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National Recording Registry
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000, which created the National Recording Preservation Board, whose members are appointed by the Librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress. The National Recording Preservation Act of 2000 established a national program to guard America's sound recording heritage. The Act created the National Recording Registry, The National Recording Preservation Board and a fund-raising foundation. The purpose of the Registry is to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Luther King - March On Washington
Martin may refer to: Places * Martin City (other) * Martin County (other) * Martin Township (other) Antarctica * Martin Peninsula, Marie Byrd Land * Port Martin, Adelie Land * Point Martin, South Orkney Islands Australia * Martin, Western Australia * Martin Place, Sydney Caribbean * Martin, Saint-Jean-du-Sud, Haiti, a village in the Sud Department of Haiti Europe * Martin, Croatia, a village in Slavonia, Croatia * Martin, Slovakia, a city * Martín del Río Martín del Río is a municipality located in the province of Teruel, Aragon, Spain. According to the 2010 censusInstituto Nacional de Estadística (Spain) the municipality has a population of 469 inhabitants. Road N-211 crosses the eastern side ..., Aragón, Spain * Martin (Val Poschiavo), Switzerland England * Martin, Hampshire * Martin, Kent * Martin, East Lindsey, Lincolnshire, hamlet and former parish in East Lindsey district * Martin, North Kesteven, village and parish in Lincolnshire in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DeWolf Hopper
William DeWolf Hopper (March 30, 1858September 23, 1935) was an American actor, singer, comedian, and theatrical producer. A star of vaudeville and musical theater, he became best known for performing the popular baseball poem "Casey at the Bat". Life and career Hopper was born William D'Wolf Hopper in New York City, the son of John Hopper (born 1815) and Rosalie D'Wolf (born 1827). His father was a wealthy Quaker lawyer and his mother came from a noted Colonial family. His paternal grandfather Isaac Hopper was a Philadelphia Quaker, and conductor of the Philadelphia station of the Underground Railroad. Though his parents intended that he become a lawyer, Hopper did not enjoy that profession. Hopper was called Willie as a child, and then Will or Wolfie, but when he set out on an acting career he chose his more distinguished middle name as his stage name. It was modified to "DeWolf" because of the frequency that it was mispronounced "Dwolf". He made his stage debut in New Haven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Dixieland Jass Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by tromb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiger Rag
"Tiger Rag" is a jazz standard that was recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions. In 2003, the 1918 recording of "Tiger Rag" was entered into the U.S. Library of Congress National Recording Registry. Background The song was first recorded on August 17, 1917 by the Original Dixieland Jass Band for Aeolian-Vocalion Records. The band did not use the "Jazz" spelling in its name until 1917. The Aeolian-Vocalion sides did not sell well because they were recorded in a vertical format which could not be played successfully on most contemporary phonographs. But the second recording on March 25, 1918 for Victor was a hit and established it as a jazz standard. The song was copyrighted, published, and credited to band members Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro, and Larry Shields in 1917. Authorship "Tiger Rag" was first copyrighted in 1917 with music composed by Nick LaRocca. In subsequen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Joplin
Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the '' Maple Leaf Rag'', became the genre's first and most influential hit, later being recognized as the archetypal rag. Joplin considered ragtime to be a form of classical music and largely disdained the practice of ragtime such as that in honky tonk. Joplin grew up in a musical family of railway laborers in Texarkana, Arkansas, developing his own musical knowledge with the help of local teachers. While in Texarkana, he formed a vocal quartet and taught mandolin and guitar. During the late 1880s, he left his job as a railroad laborer and traveled the American South as an itinerant musician. He went to Chicago for the World's Fair of 1893, which played a major part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. " Maple Leaf Rag", " The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre. The genre emerged from African American communities in the Southern and Midwestern United States, evolving from folk and minstrel styles and popular dances such as the cakewalk and combining with elements of classical and march music. Ragtime significantly influenced the development of jazz. In the 1960's, the genre had began to be revived with the publication '' The All Played Ragtime'' and artists re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovey's String Band
Lovey's String Band were a Trinidadian musical group. They are known primarily for having been the earliest known calypso group to have recorded. They originally formed sometime in the 1890s and continued performing until the early 1920s. Recordings The band did a recording session in New York City in 1912, five years before the first jazz recordings, and these instrumental recordings document a style of "hot" music in fashion in the Caribbean around that time. The recording was selected for preservation in 2002 by the National Recording Preservation Board of the Library of Congress. Library of Congress. Their first recording was the song "Mango Vert" for |
Fisk Jubilee Singers
The Fisk Jubilee Singers are an African-American ''a cappella'' ensemble, consisting of students at Fisk University. The first group was organized in 1871 to tour and raise funds for college. Their early repertoire consisted mostly of traditional spiritual (music), spirituals, but included some songs by Stephen Foster. The original group toured along the Underground Railroad path in the United States, as well as performing in England and Europe. Later 19th-century groups also toured in Europe. In 2002 the Library of Congress honored their 1909 recording of "Swing Low, Sweet Chariot" by adding it in the List of recordings preserved in the United States National Recording Registry, United States National Recording Registry. In 2008 they were awarded a National Medal of Arts. History The singers were organized as a fundraising effort for Fisk University. The Historically black colleges and universities, historically black college in Nashville, Tennessee, was founded by the Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Low, Sweet Chariot
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early oral and musical African-American traditions, the date it was composed is unknown. Performances by the Hampton Singers and the Fisk Jubilee Singers brought the song to the attention of wider audiences in the late 19th century. J. B. T. Marsh includes an early version of text and tune in his 1876 publication ''The Story of the Jubilee Singers, with their Songs''. The earliest known recording of "Swing Low, Sweet Chariot" was recorded in 1894, by the Standard Quartette. The song uses the theme of death to remind the audience of the glory that awaits in Heaven, when Christians believe they will transcend the earthly world of suffering and come to rest in their final home. Specifically, the text refers to the Old Testament account of the Prophet Elijah's ascent into Heaven by chariot. The stylistic elements and thematic content are highly typical to those o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booker T
Booker T or Booker T. may refer to * Booker T. Washington (1856–1915), African American political leader at the turn of the 20th century ** List of things named after Booker T. Washington, some nicknamed "Booker T." * Booker T. Jones (born 1944), American musician and frontman of Booker T. and the M.G.'s * Booker T (wrestler) (born 1965), ring name of American professional wrestler Booker Huffman Also * Booker T. Bradshaw (1940–2003), American record producer, film and TV actor, and executive * Booker T. Laury (1914–1995), American boogie-woogie and blues pianist * Booker T. Spicely (1909–1944) victim of a racist murder in North Carolina, United States * Booker T. Whatley (1915–2005) agricultural professor at Tuskegee University * Booker T. Washington White (1909–1977), American Delta blues guitarist and singer known as Bukka White * Booker T. Boffin, pseudonym of Thomas Dolby Thomas Morgan Robertson (born 14 October 1958), known by the stage name Thomas Dol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlanta Exposition Speech
The Atlanta Exposition Speech was an address on the topic of race relations given by African-American scholar Booker T. Washington on September 18, 1895. The speech, presented before a predominantly white audience at the Cotton States and International Exposition (the site of today's Piedmont Park) in Atlanta, Georgia, has been recognized as one of the most important and influential speeches in American history. The speech was preceded by the reading of a dedicatory ode written by Frank Lebby Stanton. Washington began with a call to the blacks, who composed one third of the Southern population, to join the world of work. He declared that the South was where blacks were given their chance, as opposed to the North, especially in the worlds of commerce and industry. He told the white audience that rather than relying on the immigrant population arriving at the rate of a million people a year, they should hire some of the nation's eight million blacks. He praised blacks' loya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
