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Nauch
The nautch (; meaning "dance" or "dancing")Scott A. Kugle, 2016When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry p.230. was a popular court dance performed by girls (known as "nautch girls") in India. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire, and the rule of the East India Company. Over time, the nautch traveled outside the confines of the Imperial courts of the Mughals, the palaces of the Nawabs and the princely states, and the higher echelons of the officials of the British Raj, to the places of smaller zamindars. Some references use the terms ''nautch'' and ''nautch girls'' to describe Devadasis who used to perform ritual and religious dances in the Hindu temples of India. However, there is not much similarity between the Devadasis and the nautch girls. The former performed dances, mostly Indian classical dances, including the ritual dances, in the precincts of the Hindu temples to please the tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Litter (vehicle)
The litter is a class of wheelless vehicles, a type of human-powered transport, for the transport of people. Smaller litters may take the form of open chairs or beds carried by two or more carriers, some being enclosed for protection from the elements. Larger litters, for example those of the Chinese emperors, may resemble small rooms upon a platform borne upon the shoulders of a dozen or more people. To most efficiently carry a litter, porters either place the carrying poles directly upon their shoulders or use a yoke to transfer the load from the carrying poles to the shoulders. Definitions A simple litter consists of a sling attached along its length to poles or stretched inside a frame. The poles or frame are carried by porters in front and behind. Such simple litters are common on battlefields and emergency situations, where terrain prohibits wheeled vehicles from carrying away the dead and wounded. Litters can also be created quickly by the lashing of poles to a chair. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanjar
Kanjar is a tribe with significant populations in India and Pakistan. The Kanjari language is spoken mostly by the Kanjari people living mostly in Punjab. Kanjari is a lesser-known Indo Aryan language, but almost all also speak Punjabi.''Kanjar Social Organization by Joseph C Berland'' in The other nomads: peripatetic minorities in cross-cultural perspective / edited by Aparna Rao pages247 to 268 Köln : Böhlau, 1987. The Kanjari speak 4-5 languages along with their native language, called Narsi.It consists of different sounds of animals and birds, coded words, and signs. History In the Colonial period, Kanjaris were listed under the Criminal Tribes Act, 1871, as a tribe "addicted to the systematic commission of non-bailable offenses." Present circumstances India The Kanjari were denotified in 1952, when the Criminal Tribes Act was replaced by the Habitual Offenders Act, but the community carries considerable social stigma, mainly due to the association of their culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal Empire, Mughal era. The tawaifs excelled in and contributed to music, dance (mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms and then to the emergence of modern Indian cinema. History The patronage of the Mughal court before and after the Mughal Dynasty in the Doab region and the artistic atmosphere of 16th century Lucknow made arts-related careers a viable prospect. Many girls were taken at a young age and trained in both performing arts (such as Kathak and Hindustani classical music) as well as literature (ghazal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prostitution In India
Prostitution is legal in India, but a number of related activities including soliciting, kerb crawling, owning or managing a brothel, prostitution in a hotel, child prostitution, pimping and pandering are illegal. There are, however, many brothels illegally operating in Indian cities including Mumbai, Delhi, Kolkata, Bangalore, and Chennai. UNAIDS estimate there were 657,829 prostitutes in the country as of 2016. Other unofficial estimates have calculated India has roughly 3–10 million prostitutes. India is widely regarded as having one of the world's largest commercial sex industry. It has emerged as a global hub of sex tourism, attracting sex tourists from wealthy countries. The sex industry in India is a multi-billion dollar one, and one of the fastest growing. History A tawaif was a courtesan who catered to the nobility of India, particularly during the Mughal era. The tawaifs excelled in and contributed to music, dance (mujra), theatre, and the Urdu literary traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qassab
The Qassab ( ur, قصاب; from the Arabic word (''Qasaab- butcher''), are members of a north Indian community or ''biradari''. Occasionally most Quresh caste members are referred to as the Qassab. At present, Qassab who are engaged in meat cutting and selling business are referred to as Qureshi. History and origin According to the state the community came in India with the army of Mohammed Ghouri, Muslim invader from Afghanistan , they fought with him and slaughtered the halal animals to feed the entire army when Mohammed Ghouri returned to his soul while some of his man's stayed in Delhi and the qasabs (quraishi) were amongst them .Then the role of Sufism came to play Huzoor Nizamuddin Auli Ra Sufi Saint from Delhi gather all the quraish community people's and established there colony near Nizamuddin aulia dargah (nowadays) and the quraishi mohalla came to existence so according to this majority of quraishi qasabs in Delhi uttarpradesh Bihar and west Bengal are the descenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doms
The Dom (Sanskrit ''ḍoma'', dialectally also Domra, Domba, Domaka, Dombari and variants) are castes, or groups, scattered across India. Dom were a caste of drummer. According to Tantra scriptures, the Dom were engaged in the occupations of singing and playing music. Historically, they were considered an untouchable caste and their traditional occupation was the disposal and cremation of dead bodies. They are in the list of Scheduled caste for Reservation in India in the Indian state of Uttar Pradesh, Bihar, Odisha and West Bengal. Etymology According to Tantra scriptures, individuals who live by singing and music were mention as Dom. According to historian M.P Joshi, the word Duma is connected to the sound of a drum. Its presumed root, ''ḍom'', which is connected with drumming, is linked to ''damara'' and ''damaru'', Sanskrit terms for "drum" and the Sanskrit verbal root डम् ''ḍam-'' 'to sound (as a drum)', perhaps a loan from Dravidian, e.g. Kannada ''ḍamāra' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Nautch Girls From Kashmir In The 1870s
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fox-trot
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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