Narrative Ballet
A narrative ballet or story ballet is a form of ballet that has a plot and characters. It is typically a production with full sets and costumes. It was an invention of the eighteenth century. Most romantic and classical ballets of the 19th century were narrative ballets. Among the most well known are ''Swan Lake'', '' The Sleeping Beauty'', and ''Cinderella''. For these and other classic narrative ballets it is common for ballet directors to create their own choreography, while maintaining the plot and music used by the original 19th-century choreographer. Kenneth MacMillan and Frederick Ashton were neoclassical ballet choreographers that created original narrative ballets in the 20th century. Narrative ballets are essential to a ballet company's repertoire, because they tend to generate the highest sales and bring families with children to see the ballet. Many newer narrative ballets are adapted from familiar stories or literature because they are recognizable to audiences. N ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Swanlake015
Swanlake is an unincorporated community in Bannock County, Idaho, United States. Swanlake is southeast of Downey. Swanlake has a post office with ZIP code 83281. Demographics 2010 census As of the census of 2010, there were 93 people, 36 households, and 29 families residing in the city. The racial makeup of the city was 100% White. Hispanic or Latino Latino or Latinos most often refers to: * Latino (demonym), a term used in the United States for people with cultural ties to Latin America * Hispanic and Latino Americans in the United States * The people or cultures of Latin America; ** Latin A ... of any race were 2.2% of the population. The median age in the city was 44.3 years. 31.2% of residents were under the age of 19; 0.0% were between the ages of 20 and 24; 20.5% were from 25 to 44; 28% were from 45 to 64; and 20.4% were 65 years of age or older. The gender makeup of the city was 51.6% male and 48.4% female. References External links Swan Lake Idaho Centennial C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Neoclassical Ballet
Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. It draws on the advanced technique of 19th-century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting while retaining many key techniques, such as pointe technique. History and development Neoclassical ballet is a genre of dance that emerged in the 1920s and evolved throughout the 20th century. Artists of many disciplines in the early 1900s began to rebel against the overly dramatized style of the Romantic Period. As a result, art returned to a more simplistic style reminiscent of the Classical Period, except bolder, more assertive and free of distractions. This artistic trend came to be known as Neoclassicism. The ballet choreographer who most exemplified this ne ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Ballets By Title
__NOTOC__ The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance. Alphabetical listing 1 * ''2 and 3 Part Inventions'', to music by Johann Sebastian Bach, 1994 A * ''A Folk Tale'', Johan Peter Emilius Hartmann and Niels W. Gade, 1854 * '' A Midsummer Night's Dream'', to music by Felix Mendelssohn, 1964 * '' A Month in the Country'', to music by Frédéric Chopin, 1976 * ''A Suite of Dances'', to music by Johann Sebastian Bach, 1994 * ''A Tragedy of Fashion'', to music by Eugene Aynsley Goossens, 1926 * ''Adam Zero'', Arthur Bliss, 1946 * '' Adams Violin Concerto'', to music by John Adams, 1995 * ''Adagio Hammerklavier'', to music by Ludwig van Beethoven, 1973 * ''Afternoon of a Faun (Nijinsky)'', to music by Claude Debussy, 1912 * '' Afternoon of a Faun (Robbins)'', to music by Claude D ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Comic Ballet
Comic ballet is a subcategory of narrative ballet, and denotes a dramatic work of a light or comic nature. Catherine d'Medici enjoyed the Italian custom of staging entertainments where classical or allegorical legends were retold through music and dancing, and she introduced this custom to France. It was Catherine's court festival director, Baltazarini da Belgiojoso who staged and choreographed the 'Ballet Comique de la Reine'. This ballet was presented at the Petit Bourbon on 15 October 1581, and related the story of Circe. Comic ballets include: * ''Cinderella (Ashton)'' * ''Coppélia'' * ''Don Quixote'' * ''La Fille Mal Gardée'' * ''La fille mal gardée (Ashton)'' * '' Frizak the Barber'' * ''The Kermesse in Bruges'' * ''The Lady and the Fool'' * ''The Magic Flute'' * '' The Parisian Market or Le Marché des Innocents'' * ''Pineapple Poll ''Pineapple Poll'' is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko with arranger Sir Charles Mack ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ballet D'action
Ballet d'action is a hybrid genre of expressive and symbolic ballet that emerged during the 18th century. One of its chief aims was to liberate the conveyance of a story via spoken or sung words, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d'action was to free dance from unrealistic symbolism, so this remains an elusive question. Often, props and costume object were involved in the performance to help clarify character interaction and passions. An example would be the scarf from ''La Fille mal gardée'', which represe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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L'histoire De Manon
''L'histoire de Manon'', generally referred to as ''Manon'', is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel ''Manon Lescaut'' by Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. It continues to be performed and recognised internationally. Background Kenneth MacMillan had been thinking about choreographing a ballet about the story of Manon Lescaut for some time. Three years into his artistic directorship of The Royal Ballet, he wanted to create a large-scale operatic ballet that would provide exciting roles both for the company's principal dancers and the ''corps de ballet''.Parry, p. 428 On the last night of the company's summer season in 1973, MacMillan left a copy of Prévost's novel in Antoinette Sibley's dressing room, with a note informing her that it would "come in handy for March 7, '74". As the copy of ''Manon Lescaut' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ballet Company
A ballet company is a type of dance troupe which performs classical ballet, neoclassical ballet, and/or contemporary ballet in the European tradition, plus managerial and support staff. Most major ballet companies employ dancers on a year-round basis, except in the United States, where contracts for part of the year (typically thirty or forty weeks) are the norm. A company generally has a home theatre where it stages the majority of its performances, but many companies also tour in their home country or internationally. Ballet companies routinely make a loss at the box office, and depend on external financial support of one kind or another. In Europe most of this support comes in the form of government subsidies, though private donations are usually solicited as well. In North America private donations are the main source of external funding. Many ballet companies have an associated school which trains dancers. Traditionally the school would provide almost all of the company's dan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Varia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |