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Ne-no-kuni
or in the '' Nihon Shoki'', also called or in the '' Kojiki'', refers to a netherworld in Japanese mythology. It is sometimes considered to be identical to Yomi, another netherworld in the myths as well as . There is no clear consensus on the relationship between these three realms. The god Susanoo is described as the ruler of Ne-no-kuni. There are differing accounts on how he assumed this position: According to the ''Kojiki'' when Izanagi tasked his children with the rule over the various realms: Amaterasu got the "Plain of the High Heaven" (''Takamagahara''), Tsukuyomi got the "Dominion of the Night" (''Yoru-no-wosu-kuni''), and Susanoo got the . Susanoo ignored this command and kept crying over the loss of his dead mother Izanami, such that his weeping lead to death and destruction. As Susanoo wished, Izanagi expelled him to be near his mother in Ne-no-kata-su-kuni. In the previous episodes about Izanami's death this land is called Yomi. The ''Nihon Shoki'' mentions ''Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yomi
is the Japanese word for the land of the dead (World of Darkness). According to Shinto mythology as related in ''Kojiki'', this is where the dead go in the afterlife. Once one has eaten at the hearth of Yomi it is (mostly) impossible to return to the land of the living. Yomi in Japanese mythology is comparable to Hades or Sheol and is most commonly known for Izanami's retreat to that place after her death. Izanagi followed her there and upon his return he washed himself, creating Amaterasu, Susanoo, and Tsukuyomi-no-Mikoto in the process. This realm of the dead seems to have geographical continuity with this world and certainly cannot be thought of as a paradise to which one would aspire, nor can it appropriately be described as a hell in which one suffers retribution for past deeds; rather, all deceased carry on a gloomy and shadowy existence in perpetuity, regardless of their behavior in life. Many scholars believe that the image of Yomi was derived from ancient Japanese tombs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo-no-Mikoto
__FORCETOC__ Susanoo (; historical orthography: , ) is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One of the gazetteer reports () commissioned by the imperial court during the same peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Izanagi
Izanagi (イザナギ/伊邪那岐/伊弉諾) or Izanaki (イザナキ), formally known as , is the creator deity (''kami are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the sp ...'') of both creation and life in Japanese mythology. He and his sister-wife Izanami are the last of the Kamiyonanayo, seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo-no-Mikoto, Susanoo. Name His name is given in the ''Kojiki'' (ca. 712 AD) both as ''Izanagi-no-Kami'' (伊邪那岐神) and ''Izanagi-no-Mikoto'' (伊邪那岐命), while the ''Nihon Shoki'' (720 AD) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices. Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record being the one made in 620 under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norito
are liturgical texts or ritual incantations in Shinto, usually addressed to a given ''kami''. History The first written documentation of ''norito'' dates to 712 CE in the ''Kojiki'' and 720 CE in the '' Nihongi''. The Engishiki, a compilation of laws and minute regulation presented by the court compiled in 927 CE, preserves twenty-seven representative forms of ''norito''. Etymology There is no single universally accepted theory to explain the meaning of the term.Philippi (1990). p. 2. One theory derives ''norito'' from ''noru'' ( 宣る, 'to declare'; cf. the verbs '' inoru'' 'to pray' and '' norou'' 'to curse') - combined with the suffix ''-to''. A variant term, ''notto'', is derived from a combination of ''norito'' with ''koto'', 'word'. There are various known ways of writing the word in kanji: aside from 祝詞 (currently the standard), 詔戸言, 詔刀言, and 諄辞 are also attested. One recent writer summed up the original meaning of ''norito'' as "a general term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locations In Japanese Mythology
In geography, location or place are used to denote a region (point, line, or area) on Earth's surface or elsewhere. The term ''location'' generally implies a higher degree of certainty than ''place'', the latter often indicating an entity with an ambiguous boundary, relying more on human or social attributes of place identity and sense of place than on geometry. Types Locality A locality, settlement, or populated place is likely to have a well-defined name but a boundary that is not well defined varies by context. London, for instance, has a legal boundary, but this is unlikely to completely match with general usage. An area within a town, such as Covent Garden in London, also almost always has some ambiguity as to its extent. In geography, location is considered to be more precise than "place". Relative location A relative location, or situation, is described as a displacement from another site. An example is "3 miles northwest of Seattle". Absolute location An absolute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afterlife Places
The afterlife (also referred to as life after death) is a purported existence in which the essential part of an individual's identity or their stream of consciousness continues to live after the death of their physical body. The surviving essential aspect varies between belief systems; it may be some partial element, or the entire soul or spirit of an individual, which carries with it and may confer personal identity or, on the contrary, nirvana. Belief in an afterlife is in contrast to the belief in oblivion after death. In some views, this continued existence takes place in a spiritual realm, while in others, the individual may be reborn into this world and begin the life cycle over again, likely with no memory of what they have done in the past. In this latter view, such rebirths and deaths may take place over and over again continuously until the individual gains entry to a spiritual realm or otherworld. Major views on the afterlife derive from religion, esotericism an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryukyuan Religion
The Ryukyuan religion (琉球信仰), Ryūkyū Shintō (琉球神道), Nirai Kanai Shinkō (ニライカナイ信仰), or Utaki Shinkō (御嶽信仰) is the indigenous belief system of the Ryukyu Islands. While specific legends and traditions may vary slightly from place to place and island to island, the Ryukyuan religion is generally characterized by ancestor worship and the respecting of relationships between the living, the dead, and the gods and spirits of the natural world. Some of its beliefs, such as those concerning '' genius loci'' spirits and many other beings classified between gods and humans, are indicative of its ancient animistic roots, as is its concern with , or life essence. Over time, Ryukyuan religious practice has been influenced by Japanese Shinto and Chinese religions (White Lotus, Manichaeism, Taoism, Confucianism, and folk beliefs) along with Christianity and Buddhism. One of its most ancient features is the belief , the spiritual superiority of women ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunio Yanagita
Kunio Yanagita (柳田 國男, Yanagita Kunio, July 31, 1875 – August 8, 1962) was a Japanese author, scholar, and folklorist. He began his career as a bureaucrat, but developed an interest in rural Japan and its folk traditions. This led to a change in his career. His pursuit of this led to his eventual establishment of Japanese native folkloristics, or ''minzokugaku'', as an academic field in Japan. As a result, he is often considered to be the father of modern Japanese folklore studies. Early life Yanagita was born as the fifth child of the Matsuoka family in the town of Fukusaki, located in Hyōgo Prefecture. He was born with the name Kunio Matsuoka (or Matsuoka Kunio in the Japanese manner of naming), but was adopted into the family of a court justice named Naohei Yanagita. At the time, it was fairly common practice for families without a son to adopt a young boy or man into the family to inherit the family’s property. This would often occur through marriage, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harae or ( or ) is the general term for ritual purification in Shinto. is one of four essential elements involved in a Shinto ceremony. The purpose is the purification of pollution or sins () and uncleanness ().(Norbeck, 1952) These concepts include bad luck and disease as well as guilt in the English sense. is often described as purification, but it is also known as an exorcism to be done before worship. often involves symbolic washing with water, or having a Shinto priest shake a large paper shaker called or over the object of purification. People, places, and objects can all be the object of harae. History stems from the myth of Susano-o, the brother of the Sun goddess Amaterasu. According to the myth, while Amaterasu was supervising the weaving of the garments of the gods in the pure weaving hall, Susano-o broke through the roof and let fall a heavenly horse which had been flayed. This startled one of her attendants who, in her agitation, accidentally killed herself wit ... |
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