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National Drama Festivals Association
The National Drama Festivals Association (NDFA) was formed in 1964 to encourage and support amateur theatre in all its forms and in particular through the organisation of drama festivals in the United Kingdom. Since 1974 the NDFA has organised the British All Winners Drama Festival (BAWF) where the very best of British amateur theatre take part in a week-long celebration of theatre. The winners of all NDFA member festivals in the previous year, be they full-length or one-act member festivals, are eligible for invitation to take part. The NDFA also sponsor a playwriting competition - the George Taylor Memorial Award. The objective of this competition is to promote new writing for the theatre. Adjudication is carried out by a panel of judges, and the winners receive a certificate and a cash prize. Membership of the NDFA is open to all drama festival organisations and also to theatre groups and individuals who are interested in taking part and supporting drama festivals throughout t ...
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Amateur Theatre
Amateur theatre, also known as amateur dramatics, is theatre performed by amateur actors and singers. Amateur theatre groups may stage plays, revues, musicals, light opera, pantomime or variety shows, and do so for the social activity as well as for aesthetic values. Productions may take place in venues ranging from the open air, community centres, or schools to independent or major professional theatres. Amateur theatre is distinct from the professional or community theatre because performers are usually not paid. Amateur actors are not typically members of actors' unions. Definition Opinions vary on how to define "amateur" in relation to theatre. Technically speaking, an "amateur" is anyone who does not accept, or is not offered, money for their services. One interpretation of this is: "One lacking the skill of a professional, as in an art". Another is: "A person who engages in an art, science, study, or athletic activity as a pastime rather than as a profession". An amateur a ...
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Everyman Productions - Co Sligo
The everyman is a stock character of fiction. An ordinary and humble character, the everyman is generally a protagonist whose benign conduct fosters the audience's identification with them. Origin The term ''everyman'' was used as early as an English morality play from the early 1500s: ''The Summoning of'' ''Everyman''. The play's protagonist is an allegorical character representing an ordinary human who knows he is soon to die; according to literature scholar Harry Keyishian he is portrayed as "prosperous, gregarious, ndattractive".Harry Keyishian"Review of Douglas Morse, dir.,''The Summoning of Everyman'' (Grandfather Films, 2007)" ''Shakespeare Bulletin'' ( Johns Hopkins U P), 2008 Fall;26(3):45–48. Everyman is the only human character of the play; the others are embodied ideas such as Fellowship, who "symbolizes the transience and limitations of human friendship". The use of the term ''everyman'' to refer generically to a portrayal of an ordinary or typical person ...
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Happy Jack (play)
Happy Jack may refer to: * "Happy Jack" (song), a song by English rock band The Who; released as a single in 1966 * ''Happy Jack'' (album), 1967 US release of ''A Quick One'', the 1966 studio album by The Who * "Happy Jack" Angokwazhuk (c. 1870 - 1918), an Eskimo carver * Jack M. "Happy Jack" Ilfrey, United States Army Air Forces pilot during World War II * John "Happy Jack" Scaddan (1876–1934), former premier of Western Australia * John "Happy Jack" Wilton (1910–1981), Australian general * ''Happy Jack'', 1918 children's novel by Thornton Burgess * ''Happy Jack'', a play by John Godber John Harry Godber (born 18 May 1956) is known mainly for observational comedies. The ''Plays and Players Yearbook'' of 1993 rated him the third most performed playwright in the UK after William Shakespeare and Alan Ayckbourn. He has been crea ..., published in 1989, about a couple who live in a mining village in West Yorkshire Places * Happy Jack, Arizona, an unincorporated town ...
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Athol Fugard
Athol Fugard, Hon. , (born 11 June 1932), is a South African playwright, novelist, actor, and director widely regarded as South Africa's greatest playwright. He is best known for his political and penetrating plays opposing the system of apartheid and for the 2005 Oscar-winning film of his novel ''Tsotsi'', directed by Gavin Hood. Acclaimed as "the greatest active playwright in the English-speaking world" by ''Time'' in 1985, Fugard continues to write and has published more than thirty plays. Fugard was an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the University of California, San Diego. He is the recipient of many awards, honours, and honorary degrees, including the 2005 Order of Ikhamanga in Silver "for his excellent contribution and achievements in the theatre" from the government of South Africa. He is also an Honorary Fellow of the Royal Society of Literature. Fugard was honoured in Cape Town with the opening of t ...
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The Island (play)
''The Island'' is a play written by Athol Fugard, John Kani, and Winston Ntshona. The apartheid-era drama, inspired by a true story, is set in an unnamed prison clearly based on South Africa's notorious Robben Island prison, where Nelson Mandela was held for twenty-seven years. It focuses on two cellmates, one whose successful appeal means that his release draws near and one who must remain in prison for many years to come. They spend their days performing futile physical labor and nights rehearsing in their cell for a performance of Sophocles' ''Antigone'' in front of the other prisoners. One takes the part of Antigone, who defies the laws of the state to bury her brother, and the other takes the part of her uncle Creon, who sentences her to die for her crime of conscience. The play draws parallels between Antigone's situation and the situation of black political prisoners. Tensions arise as the performance approaches, especially when one of the prisoners learns that he has ...
