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Ned Wayburn
Ned Wayburn ''(né'' Edward Claudius Weyburn; 30 March 1874 – 2 September 1942) was an American choreographer. Career Wayburn was born in Pittsburgh, Pennsylvania, to Elbert Delos Weyburn and Harriet Landon Beach. Ned Wayburn spent much of his childhood in Chicago where he was introduced to theater and studied classical piano. At the age of 21, he abandoned his family's tradition of manufacturing and began teaching at the Hart Conway School of Acting in Chicago. There he worked with three faculty members who influenced his growing interest in dance and movement: C.H. Jacobsen Colonel Thomas Hoyer Monstery and Ida Simpson-Serven ( elocution), whose teachings were based on Delsarte's concepts about the meaning of gestures and their ability to communicate the emotion. After leaving the school, Wayburn spent many years in theater staging shows for producers. He worked with such teams as William Hammerstein and Oscar Hammerstein, and Marc Klaw and A.L. Erlanger. In 1906 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrobatic
Acrobatics () is the performance of human feats of balance (ability), balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sports, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro dance, circus, and gymnastics, and to a lesser extent in other athletic activities including ballet, slacklining and Diving (sport), diving. Although acrobatics is most commonly associated with human body performance, the term is used to describe other types of performance, such as aerobatics. History Acrobatic traditions are found in many cultures, and there is evidence that the earliest such traditions occurred thousands of years ago. For example, Minoan civilization, Minoan art from c. 2000 BC contains depictions of bull-leaping, acrobatic feats on the backs of bulls. Ancient Greeks practiced acrobatics, and the noble court displays of the European Middle Ages would often include acrobatic performances that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Stanwyck
Barbara Stanwyck (; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television. Orphaned at the age of four and partially raised in foster homes, she always worked. One of her directors, Jacques Tourneur, said of her, "She only lives for two things, and both of them are work." She made her debut on stage in the chorus as a Ziegfeld girl in 1923, at age 16, and within a few years was acting in plays. Her first lead role, which was in the hit ''Burlesque'' (1927), established her as a Broadway star. In 1929, she began acting in talking pictures. Frank Capra chose her for his romantic drama ''Ladies of Leisure'' (1930). This led to additio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Pennington (actress)
Anna Pennington (December 23, 1893 – November 4, 1971) was an American actress, dancer, and singer who starred on Broadway in the 1910s and 1920s, notably in the ''Ziegfeld Follies'' and ''George White's Scandals''. She became famous for what was, at the time, called a "Shake and Quiver Dancer", and was noted for her variation of the " Black Bottom". She also was noted as an accomplished tap dancer. Ray Henderson wrote the extant version of "Black Bottom" for Ann – she had already been performing the popular version of the dance for some time. Some years prior to this, she had also topped the bill on Broadway in her performance of the musically similar "Charleston". Pennington also achieved fame as a star of both silent and sound motion pictures. Early life Pennington was born in Wilmington, Delaware, on December 23, 1893, and reputedly moved with her family to Camden, New Jersey, around 1900. Her father worked for the Victor music company, they were Quakers, and sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marilyn Miller
Marilyn Miller (born Mary Ellen Reynolds; September 1, 1898 – April 7, 1936) was one of the most popular Broadway musical stars of the 1920s and early 1930s. She was an accomplished tap dancer, singer and actress, and the combination of these talents endeared her to audiences. On stage, she usually played rags-to-riches Cinderella characters who lived happily ever after. Her enormous popularity and famed image were in distinct contrast to her personal life, which was marred by disappointment, tragedy, frequent illness, and ultimately her sudden death due to complications of nasal surgery at age 37. Early life Marilyn Miller was born in 1898 in Evansville, Indiana, the youngest daughter of Edwin D. Reynolds, a telephone lineman, and his first wife, the former Ada Lynn Thompson.Staff (March 20, 1942"Marilyn Miller's Mother Dies"''The New York Times'', p.19 The tiny, delicately featured blonde was only four years old when she debuted in the role of Mademoiselle Sugarlump at Lakes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilda Gray
