Nemuri Kyōshirō Manji Giri
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Nemuri Kyōshirō Manji Giri
is a 1969 Japanese film directed by Kazuo Ikehiro. It is based on Renzaburō Shibata's novel series '' Nemuri Kyoshiro''. The lead star is Hiroki Matsukata. He played the role of Nemuri Kyoshiro as a replacement for Ichikawa Raizō. In this film Masakazu Tamura played a villain (he later played Nemuri Kyoshiro in the television series and the following five TV specials). Plot *Source: Kishiwada clan Senior Vassal Naito Mondo asks Kyōshirō to rape a woman loved by the lord of the Kishiwada clan so that her reputation will be destroyed, as this woman is suspected of being a spy for the Satsuma clan. Kyōshirō agrees and fulfills the request, but also arranges for two ''Hina'' Imperial dolls presented to the Kushiwada clan by the Shogunate to be stolen. Later, Kyōshirō is attacked by assassins of the Satsuma clan, but refuses to kill one of them who is a half-breed samurai like Kyōshirō himself. When the Imperial dolls are damaged, Kyōshirō begins a journey to somehow h ...
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Kazuo Ikehiro
is a Japanese film director. He is known for directing Zatoichi series and the highly acclaimed Malay film Onna Gokuakuchō. In 1950, he joined the Daiei Film and started working as an assistant director under Kenji Mizoguchi etc. In 1960, he was promoted to director and debuted with ''Bara Daimyo''. Selected filmography Film *''Bara Daimyo'' (1960) *''Zatoichi and the Chest of Gold'' (1964) *''Zatoichi's Flashing Sword'' (1964) *'' Shinobi No Mono 5: Return of Mist Saizo'' (1964) *'' Sleepy Eyes of Death 4: Sword of Seduction'' (1964) *''Zatoichi's Pilgrimage'' (1966) *'' Sleepy Eyes of Death 9: A Trail of Traps'' (1967) *'' Broken Swords'' (1969) *'' Sleepy Eyes of Death 12: Castle Menagerie'' (1969) *'' Nemuri Kyōshirō manji giri'' (1969) *''Onna Gokuakuchō'' (1970) *''Kesho'' (1984) Television *Nemuri Kyōshirō (TV series) (1972) Episode8,11 *Kogarashi Monjirō (1972) Episode5,9 *Amigasa Jūbei (1974-7) Episode9,10 *Monkey (TV series) (1978) Episode15,16,25,26 * ...
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Samurai Films
, also commonly spelled "''chambara''", meaning "sword fighting" films,Hill (2002). denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. ''Chanbara'' is a sub-category of ''jidaigeki'', which equates to period drama. ''Jidaigeki'' may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. Chanbara also refers to a martial arts sport similar to Fencing. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Silver (1977), p. 37. Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their ...
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Jidaigeki Films
is a genre of film, television, video game, and theatre in Japan. Literally meaning "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—''Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series ''Zenigata Heiji'' and ''Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ''Mito K ...
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