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Woking
Woking ( ) is a town and borough status in the United Kingdom, borough in northwest Surrey, England, around from central London. It appears in Domesday Book as ''Wochinges'' and its name probably derives from that of a Anglo-Saxon settlement of Britain, Saxon landowner. The earliest evidence of human activity is from the Paleolithic, but the low fertility of the sandy, local soils meant that the area was the least populated part of the county in 1086. Between the mid-17th and mid-19th centuries, new transport links were constructed, including the Wey and Godalming Navigations, Wey Navigation, Basingstoke Canal and South West Main Line, London to Southampton railway line. The modern town was established in the mid-1860s, as the London Necropolis Company began to sell surplus land surrounding Woking railway station, the railway station for home construction, development. Modern local government in Woking began with the creation of the Woking Local Board of Health, Local Board in ...
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Rhoda McGaw Theatre
The Rhoda McGaw Theatre is part of the entertainment complex adjacent to the Peacock Centre in Woking, Surrey. The theatre seats 228 in 9 rows of raked seating and has been reported to have excellent acoustics. The stage is flat, 58’ wide from wall to wall, with a 36’ curtain opening. From the main tabs it is 19’ back to the cyclorama and 8’ forward to the front of the stage. The theatre has also been used by the Woking Drama Association ("WDA") to host the Woking Drama Festival and the British All Winners Festival on those occasions when it has been invited to do so by the National Drama Festivals Association. The venue has a unique relationship with the local council, whereby Woking Council owns and subsidises the theatre, with all the administration, staffing and technical facilities run by the Ambassador Theatre Group. History Known to most simply as the Rhoda, construction work on the theatre was started in 1973 as part of the larger Woking Centre Halls complex ...
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Peter Whelan
Peter Whelan (3 October 1931 – 3 July 2014) was a British playwright. Whelan was born and raised in Stoke-on-Trent, England. As a student from 1951–55 Whelan was an inspirational figure in the newly-formed Drama Society at the experimental University College of North Staffordshire, later Keele University. At Keele he met his wife Frangcon Price, who also excelled in drama as a student and in her later career. They married in 1958. His works includes seven plays for the Royal Shakespeare Company, most of which are period pieces based on real historical events. The first of these was ''Captain Swing'' in 1979. Another was ''The Herbal Bed'', about a court case involving William Shakespeare's daughter. It was first produced at the RSC's The Other Place (theatre), The Other Place theatre, Stratford-upon-Avon, in 1996 and was revived at Duchess Theatre, The Duchess Theatre from April to October 1997. In 2008, his play ''The School of Night (play), The School of Night'', original ...
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The Accrington Pals
The Accrington Pals, officially the 11th (Service) Battalion (Accrington), East Lancashire Regiment, was a pals battalion of Kitchener's Army raised in and around the town of Accrington during the First World War. History Recruiting was initiated by the mayor of Accrington following Lord Kitchener's call for volunteers, and it took only ten days to raise a complete battalion. The battalion's nickname is somewhat misleading since of the four 250-strong companies that made up the original battalion, only one was actually composed of men from Accrington. The rest volunteered from other nearby East Lancashire towns such as Burnley, Blackburn, and Chorley. The men from Chorley, who formed Y Company, were known as the Chorley Pals. The men from Burnley, who formed Z Company, were known as the Burnley Pals. The Accrington Pals joined the 94th Brigade of the 31st Division, a "pals" division containing many North Country pals battalions. With the 31st Division, the Accrington Pals ...
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The Dumb Waiter
''The Dumb Waiter'' is a one-act play by Harold Pinter written in 1957. "Small but perfectly formed, ''The Dumb Waiter'' might be considered the best of Harold Pinter's early plays, more consistent than ''The Birthday Party'' and sharper than ''The Caretaker''. It combines the classic characteristics of early Pinter – a paucity of information and an atmosphere of menace, working-class small-talk in a claustrophobic setting – with an oblique but palpable political edge and, in so doing, can be seen as containing the germ of Pinter's entire dramatic oeuvre".Derbyshire, Harry. "Harold Pinter's The Dumb Waiter (review)", ''Modern Drama'', vol 53, no 2 (2010), pp266-268. "''The Dumb Waiter'' is Pinter distilled – the very essence of a writer who tapped into our desire to seek out meaning, confront injustice and assert our individuality."Glover, Jamie. "The Dumb Waiter" (programme notes). The Print Room, 2013. Plot Two hit-men, Ben and Gus, are waiting in a basement room fo ...
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