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Nativity Of The Virgin (Perugino)
''Nativity of the Virgin'' is a small painting in tempera on panel by Pietro Perugino, dating to around 1472. It is held in the Walker Art Gallery, in Liverpool. It shows the nativity of Mary. The style of the house is heavily influenced by Andrea del Verrocchio. The painting belongs to Perugino's early period and the important commissions he gained during the short time he was active in Florence. Both it and the '' Miracle of the Snow'' are usually identified as one of two surviving parts of the same predella, either from a lost altarpiece of the Virgin Mary or from the '' Piazza Madonna'' by Verocchio's studio. Both panels were in the Pucci chapel in Santissima Annunziata in Florence by 1786, when they were bought by John Campbell. They were sold to different owners in London in 1804, with the ''Nativity'' bought by William Roscoe for nine guineas. At the time of the sale the painting was misattributed to Masaccio. Bibliography * Vittoria Garibaldi, ''Perugino'', in ''Pittor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santissima Annunziata, Florence
The Basilica della Santissima Annunziata (Basilica of the Most Holy Annunciation) is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center. History The church was founded in 1250 by the seven original members of the Servite Order. In 1252, a painting of the ''Annunciation'' had been begun by a friar Bartolomeo, commissioned by the Servite monks. It is said he despaired about being able to paint a virgin with a beautiful enough face, and fell asleep, only to find the painting completed. This miracle he attributed to an angel. The painting now housed in the church, acquired increasing veneration, such that in 1444 the Gonzaga family from Mantua financed a special tribune. Initially Michelozzo, who was the brother of the Servite prior, was commissioned to build it, but since Ludovico III Gonzaga had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1470s Paintings
147 may refer to: * 147 (number), a natural number * AD 147, a year of the Julian calendar, in the second century * 147 BC, a year of the pre-Julian Roman calendar * 147 AH, a year in the Islamic calendar that corresponds to 764 – 765 CE In the military * BQM-147 Dragon unmanned aerial vehicle, a tactical battlefield UAV operated by the US Marine Corps * Ryan Model 147 Lightning Bug was a drone, or unmanned aerial vehicle during the 1960s * was a United States Navy Admirable-class minesweeper during World War II * was a United States Navy Edsall-class destroyer escort during World War II * was a United States Navy Haskell-class attack transport during World War II * was a United States Navy ''General G. O. Squier''-class transport ship during World War II * was a United States Navy Wickes-class destroyer during World War II * was a United States Navy ''Neosho''-class fleet oiler of the United States Navy during the Six-Day War Science and medicine * 147 Protogeneia, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éditions Bompiani
Bompiani is an Italian publishing house based in Milan. It was founded in 1929 by Valentino Bompiani. In 1990, Bompiani became part of the RCS MediaGroup. It was sold in 2015 to the Giunti Group. It is widely regarded as one of the leading literary publishing houses in Italy. History Bompiani experienced attempts at book censorship by Italy's fascist government from the 1920s through the 1940s. In 1940, Valentino Bompiani was summoned to Rome to meet with Alessandro Pavolini, the Minister of Popular Culture. At this meeting, Pavolini told Bompiani that he must limit the number of translations that he was publishing. At the time of the meeting, Bompiani was preparing to publish an anthology of American writers. Despite being told not to do so, Bompiani moved forward with the anthology. Pavolini learned of this and wrote to Bompiani that "The United States is a potential enemy of ours...This is no time to perform acts of courtesy toward America, not even literary ones." Bompiani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Roscoe
William Roscoe (8 March 175330 June 1831) was an English banker, lawyer, and briefly a Member of Parliament. He is best known as one of England's first abolitionists, and as the author of the poem for children '' The Butterfly's Ball, and the Grasshopper's Feast''. In his day he was also respected as a historian and art collector, as well as a botanist and miscellaneous writer. Early life He was born in Liverpool, where his father, a market gardener, kept a public house called the Bowling Green at Mount Pleasant. Roscoe left school at the age of twelve, having learned all that his schoolmaster could teach. He assisted his father in the work of the garden, but spent his leisure time on reading and study. Later, he wrote: :This mode of life gave health and vigour to my body, and amusement and instruction to my mind; and to this day I well remember the delicious sleep which succeeded my labours, from which I was again called at an early hour. If I were now asked whom I consider t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Campbell, 1st Baron Cawdor
John Campbell, 1st Baron Cawdor, FRS FSA (ca. 1753 – 1 June 1821), was a Welsh art-collector and politician who sat in the House of Commons from 1777 to 1796. Biography John Campbell was born ca. 1753, the son of Pryse Campbell of Stackpole Court, Pembrokeshire, and Sarah (née Bacon). His siblings were Sarah, George, Alexander and Charles Campbell. He was sent to board at Eton College, Berkshire (1763–67) and afterwards studied at Clare College, Cambridge (1772). His father died in 1768, so when his grandfather died in 1777 John inherited Stackpole Court in Pembrokeshire, his grandfather's other estates in Pembrokeshire and Nairn, and a mineral-producing estate in Cardiganshire; these lands and mines made him a rich man. From 1777 to 1780 he was Member of Parliament for Nairnshire. He became Member of Parliament for Cardigan Boroughs from a by-election in June 1780 until he stood down at the 1796 British general election. From 1780 he was Governor of Milford Haven. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Madonna
The Piazza Madonna (Italian - ''Madonna di Piazza'') is a tempera on panel painting, dating to 1474-1486 and held in Pistoia Cathedral. It was commissioned from Andrea del Verrocchio in 1474 as an altarpiece for the oratory of the Madonna di Piazza (the "Virgin of the Square"). It was intended to commemorate bishop Donato de' Medici, whose name saint Donatus of Fiesole stands to the right, with Florence's patron saint John the Baptist to the left. It was painted in two parts, with heavy involvement from Verrochio's studio assistants, particularly Lorenzo di Credi. The first part was finished in 1479, but the second phase was postponed until 1485 thanks to delays in payment. The painting was finally completed in 1486. 18th century local historians attributed the work to Leonardo da Vinci, based on a note made by the artist on a folio now in the Uffizi which records that in the month of "...bre" 1478 he began "two Virgin Maries", one of which is usually identified as the Garofano M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walker Art Gallery
The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group. History of the Gallery The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates. In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing. The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miracle Of The Snow (Perugino)
''Miracle of the Snow'' is a painting in tempera on panel by Pietro Perugino, dating to around 1472–1474 and now in the collection of Polesden Lacey. It shows the miraculous fall of snow which marked the spot for the foundation of Santa Maria Maggiore in Rome in 352. The painting belongs to Perugino's early period and the important commissions he gained during the short time he was active in Florence. Both it and the '' Nativity of the Virgin'' are usually identified as one of two surviving parts of the same predella, either from a lost altarpiece of the Virgin Mary or from the '' Pala di San Martino a Strada'' by Andrea del Verrocchio's studio. Both predella panels were in the Pucci chapel in Santissima Annunziata in Florence by 1786, when they were bought by John Campbell. They were sold to different owners in London in 1804, with the ''Miracle'' entering the Polesden Lacey collection. References Bibliography * Vittoria Garibaldi, ''Perugino'', in ''Pittori del Rinascim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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