Gilda Gray (born Marianna Michalska; October 24, 1901 – December 22, 1959) was a Polish-American dancer and actress who popularized a dance called the "shimmy" which became fashionable in 1920s films and theater productions. Early life and 'the shimmy' According to her own statement, Gilda Gray was born on 24 October 1901 in Kraków (then part of Galicia-Lodomeria, Austria-Hungary, and now part of Poland) and she was an adopted child of Maksymilian (Max) and Wanda Michalski (née Kuras).Giordano, Ralph G. (2008)''Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City'' Lanham, Md: Scarecrow Press. p. 119. . However, according to her birth certificate she was born on 25 October 1895 in a village Rydlewo near Żnin (Żnin County, Kuyavian-Pomeranian Voivodeship) and Maksymilian (Max) and Wanda Michalski (née Kuras) were her biological parents. In 1903 she emigrated with her parents to the United States. She had one sister, Josephin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanette MacDonald
Jeanette Anna MacDonald (June 18, 1903 – January 14, 1965) was an American singer and Actor, actress best remembered for her musical films of the 1930s with Maurice Chevalier (''The Love Parade'', ''Love Me Tonight'', ''The Merry Widow (1934 film), The Merry Widow'' and ''One Hour With You'') and Nelson Eddy (''Naughty Marietta (film), Naughty Marietta'', ''Rose Marie (1936 film), Rose-Marie'', and ''Maytime (1937 film), Maytime''). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Academy Awards, Oscars (''The Love Parade'', ''One Hour with You'', ''Naughty Marietta (film), Naughty Marietta'' and ''San Francisco (1936 film), San Francisco''), and recorded extensively, earning three Music recording sales certification, gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havana (Edwardian Musical)
''Havana'' is an Edwardian musical comedy in three acts, with a book by George Grossmith, Jr. and Graham Hill, music by Leslie Stuart, lyrics by Adrian Ross and additional lyrics by George Arthurs. It premiered on 25 April 1908 at the Gaiety Theatre, London, starring Evie Greene as Consuelo, W. H. Berry as Reginald Brown, Lawrence Grossmith as Don Adolfo and Mabel Russell as Pepita.Cast and productions details at '''' website (1902–1910) of the Templeman Library at the University of Kent at Canterbury A young was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charleston (dance)
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show '' Runnin' Wild'' and became one of the most popular hits of the decade. ''Runnin' Wild'' ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927. Origins While the dance probably came from the "star" or challenge dances that were all part of the African-American dance called Juba, the particular sequence of steps which appeared in ''Runnin' Wild'' were probably newly devised for popular appeal. "At first, the step started off with a simple twisting of the feet, to rhythm in a lazy sort of way. his could well be the Jay-Bird.When the dance hit Harlem, a new version was added. It became a fast kicking step, kicking the feet, both forwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Bottom (dance)
The black bottom is a dance which became popular during 1920s amid the Jazz Age. It was danced solo or by couples. Originating among African Americans in the Deep South, rural South, the black bottom eventually spread to mainstream American culture and became a Novelty and fad dances, national craze in the 1920s. The dance was most famously performed by Ann Pennington (actress), Ann Pennington, a star of the Ziegfeld Follies, who performed it in a Broadway show, Broadway revue staged by Ziegfeld's rival George White (producer), George White in 1926. Origins The dance originated in New Orleans in the first decade of the 20th century. Jazz pianist and composer Jelly Roll Morton wrote the tune "Black Bottom Stomp", its title referring to the Black Bottom, Detroit, Black Bottom area of Detroit, Michigan, Detroit. Sheet music from the mid-20s identifies the composers as Gus Horsley and Perry Bradford and claims the dance was introduced by the African-American dancer and choreographer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grizzly Bear (dance)
The Grizzly Bear is an early 20th-century dance style. It started in San Francisco, along with the Bunny Hug and Texas Tommy (dance), Texas Tommy and was also done on the Staten Island ferry boats in the 1900s. It has been said that dancers John Jarrott and Louise Gruenning introduced this dance as well as the Turkey trot (dance), Turkey Trot at Ray Jones Café in Chicago, Illinois around 1909. The Grizzly Bear was first introduced to Broadway audiences in the Ziegfeld Follies of 1910 by Fanny Brice. The dance was rough and clumsy. During the dance, the dancers would yell out: "It's a Bear!" The genuine Grizzly Bear step was a correct imitation of the movements of a dancing bear, moving or dancing to the side. A very heavy step to the side with a decided bending of the upper part of the body from one side to the other, a decidedly ungraceful and undignified movement when performed as a dance. It was reported that one of the reasons former President Woodrow Wilson's United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
