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Nel Cor Più Non Mi Sento
"" is a duet from Giovanni Paisiello's 1788 opera ''L'amor contrastato, ossia La molinara'', usually known as ' (The Miller-Woman). The duet is sung twice in the opera's second act, first by the miller-woman Rachelina (soprano) and Calloandro (tenor) and then by Rachelina and the notary Pistofolo (baritone).Glenn Paton, John. ''26 Italian Songs and Arias: An Authoritative Edition Based on Authentic Sources''. Van Nuys: Alfred Publishing, 1991. The duet is notable as its theme has been used many times as a basis for other musical works, and due to its inclusion in Alessandro Parisotti's 1885 collection ', the song has secured a place in classical vocal pedagogy. Music The duet is written in the key of G major with a time signature. The voices are accompanied by violins, viola and continuo. There is an 8 measure instrumental introduction followed by 20 measures of Rachelina singing the theme. Calloandro repeats these 20 measures with new text before Rachelina joins him for 12 more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duet
A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously. A piece performed by two pianists performing together on the same piano is a "piano duet" or " piano four hands". A piece for two pianists performing together on separate pianos is a " piano duo". The term ''duet'' is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called trio, quartet, quintet, sextet, septet, octet, etc. History When Mozart was young, he and his sister Marianne played a duet of his composition at a London concert in 1765. The four-hand, described as a duet, was in many of his compositions which included five sonatas; a set o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nepomuk Hummel
Johann Nepomuk Hummel (14 November 177817 October 1837) was an Austrian composer and virtuoso pianist. His music reflects the Transition from Classical to Romantic music, transition from the Classical period (music), Classical to the Romantic music, Romantic musical era. He was a pupil of Mozart, Salieri and Muzio Clementi, Clementi. He also knew Beethoven and Schubert. Life Early life Hummel was born as an only child (which was unusual for that period) in Pressburg, Kingdom of Hungary (now Bratislava, Slovakia). He was named after the Czech patron saint John of Nepomuk. His father, Johannes Hummel, was the director of the Imperial School of Military Music in Vienna; his mother, Margarethe Sommer Hummel, was the widow of the wigmaker Josef Ludwig. The couple married just four months beforehand. Hummel was a child prodigy. At the age of eight, he was offered music lessons by the classical composer Wolfgang Amadeus Mozart, who was impressed with his ability. Hummel was taught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Antonio Manfroce
Nicola Antonio Manfroce (20 February 1791, in Palmi – 9 July 1813, in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...) was an Italian composer. His first work was a cantata for Napoleon's birthday, which was performed at the Neapolitan court on 15 August 1809. References 1791 births 1813 deaths 19th-century classical composers Italian Romantic composers Italian classical composers Italian male classical composers Italian opera composers Male opera composers People from Palmi 19th-century Italian male musicians {{italy-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bottesini
Giovanni Bottesini (22 December 1821 – 7 July 1889) was an Italian Romantic composer, conductor, and a double bass virtuoso. Biography Born in Crema, Lombardy, he was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. His father sought a place for him in the Milan Conservatory in 1835, but due to the Bottesini family's lack of money, Bottesini needed a scholarship. Only two positions were available: double bass and bassoon. He prepared a successful audition for the double bass scholarship in a matter of weeks. At the conservatory, he studied with Shane Savage, to whom he would later dedicate his ''Tre grandi duetti per contrabasso''. Only four years later, a surprisingly short time by the standards of the day, he left w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Legnani
Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian virtuoso guitarist, singer, composer and luthier. Life Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years. His career as a guitarist began with a concert in Milan in 1819, and continued with the 1822 concerts in Vienna and return visits in 1833 and 1839. He tried to continue the guitar tradition established there by Mauro Giuliani. Music Legnani is perhaps best known for his ''36 Caprices'' op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's '' 24 Caprices'' for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837), there is no evidence to support this claim. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauro Giuliani
Mauro Giuseppe Sergio Pantaleo Giuliani (27 July 1781 – 8 May 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. Biography Although born in Bisceglie, Giuliani's center of study was in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello—an instrument which he never completely abandoned—and he may have also studied the violin. Subsequently, he devoted himself to the guitar, becoming a skilled performer on it in a short time. The names of his teachers are unknown. He married Maria Giuseppe del Monaco, and they had a child, Michael, born in Barletta in 1801. After that he was possibly in Bologna and Trieste for a brief stay. By the summer of 1806, fresh from his studies of counterpoint, cello and guitar in Italy, he had moved to Vienna without his family. There he began a relationship with the Viennese Anna Wiesenberger (1784 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Silcher
Philipp Friedrich Silcher (27 June 1789 in Schnait (today part of Weinstadt) – 26 August 1860 in Tübingen), was a German composer, mainly known for his lieder (songs), and an important Volkslied collector.Luise Marretta-Schär, Silcher, (Philipp) Friedrich in ''New Grove'' Vol. 23 ed. Stanley Sadie, 2nd Ed. (2001) Life Silcher was meant to be a school teacher, but dedicated himself entirely to music in the seminary in Ludwigsburg after he met Carl Maria von Weber. He was taught composition and piano by Conradin Kreutzer and Johann Nepomuk Hummel. In 1817 he was named musical director at the University of Tübingen. He is regarded as one of the most important protagonists of choir singing. He arranged many German Volkslieder and international folk songs that have remained standard repertoire of many choirs in Germany and became an integral part of German daily life. In 1829 Silcher founded the "Akademische Liedertafel" in Tübingen and directed it until his death. He was mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Sor
Fernando Sor (bapt. 14 Feb. 1778, died 10 July 1839) was a Spanish classical guitarist and composer of the Romantic music, Early Romantic era. Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: ''Cinderella'', which received over one hundred performances, and ''Hercule et Omphale''. Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular ''Introduction and Variations on Mozart's "Das klinget so herrlich"'' Op. 9, is fiend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Paganini
Niccolò (or Nicolò) Paganini (; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Biography Childhood Niccolò Paganini was born in Genoa (then capital of the Republic of Genoa) on 27 October 1782, the third of the six children of Antonio and Teresa (née Bocciardo) Paganini. Paganini's father was an unsuccessful trader, but he managed to supplement his income by playing music on the mandolin. At the age of five, Paganini started learning the mandolin from his father and moved to the violin by the age of seven. His musical talents were quickly recognized, earning him numerous scholarships for violin lessons. The young Paganini studied under various local violinists, including Giovanni Serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WoO (Beethoven)
Woo, WoO, WOO, W.O.O. and variants may refer to: People Woo or Wu, romanization of several East Asian names: * Hu (surname): 胡, 瓠, 護, 戶, 扈, 虎, 呼, 忽, 斛 * Wu (surname): 吳, 伍, 武, 仵, 烏, 鄔, 巫 * Ng (name): 吳, 伍 * Woo (Korean name), a Korean surname and given name: 우 * Woo, Łukasz Obrzut, nickname of Polish-American basketball player based on the pronunciation of his first name (Woo-kosh) Film and TV * ''Woo'' (film), a 1998 romantic comedy * "Woooo!", a 2008 television episode of ''How I Met Your Mother'' * Woo, a character in the '' King of the Monsters'' series of video games * WoO, an alien creature in ''Bio Planet WoO'', a Japanese television show * Woo, a fictional monster in the ''Ultraman'' television series * Woo, a character in the movie ''The Big Lebowski'' * Woo, or WoO, also known as WWOO WWoO, abbreviation for The Wizard of Oz * "Woooo!", a catchphrase by pro wrestler Ric Flair Music * WoO, ("Works without opus number"), a catalogi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
