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Naïs
''Naïs'' is an opera by Jean-Philippe Rameau first performed on 22 April 1749 at the Opéra in Paris. It takes the form of a ''pastorale héroïque'' in three acts and a prologue. The librettist was Louis de Cahusac, in the fourth collaboration between him and Rameau. The work bears the subtitle ''Opéra pour La Paix'', which refers to the fact that Rameau composed the opera on the occasion of the Treaty of Aix-la-Chapelle, at the conclusion of the War of the Austrian Succession. Its original title was ''Le triomphe de la paix'', but criticism of the terms of the treaty led to a change in the title.Sadler, Graham, "''Naïs'', Rameau's 'Opéra pour la Paix'" (July 1980). ''The Musical Times'', 121 (1649): pp. 431-433. The story concerns the god Neptune, who is in love with the nymph Naïs and disguises himself as a mortal to try to win her over. This takes place at the Isthmian Games at Corinth, coincidentally a festival dedicated to Neptune. The god's rivals for the affecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naïs (mythology)
In Greek mythology Naïs ( grc, Ναΐς, Naïs) is the name of the following figures: * Naïs, the mother of Chiron in one version. * Naïs, a nymph who used herbs to transform her lovers into various fishes, until she suffered the same fate. * Naïs, a nymph and the mother of the river-god Achelous by Oceanus. * Naïs, the mother, in one version, of Glaucus by Poseidon.Athenaeus, ''Deipnosophistae'7.47/ref> References Bibliography * Athenaeus. ''The Deipnosophists. Or Banquet Of The Learned Of Athenaeus.'' London. Henry G. Bohn, York Street, Covent Garden. 1854. * Pseudo-Plutarch, ''Names of Rivers and Mountains'', in Plutarch, ''The Moralia'', translations edited by William Watson Goodwin (1831-1912), from the edition of 1878, a text in the public domain digitized by the Internet Archive and reformatted/lightly corrected by Brady Kiesling. * Ovid, ''Metamorphoses'', Volume I: Books 1-8. Translated by Frank Justus Miller. Revised by G. P. Goold. Loeb Classical Library 42. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorale Héroïque
Pastorale héroïque was a type of ballet héroïque, a form of the opéra-ballet genre of French Baroque opera. The first work to bear the name was Jean-Baptiste Lully's final completed opera ''Acis et Galatée'' (1686), although musical works on pastoral themes had already appeared on the French stage. The pastorale héroïque usually drew on classical subject matter associated with pastoral poetry. Like the tragédie en musique, it had an allegorical prologue; however, its structure consisted of three acts, rather than the five of the tragédie en musique. Later examples were written by Jean-Philippe Rameau; these include ''Zaïs'' (1748) and '' Naïs'' (1749), and ''Acante et Céphise'' (1751). Bibliography *Powers, D M ''The 'Pastorale Héroïque': Origins and Development of a Genre of French Opera in the 17th and 18th Centuries'' (dissertation, University of Chicago, 1988) Sources *Sadie, Stanley ed. (1992), 'Pastorale-héroïque' in ''The New Grove Dictionary of Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis De Cahusac
Louis de Cahusac (6 April 1706 – 22 June 1759) was an 18th-century French playwright and librettist, and Freemason, most famous for his work with the composer Jean-Philippe Rameau. He provided the libretti for several of Rameau's operas, namely '' Les fêtes de l'Hymen et de l'Amour'' (1747), ''Zaïs'' (1748), '' Naïs'' (1749), ''Zoroastre'' (1749; revised 1756), '' La naissance d'Osiris'' (1754), and '' Anacréon'' (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, ''Les Boréades'' (c. 1763). Cahusac contributed to the Encyclopédie and was the lover of Marie Fel.Maurice Cranston. '' Jean-Jacques: The Early Life and Work of Jean-Jacques Rousseau, 1712–1754''. p252 In 1754, he published '' La Danse ancienne et moderne ou Traité historique de la danse'' (The Hague, Jean Neaulme). Among Rameau's librettists, he was the one whose collaboration lasted the longest. Cahusac's one-act comic play ''Zeneïde'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Reyne
Hugo Reyne (born in 1961) is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais. Biography Born in Paris, Hugo Reyne began learning the flute and oboe at a very young age. In 1984, he won the first prize for chamber music at the Bruges International Chamber Music Competition. In the 1980s, Hugo Reyne played flute and oboe in most of the Parisian baroque ensembles, and from 1983 to 1996 he played the 1st flute at the Arts Florissants under the direction of William Christie. He has worked with conductors such as Frans Brüggen, Philippe Herreweghe, Gustav Leonhardt and Jordi Savall. In 1987 he founded his historical interpretation ensemble, La Simphonie du Marais and was particularly interested in French lyrical music. Since 2003 Hugo Reyne has been artistic director of the Musiques at the festival in Saint-Sulpice-le-Verdon. Hugo Reyne devotes a large part of his time to musicological research, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tomlinson (bass)
Sir John Rowland Tomlinson (born 22 September 1946) is an English Bass (voice type), bass. Tomlinson was born in Oswaldtwistle, Lancashire, England. He trained as a civil engineer at Manchester University before deciding on a career in opera at age 21. He studied with Patrick McGuigan at the Royal Northern College of Music and with Otakar Kraus. He is now President of the RNCM. Whilst studying at the RNCM, he was a member of the Manchester Universities Gilbert and Sullivan Society (MUGSS). He sings regularly with the Royal Opera, London, Royal Opera and English National Opera, and has appeared with all the major British opera companies. He sang at the Bayreuth Festival in Germany every year from 1988 to 2006, as Wotan, the Wanderer, King Marke, Titurel, Gurnemanz, Hagen and the Dutchman. In 2008, he created the title role in Harrison Birtwistle's opera The Minotaur (opera), ''The Minotaur'' at the Royal Opera House. Honours * He was given an Honorary title (academic), Honorary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiresias
In Greek mythology, Tiresias (; grc, Τειρεσίας, Teiresías) was a blind prophet of Apollo in Thebes, famous for clairvoyance and for being transformed into a woman for seven years. He was the son of the shepherd Everes and the nymph Chariclo. Tiresias participated fully in seven generations in Thebes, beginning as advisor to Cadmus himself. Mythology Eighteen allusions to mythic Tiresias, noted by Luc Brisson, fall into three groups: the first recounts Tiresias' sex-change episode and later his encounter with Zeus and Hera; the second group recounts his blinding by Athena; the third, all but lost, seems to have recounted the misadventures of Tiresias. Blindness and gift of prophecy Like other oracles, how Tiresias obtained his information varied: sometimes, he would receive visions; other times he would listen for the songs of birds, or ask for a description of visions and pictures appearing within the smoke of burnt offerings or entrails, and so interpret them. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proteus
In Greek mythology, Proteus (; Ancient Greek: Πρωτεύς, ''Prōteus'') is an early prophetic sea-god or god of rivers and oceanic bodies of water, one of several deities whom Homer calls the "Old Man of the Sea" ''(hálios gérôn)''. Some who ascribe a specific domain to Proteus call him the god of "elusive sea change", which suggests the constantly changing nature of the sea or the liquid quality of water. He can foretell the future, but, in a mytheme familiar to several cultures, will change his shape to avoid doing so; he answers only to those who are capable of capturing him. From this feature of Proteus comes the adjective protean, meaning "versatile", "mutable", or "capable of assuming many forms". "Protean" has positive connotations of flexibility, versatility and adaptability. Name origin Proteus' name suggests the "first" (from Greek "πρῶτος" ''prōtos'', "first"), as ''prōtogonos'' (πρωτόγονος) is the "primordial" or the "firstborn". It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bari-tenor
Baritenor (also rendered in English language sources as bari-tenor or baritenore) is a portmanteau (blend) of the words "baritone" and "tenor." It is used to describe both baritone and tenor voices. In ''Webster's Third New International Dictionary'' it is defined as "a baritone singing voice with virtually a tenor range." However, the term was defined in several late 19th century and early 20th century music dictionaries, such as ''The American History and Encyclopedia of Music'', as "a low tenor voice, almost barytone sic.html"_;"title="'sic">'sic''" _In_opera Baritenor_(or_its_Italian_language.html" "title="sic">'sic''.html" ;"title="sic.html" ;"title="'sic">'sic''">sic.html" ;"title="'sic">'sic''" In opera Baritenor (or its Italian language">Italian form, ''baritenore'') is still used today to describe a type of tenor voice which came to particular prominence in Rossini's operas. It is characterized by a dark, weighty lower octave and a ringing upper one but with sufficient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isthmian Games
Isthmian Games or Isthmia (Ancient Greek: Ἴσθμια) were one of the Panhellenic Games of Ancient Greece, and were named after the Isthmus of Corinth, where they were held. As with the Nemean Games, the Isthmian Games were held both the year before and the year after the Olympic Games (the second and fourth years of an Olympiad), while the Pythian Games were held in the third year of the Olympiad cycle. Origin The Games were reputed to have originated as funeral games for Melicertes (also known as Palaemon), instituted by Sisyphus, legendary founder and king of Corinth, who discovered the dead body and buried it subsequently on the Isthmus. In Roman times, Melicertes was worshipped in the region. Another likely later myth held that Theseus, legendary king of Athens, expanded Melicertes' funeral games from a closed nightly rite into fully-fledged athletic-games event which was dedicated to Poseidon, open to all Greeks, and was at a suitable level of advancement and popularity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Simphonie Du Marais
La Simphonie du Marais is a French music ensemble established in 1987 by recorder player Hugo Reyne. Today, it is located in the Logis de la Chabotterie of Saint-Sulpice-le-Verdon in Vendée. It performs exclusively vocal and instrumental Baroque music ( Rameau, Lully, Delalande…). External links ''La Simphonie du Marais célèbre son 30ème anniversaire cet automne''on France Musique Biographie de la Simphonie du Maraison simphonie-du-marais.org La Simphonie du Maraison Ouest France Official websiteLa Simphonie du Maraison Vendee.fr La Simphonie du Maraison Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the ... La Simphonie du Marais - Delalande : Les Soupers du roion YouTube {{DEFAULTSORT:Simphonie du Marais Baroque music groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille Delunsch
Mireille Delunsch (born 2 November 1962) is a French soprano. She was born in Mulhouse, and studied musicology and voice at the Conservatoire de Strasbourg. Her debut was at the Opéra national du Rhin in Mulhouse, in Mussorgsky's '' Boris Godunov''. Her repertory is wide, from Baroque opera to 20th-century art songs, with an emphasis on French music. She is well known for the operas she has sung under the direction of French conductor Marc Minkowski. Recordings Among the operas Delunsch has recorded with Minkowski are: *''La dame blanche'' by Boïeldieu (1996, released 1997, EMI Classics) - ''Jenny'' *'' Armide'' by Gluck (1996, released 1999, Archiv) - ''Armide'' *'' Dardanus'' by Rameau (1998, released 2000, Archiv) - ''Vénus'' *'' Iphigénie en Tauride'' by Gluck (1999, released 2001, Archiv) - ''Iphigénie'' *'' Orphée et Eurydice'' (French version) by Gluck (2002, released 2004, Archiv) - ''Eurydice'' and DVD/TV broadcast *''L'incoronazione di Poppea'' by Monteverdi ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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