Neil Sutton
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Neil Sutton
Neil Sutton is an English musician, known for being a long term touring member for the synthpop group The Human League. He is best known as the on stage and studio keyboard player, but also has written various lyrics and composed instrumental tracks for the band and has numerous Human League album credits. His association with the Human League started in 1986, where he was employed as a session musician for the ''Crash Tour'' of late 1986. Studying as a Geology Undergraduate at Sheffield University, Neil took on a job at a Sheffield music instrument store. Philip Oakey came in one day and asked him to demonstrate some keyboards, then offered Neil the chance to go on tour with the band. Neil accepted and left his degree course. He was subsequently invited to work with the band further and joined the studio and stage team. In conjunction with band principal Philip Oakey, Sutton has composed a number of the Human League's lyrics and instrumental scores on the '' Romantic?'' (1990), ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Secrets (Human League Album)
''Secrets'' is the eighth studio album recorded by British synthpop band The Human League. It was issued in 2001 by Papillon Records and was the Human League's first studio album in six years. The album was well-received by critics but performed poorly commercially. Background As on the previous album ''Octopus'', the band was presented as a trio of singers – Philip Oakey, Joanne Catherall and Susan Ann Sulley (credited by her married name, Susan Ann Gayle, which she would drop professionally in October 2007), although band member Neil Sutton contributed songwriting and keyboards. Following the band's short stint with East West Records for their top-ten 1995 album ''Octopus'', they signed to Papillon Records in May 2000 and began recording tracks for the album with production team TOY, featuring former ABC members Dave Clayton, Q, and Kerry Hopwood, at the act's studio in Sheffield. In a ''Guardian'' interview to promote the record, Oakey spoke of the personal difficulties t ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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Year Of Birth Missing (living People)
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the ...
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The Human League Members
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Love Me Madly?
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment.''Oxford Illustrated American Dictionary'' (1998) Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self, or animals.Fromm, Erich; ''The Art of Lovi ...
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All I Ever Wanted (The Human League Song)
"All I Ever Wanted" is a song by English synth-pop band the Human League. It is taken from the ''Secrets'' album of 2001 and was released as its first single. It is currently their most recent single released on a major label. It follows the standard Human League style of baritone lead vocals of Philip Oakey with choruses and incidentals jointly shared between female co-vocalists Joanne Catherall and Susan Ann Sulley (credited for the first time under her married name, Gayle, causing some erroneous comment that 'Susan Sulley' had been replaced). It was released in July 2001 and stalled at number 47 in the UK Singles Chart. Background The Human League had recently signed to Papillon Records, a subsidiary of the Chrysalis Group. Papillon were set up to capitalize on so called 'heritage acts' (bands with a large and established fan base) and the Human League were to become their headline band.Human League Media Enquiries However the label was in financial difficulties as previous ...
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One Man In My Heart
"One Man in My Heart" is a song by British synth-pop band the Human League, written by Neil Sutton and Philip Oakey. It was released as the second single from the band's seventh album, '' Octopus'' (1995), on 6 March 1995. A ballad, the song differs from all previous Human League tracks as the lead vocal is performed by band member Susan Ann Sulley, with spoken-word refrains from Oakey and contrasting backing from the third member, Joanne Catherall. The song received positive reviews from music critics and peaked at number 13 on the UK Singles Chart, eventually spending eight weeks in the charts. In 2001, ''The Guardian'' newspaper called it one of the best love songs of the 1990s. Critical reception Dave Thompson of AllMusic said "One Man in My Heart" "could have been a total throwaway, a gloopy little love song without a single redeeming quality, beloved by grannies and tweenies, gag-inducing for those outside those age parameters. But the band obviously gave the number time ...
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Soundtrack To A Generation (song)
"Soundtrack to a Generation" is a song by the British synthpop group The Human League. It is taken from the album, ''Romantic?'', from 1990. Background "Soundtrack to a Generation" is the second and final single to be taken from ''Romantic?''. It would be the band's final original release under their contract with Virgin Records. It was written by lead singer Philip Oakey and keyboard player Neil Sutton and features vocals by Oakey, Joanne Catherall and Susan Ann Sulley. It was recorded at HL studios in Sheffield during 1990 and produced by Bob Kraushaar. After the moderate success of "Heart Like a Wheel" in 1990, Virgin agreed to release a second single from ''Romantic?'' In an attempt to resurrect their past, the band advertised the track as 'Red', a reference to their old early 1980s labelling system of 'Red' for dance tracks and 'Blue' for pop songs. Release Released in the UK in November 1990, "Soundtrack to a Generation" reached only number 77 in the UK singles chart ...
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Octopus (Human League Album)
''Octopus'' is the seventh full-length studio album recorded by the British synthpop band The Human League. It was produced by the former Tears for Fears keyboard player Ian Stanley and released by EastWest Records in 1995. It was the first new album from The Human League in five years after the termination of their long-term contract with Virgin Records. ''Octopus'' was the first Human League album that presented the band as a trio consisting of the singers Philip Oakey, Joanne Catherall and Susan Ann Sulley. The former Human League member Jo Callis and keyboard player Neil Sutton also contributed to the writing of the album. The album's sound is notable for almost exclusively featuring analogue synthesizers, a marked change from the band's primarily "digital" sound in the mid-to-late 1980s. Background The album saw a return to the public eye for the band, who had been out of the top ten since their 1986 album ''Crash''. Band members Catherall and Sulley admitted that ''Octopu ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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Romantic?
''Romantic?'' is the sixth studio album by English synth-pop band the Human League. It was issued by Virgin Records in 1990 and was the band's first album of new material in four years. ''Romantic?'' had several producers, most notably Martin Rushent, who worked with the Human League on their biggest commercial success (1981's ''Dare'') and had walked out of the recording sessions for its 1984 follow-up (''Hysteria''). Also producing several tracks is Mark Brydon, who would be one half of musical duo Moloko several years later. At the time of the album's release, the Human League had reached the nadir of a decline in popularity following the success of ''Dare'' nine years prior; this fall from grace was reflected in the song "The Stars Are Going Out," in which the band reflects upon their loss of fame and its impact on them. The song one writer called a "pointless and bland filler," was ditched as a potential third single. The album signalled a critical and commercial low point ...
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