventies,” Museum Moderner Kunst, Vienna (2003–04); "The Expanded Eye," Kunsthaus Zurich (2006); "Beyond Cinema: the Art of Projection,” Hamburger Bahnhof, Berlin (2006–07); "The Cinema Effect: Illusion, Reality and the Projected Image,” Hirshhorn Museum, Washington DC (2008); and "On Line: Drawing Through the Twentieth Century,” Museum of Modern Art (2010–11). Career McCall studied graph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryoji Ikeda
Ryoji Ikeda (池田 亮司 ''Ikeda Ryōji'', born 1966) is a Japanese visual and sound artist who currently lives and works in Paris, France. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music and lowercase; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse. Ryoji Ikeda was born in Gifu, Gifu Prefecture, Japan in 1966. In addition to working as a solo artist, he has also collaborated with, among others, Carsten Nicolai (under the name "Cyclo.") and the art collective Dumb Type. His work ''matrix'' won the Golden Nica Award in 2001. Happy New Ears 2004 (Happy New Ears, 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricciotto Canudo
Ricciotto Canudo (; 2 January 1877, Gioia del Colle – 10 November 1923, Paris) was an early Italian film theoretician who lived primarily in France. In 1913 he published a bimonthly avant-garde magazine entitled ''Montjoie!'', promoting Cubism in particular. He saw cinema as "plastic art in motion", and gave cinema the label "the Sixth Art", later changed to "the Seventh Art", still current in French, Italian, and Spanish conceptions of art, among others. Canudo subsequently added dance as a precursor to the sixth—a third rhythmic art with music and poetry—making cinema the seventh art. Work In his manifesto ''The Birth of the Sixth Art'', published in 1911, Canudo argued that cinema was a new art, "a superb conciliation of the Rhythms of Space (the Plastic Arts) and the Rhythms of Time (Music and Poetry)", a synthesis of the five ancient arts: architecture, sculpture, painting, music, and poetry (cf. Hegel's '' Lectures on Aesthetics''). Canudo later added dance as a sixt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expanded Cinema
{{italic title ''Expanded Cinema'' by Gene Youngblood (1970), the first book to consider video as an art form, was influential in establishing the field of media arts.Manovich, Lev. 2002. "Ten Key Texts on Digital Art: 1970–2000". Leonardo. 35 (5): 567–569. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilizing new technology, including film special effects, computer art, video art, multi-media environments and holography. "Part One: The Audience and the Myth of Entertainment" In the first part of the book, Youngblood attempts to show how ''expanded cinema'' will unite art and life. "Television's elaborate movie-like subjective-camera ''simulation'' of the first moon landing" (p46) showed a generation that reality was not as real as simulation. He says that he is writing "at the end of the era of cinema as we've known it, the beginning of an era of image-exchange between man and man" (p. 49). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural Digest
''Architectural Digest'' is an American monthly magazine founded in 1920. Its principal subjects are interior design and landscaping, rather than pure external architecture. The magazine is published by Condé Nast, which also publishes international editions of ''Architectural Digest'' in Italy, China, France, Germany, India, Spain, Mexico/Latin America and the Middle East ''Architectural Digest'' is aimed at an affluent and style-conscious readership, and is subtitled "The International Design Authority." The magazine releases the annual AD100 list, which recognizes the most influential interior designers and architects around the world. ''Architectural Digest'' also hosts a popular online video series entitled ''Open Door'' that gives an in-depth look at the unique homes of various prominent celebrities and public figures. History Originally a quarterly trade directory called ''The Architectural Digest: A Pictorial Digest of California's Best Architecture'', the magazine was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porsche Museum, Stuttgart
The Porsche Museum is an automobile museum in the Zuffenhausen district of Stuttgart, Germany on the site of carmaker Porsche. History The original Porsche museum opened in 1976 in a side-road near the Porsche factory. It was a relatively small ''works museum'' with little parking space and it was only big enough to hold around 20 exhibits (in rotation). Porsche built the museum as a kind of "rolling museum" with rotating exhibits from a stock of 300 restored cars, many in pristine condition and still in full driving order. Originally there was discussion that the new museum would be built alongside a new Mercedes-Benz museum on former trade fair grounds in the Killesberg area of Stuttgart. After the new Mercedes-Benz Museum opened in the east of Stuttgart in 2006, Porsche went ahead with plans to upgrade and extend its museum in the northern district of Zuffenhausen next to the company headquarters. Originally costs were set at 60 million euros but days before the official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delugan Meissl Associated Architects
Delugan Meissl Associated Architects (DMAA) is an Austrian architecture firm based in Vienna, Austria. DMAA has designed notable buildings including the Porsche Museum, StuttgartSchembari, James (4 September 2017)Where Your Mercedes-Benz and Porsche Were Born.''New York Times'' and the EYE Film Institute Netherlands.Schuetze, Christopher F. (12 September 2013)A New Dutch Focus on Film.''New York Times'' History Delugan Meissl Associated Architects – DMAA for short – is a Vienna-based architectural office, which was founded by Elke Delugan-Meissl and Roman Delugan as Delugan Meissl ZT GmbH in 1993. Dietmar Feistel and Martin Josst have been partners since 2004. The management team is completed by the associated partners Sebastian Brunke and Bernd Heger and the project partner Philip Beckmann. The office works on a broad range of building projects in Europe, North America and Asia, many of which have been preceded by success in an architectural competition. The origins of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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