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Natalya Dudinskaya
Natalia Mikhailovna Dudinskaya (russian: Ната́лия Миха́йловна Дуди́нская; , in Kharkiv – 29 January 2003, in Saint Petersburg) was a Soviet prima ballerina who dominated the Kirov Ballet from the 1930s to the 1950s. Dudinskaya's mother was Natalia Tagliori, a ballerina who had been coached by Enrico Cecchetti. Trained by Agrippina Vaganova, Dudinskaya matriculated from her school in 1931. She danced all the classical leads at the Kirov Theatre including the starring role in ''Cinderella''. She later originated leading roles in Boris Asafyev's ''Flames of Paris'' and ''Taras Bulba''. She was best known in ''La Bayadère'', ''Don Quixote'' and in the title role of the eponymous ''Laurencia'', which she originated. She was frequently partnered by her husband, Konstantin Sergeyev, famed Georgian dancer Vakhtang Chabukiani and, at the end of her career, a 21-year-old Rudolf Nureyev who she picked to partner her in ''Laurencia''. Frail health forced her to ...
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Rudolf Nureyev
Rudolf Khametovich Nureyev ( ; Tatar/ Bashkir: Рудольф Хәмит улы Нуриев; rus, Рудо́льф Хаме́тович Нуре́ев, p=rʊˈdolʲf xɐˈmʲetəvʲɪtɕ nʊˈrʲejɪf; 17 March 19386 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is regarded by some as the greatest male ballet dancer of his generation.Lord of the dance – Rudolf Nureyev at the National Film Theatre, London, 1–31 January 2003
, by John Percival, '''', 26 December 2002.

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People From Kharkovsky Uyezd
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Dancers From Kharkiv
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes tak ...
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2003 Deaths
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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1912 Births
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the H ...
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Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Boston Ballet
The Boston Ballet is an American professional classical ballet company based in Boston, Massachusetts. It was founded in 1963 by E. Virginia Williams and Sydney Leonard, and was the first professional repertory ballet company in New England. It has been led by Violette Verdy (1980–1984), Bruce Marks (1985–1997), and Anna-Marie Holmes (1997–2000). Mikko Nissinen was appointed artistic director in September 2001. History 1956-1979 In 1956, E. Virginia Williams moved her ballet school from a studio in Back Bay to 186 Massachusetts Avenue, across from the Loew's State Theatre in Boston. At this point, the school offered classes starting at a children's level all the way to a professional division. In 1958, out of her Boston School of Ballet (which was sometimes called The New England School of Ballet), E. Virginia Williams formed a small dance group named The New England Civic Ballet. The group primarily performed at small local festivals and venues around New England. ...
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Ulyana Lopatkina
Ulyana Vyacheslavovna Lopatkina (russian: Ульяна Вячеславовна Лопаткина; born 23 October 1973) is a Russian prima ballerina who performed with the Mariinsky Theatre from 1991–2017. She studied at the Vaganova Academy with Natalia Dudinskaya. Upon graduation Lopatkina joined the Kirov/Mariinsky Theatre Ballet in 1991, and was promoted to principal dancer in 1995.Ulyana Lopatkina
nbsp;– Short Bio at the Mariinsky Theatre site. Retrieved 29 June 2019.
Dyukova, L. and Haegeman, M

www.ballet.classical.ru. (in Russian). Retrieved 29 June 2019.
Lopatkina did not dance during the 2016–2017 season due to injury, and her retirement from the Mariinsky wa ...
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Anastasia Volochkova
Anastasia Yuryevna Volochkova (russian: Анастасия Юрьевна Волочкова; born 20 January 1976)NEWSru, newsru.com, 20 January 2006. is a former Russian prima ballerina.Anastasia Volochkova Official Homepage, volochkova.ru, 8 July 2010. Early life Volochkova was born into a middle-class family in Leningrad, Russian SFSR (now Saint Petersburg, Russia). Her father was a table tennis champion and coach, and her mother was a tour guide.''What's On Kyiv'', 15/2010. Volochkova was five years old, when her mother took her to see ''The Nutcracker'' at the Mariinsky Theatre. "When I left the hall, I told my mother I wanted to be a famous ballerina," Volochkova has said, "On the face of it, I didn't have the right build - I didn't have long legs, and I wasn't flexible, quick or springy - nothing. All I maybe had was a beautiful body and a big wish. I didn't just take classes - I also had private lessons at home with a teacher. I worked very hard." Volochkova was train ...
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