Narukami Fudō Kitayama Zakura
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Narukami Fudō Kitayama Zakura
, also known as , , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder, and storms in Japanese mythology and the Shinto and Buddhist religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beating on den-den daiko drums with ''tomoe'' symbols drawn on them. Iconography of Raijin are often found in Japanese temples and shrines. He is usually depicted alongside his twin-brother, Fūjin, the god of wind, or with his son, Raitarō, a fellow thunder god like himself, or with his animal companion, a Raijū. Another fellow Shinto god (Kami) of storms is their brother, Susanoo-no-Mikoto. Etymology The name "Raijin" is derived from the Japanese words and . Description Raijin is often depicted with a fierce, frightening face and a muscular figure with gravity-defying hair. He is surrounded by Taiko drums that he plays to create the sound of thunder. Raijin holds large hammers in his hands that he uses to play the dr ...
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Raijin In Sanjūsangen-dō
, also known as , , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder, and Storm, storms in Japanese mythology and the Shinto and Buddhism, Buddhist religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beating on Den-den daiko, den-den daiko drums with ''tomoe'' symbols drawn on them. Iconography of Raijin are often found in Japanese Temple, temples and Shrine, shrines. He is usually depicted alongside his twin-brother, Fūjin, the god of wind, or with his son, Raitarō, a fellow thunder god like himself, or with his animal companion, a Raijū. Another fellow Shinto god (Kami) of storms is their brother, Susanoo-no-Mikoto. Etymology The name "Raijin" is derived from the Japanese words and . Description Raijin is often depicted with a fierce, frightening face and a muscular figure with gravity-defying hair. He is surrounded by Taiko drums that he plays to create the sound of thunder. Raijin holds large h ...
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On'yomi
, or the Sino-Japanese vocabulary, Sino-Japanese reading, is the reading of a kanji based on the historical Chinese pronunciation of the character. A single kanji might have multiple ''on'yomi'' pronunciations, reflecting the Chinese pronunciations of different periods or regions. ''On'yomi'' pronunciations are generally classified into ''go-on'', ''kan-on'', ''tō-on'' and ''kan'yō-on'', roughly based on when they were borrowed from China. Generally, ''on'yomi'' pronunciations are used for technical, compound words, while the native ''kun'yomi'' pronunciation is used for singular, simpler words. Usage ''On'yomi'' primarily occur in , many of which are the result of the adoption, along with the kanji themselves, of Chinese words for concepts that either did not exist in Japanese or could not be articulated as elegantly using native words. This borrowing process is often compared to the List of English words with dual French and Anglo-Saxon variations, English borrowings fro ...
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Izanami
, formally referred to with the honorific , is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. In mythology, she is the direct ancestor of the Japanese imperial family. In Shinto and Japanese mythology, Izanami gave humans death, so Izanami is sometimes seen as a shinigami. Name Her name is given in the () both as ''Izanami-no-Kami'' (伊弉冉神) and ''Izanami-no-Mikoto'' (伊邪那美命), while the (720 AD) refers to her as ''Izanami-no-Mikoto'', with the name written in different characters (伊弉冉尊). The names ''Izanagi'' (''Izanaki'') and ''Izanami'' ...
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Paint
Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics. Primitive forms of paint were used tens of thousands of years ago in cave paintings. Clean-up solvents are also different for water-based paint than oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house). History Paint was used in some of the earliest known human artworks. Some cave paintings drawn with red or yellow ochre, hematite, manganese oxide, and charcoal may have been made by early ''Homo sapiens'' as long as 40,000 years ago. Paint may be even older. In 2003 and 2004, South African archeologists reported finds in Blombos Cave of a 100,000-y ...
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Gold Leaf
upA gold nugget of 5 mm (0.2 in) in diameter (bottom) can be expanded through hammering into a gold foil of about 0.5 m2 (5.4 sq ft). The Japan.html" ;"title="Toi gold mine museum, Japan">Toi gold mine museum, Japan. Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 μm thick) by a process known as goldbeating, for use in gilding. Gold leaf is a type of metal leaf, but the term is rarely used when referring to gold leaf. The term ''metal leaf'' is normally used for thin sheets of metal of any color that do not contain any real gold. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold. Pure gold is 24 karat. Real, yellow gold leaf is approximately 91.7% pure (i.e. 22-karat) gold. Traditional water gilding is the most difficult and highly regarded form of gold leafing. It has remained virtually unchanged for hundreds of years and is still done by hand. History Mycenaean neckla ...
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Lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of ''Toxicodendron vernicifluum'' or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look. Asian lacquer is sometimes painted with pictures, inlaid with shell and other materials, or carved lacquer, carved, as well as maki-e, dusted with gold and given other further decorative treatments. In modern techniques, lacquer means a range of clear or pigmented coatings that dry by solvent evaporation to produce a hard, durable finish. The finish can be of any sheen level from ultra wikt:matte, matte to high Gloss (material appearance), glos ...
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Wood
Wood is a structural tissue/material found as xylem in the stems and roots of trees and other woody plants. It is an organic materiala natural composite of cellulosic fibers that are strong in tension and embedded in a matrix of lignin that resists compression. Wood is sometimes defined as only the secondary xylem in the stems of trees, or more broadly to include the same type of tissue elsewhere, such as in the roots of trees or shrubs. In a living tree, it performs a mechanical-support function, enabling woody plants to grow large or to stand up by themselves. It also conveys water and nutrients among the leaves, other growing tissues, and the roots. Wood may also refer to other plant materials with comparable properties, and to material engineered from wood, woodchips, or fibers. Wood has been used for thousands of years for fuel, as a construction material, for making tools and weapons, furniture and paper. More recently it emerged as a feedstock for the production ...
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Kaminarimon
The is the outer of two large entrance gates that ultimately leads to the Sensō-ji (the inner being the Hōzōmon) in Asakusa, Tokyo, Japan. The gate, with its lantern and statues, is popular with tourists. It stands 11.7 m tall, 11.4 m wide and covers an area of 69.3 m2. The first gate was built in 941, but the current gate dates from 1960, after the previous gate was destroyed in a fire in 1865. History The Kaminarimon was first built in 941 AD by Taira no Kinmasa, a military commander. It was originally located near Komagata, but it was reconstructed in its current location in 1635. This is believed to be when the gods of wind and thunder were first placed on the gate. The gate has been destroyed many times throughout the ages. Four years after its relocation, the Kaminarimon burned down, and in 1649 AD, Tokugawa Iemitsu had the gate rebuilt along with several other of the major structures in the temple complex. The gate burned to the ground in 1757 AD and a ...
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