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Nathan Heinze
Nathan Heinze is an American house music and synthpop record producer from Miami, Florida, United States. His music is similar to that of the Pet Shop Boys and New Order. Career In the late 1990s and early 2000s, Heinze produced several eurodance and tribal tracks, but later work showed an electro and progressive house influence. His song "At the Disco" charted at No. 6 on InternetDJ.com. After the success of "At the Disco", he began collaborating with Miami DJ VButterfly. The most notable tracks the two released were a dance cover of "Lovesong" by The Cure, and "Stupid Prick", a minor hit released by Decibel Records NYC. Heinze also worked with singer Vanessa Valentin (known primarily for her work in commercials for Pantene and Honda) on two tracks, "Maldita Condena" and "I'm Leavin". In 2007, he wrote and produced two tracks for the European charity album ''Philanthropy'', and also remixed two other songs from the album ("Fanatic Boy" by KooLTURE and "Rumor" by Ray Grant). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive House
Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.Gerard, Morgan; Sidnell, Jack. ''Popular Music and Society'' 24.3 (Fall 2000): 21–39. Etymology In the context of popular music the word "progressive" was first used widely in the 1970s to differentiate experimental forms of rock music from mainstream styles. Such music attempted to explore alternate approaches to rock music production. Some acts also attempted to elevate the aesthetic values of rock music by incorporating features associated with classical instrumental music. This led to a style of music called progressive rock, which has been described as "the most self-consciously arty branch of rock." In disco music, and later house music, a similar desire to separate more exploratory styles from standard approaches saw DJs and producers adopting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica Musicians
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remixers
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional versions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Synth-pop Musicians
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Have I Done To Deserve This? (song)
"What Have I Done to Deserve This?" is a song by English synth-pop duo Pet Shop Boys and soul singer Dusty Springfield, taken from the duo's second studio album, ''Actually'' (1987). The song was released as the second single from the album on 10 August 1987. A commercial success in both the United Kingdom and United States, the song helped revive Springfield's career and led to a resurgence of interest in her music. Following the single, the Pet Shop Boys wrote and produced the singles "Nothing Has Been Proved" and "In Private" for Springfield, both included on her album ''Reputation'' (1990). Background "What Have I Done to Deserve This?" marked Pet Shop Boys' first major collaboration with another recording artist. The song was originally written and demoed around Christmas 1984 with the assistance of notable American songwriter Allee Willis It was originally intended for use on ''Please'', but the problem was to decide who’d sing the other half of the duet. Various conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Girls
"West End Girls" is a song by English synth-pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song's lyrics are concerned with class and the pressures of inner-city life which were inspired partly by T. S. Eliot's poem ''The Waste Land''. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career. The first version of the song was produced by Bobby Orlando and was released on Columbia Records' Bobcat Records imprint in April 1984, becoming a club hit in the United States and some European countries. After the duo signed with EMI, the song was re-recorded with producer Stephen Hague for their first studio album, ''Please (Pet Shop Boys album), Please''. In October 1985, the new version was released, reaching number one in the United Kingdom and the United States in 1986. In 1987, the song won Best Single at the Brit Awards, and Best International Hit at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cure
The Cure are an English Rock music, rock band formed in 1978 in Crawley, Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith (musician), Robert Smith has remained the only constant member. The band's debut album, ''Three Imaginary Boys'' (1979), along with several early singles, placed the band in the post-punk and New wave music, new wave movements that had sprung up in the United Kingdom. Beginning with their second album, ''Seventeen Seconds'' (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as gothic subculture, the subculture that eventually formed around the genre. After the release of the band's fourth album, ''Pornography (album), Pornography'' (1982), Smith introduced a greater Pop music, pop sensibility into the band's music, and they subsequently garner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Music
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribal
The term tribe is used in many different contexts to refer to a category of human social group. The predominant worldwide usage of the term in English is in the discipline of anthropology. This definition is contested, in part due to conflicting theoretical understandings of social and kinship structures, and also reflecting the problematic application of this concept to extremely diverse human societies. The concept is often contrasted by anthropologists with other social and kinship groups, being hierarchically larger than a lineage or clan, but smaller than a chiefdom, nation or state. These terms are equally disputed. In some cases tribes have legal recognition and some degree of political autonomy from national or federal government, but this legalistic usage of the term may conflict with anthropological definitions. In the United States, Native American tribes are legally considered to have "domestic dependent nation" status within the territorial United States, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurodance
Euro-Dance (sometimes referred to as Euro-NRG, Euro-electronica or Euro) is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of hip hop, techno, Hi-NRG, house music, and Euro-Disco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Euro-Dance music. History Background Euro-Dance music originated in the late 1980s in central Europe, especially in Germany, where rave parties were becoming popular. By 1987, a German party scene was started by Tauseef Alam, based on the well established Chicago house sound and Belgian new beat in Frankfurt. The following year saw acid house making a significant impact on popular consciousness in Germany and central Europe as it had in England. In 1989, German DJs Westbam and Dr. Motte established the Ufo Club, an illega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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