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Napaljarri (skin Name)
Napaljarri or Napaltjarri is one of sixteen skin names used amongst Indigenous Australian people of Australia's Western Desert, including the Pintupi and Warlpiri. It is one of the eight female skin names. Skin names are often treated by Western cultures as equivalent to a surname; as a result the name is familiar to many as that of prominent Indigenous figures, such as artists Tjunkiya Napaltjarri, her sister Wintjiya Napaltjarri, and Linda Syddick Napaltjarri. Skin name Skin names denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Individuals of the Napaljarri skin group (together with its male equivalent, Tjapaljarri) will be either owners (kurdu) or managers (kurdungurlu) of particular ' dreaming' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Aboriginal Kinship
Aboriginal Australian kinship comprises the systems of Aboriginal customary law governing social interaction relating to kinship in traditional Aboriginal cultures. It is an integral part of the culture of every Aboriginal group across Australia, and particularly important with regard to marriages between Aboriginal people. The subsection system Subsection systems are a unique social structure that divide all of Australian Aboriginal society into a number of groups, each of which combines particular sets of kin. In Central Australian Aboriginal English vernacular, subsections are widely known as "skins". Each subsection is given a name that can be used to refer to individual members of that group. Skin is passed down by a person's parents to their children. The name of the groups can vary. There are systems with two such groupings (these are known as ' moieties' in kinship studies), systems with four (sections), six and eight (subsection systems). Some language groups exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Nelson Napaljarri
Helen Nelson Napaljarri (born c. 1949), also known as Helen White Napajarri or Helen Spencer Napaljarri, is a Walpiri-speaking Aboriginal artist from Australia's Western Desert region. A literacy worker in Yuendumu, Northern Territory, Napaljarri began painting with Warlukurlangu Artists in the 1980s. Her paintings are held by the Art Gallery of South Australia and South Australian Museum. She has contributed to several bilingual language books in Walpiri and English. Life Helen was born circa 1949. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ada Andy Napaltjarri
Ada Andy Napaltjarri (born c. 1954) is a Warlpiri– and Luritja–speaking Indigenous artist from Australia's Western Desert region. Ada was born near Haasts Bluff, Northern Territory, and has lived in several Northern Territory communities. She began painting in the early 1980s at Alice Springs and probably played a role in the development of interest in painting in the communities in which she has lived. Life Ada Andy was born in 1954 at Narwietooma Station, near Haasts Bluff, Northern Territory, west of Alice Springs. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus 'Ada Andy' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susie Bootja Bootja Napaltjarri
Susie Bootja Bootja Napaltjarri (also referred to as Susie Bootja Bootja Napangardi, Napangarti, or Napangati) (c. 1935 – 16 January 2003) was an Indigenous artist from Australia's Western Desert region. Born south-west of Balgo, Western Australia, in the 1950s Susie Bootja Bootja married artist Mick Gill Tjakamarra, with whom she had a son, Matthew Gill Tjupurrula (also an artist). Susie Bootja Bootja's painting career followed the establishment of Warlayirti Artists, an Indigenous art centre at Balgo. One of the area's strongest artists, her work was characterised by an expressive style, and has been acquired by major Australian galleries, including the Art Gallery of New South Wales and National Gallery of Victoria. She died in 2003. Life Susie Bootja Bootja was born circa 1935 near Kurtal, or Helena Spring, south-west of Balgo, Western Australia; the country is called Kaningarra in her own language, a name that appears as the title of one of her art works. The ambigu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheila Brown Napaljarri
Sheila Brown Napaljarri (–2003) was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. A contributor to major collaborative paintings by Indigenous communities, her works are also held by the Art Gallery of New South Wales and the South Australian Museum. Life Brown was born circa 1940 in the Lajamanu region of the Northern Territory, approximately 900 kilometres south of Darwin. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Gallery Of New South Wales
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most important public gallery in Sydney and one of the largest in Australia. The gallery's first public exhibition opened in 1874. Admission is free to the general exhibition space, which displays Australian art (including Indigenous Australian art), European and Asian art. A dedicated Asian Gallery was opened in 2003. History 19th century On 24 April 1871, a public meeting was convened in Sydney to establish an Academy of Art "for the purpose of promoting the fine arts through lectures, art classes and regular exhibitions." Eliezer Levi Montefiore (brother of Jacob Levi Montefiore and nephew of Jacob and Joseph Barrow Montefiore) co-founded the New South Wales Academy of Art (also referred to as simply the Academy of Art)Published online 2014 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Gallery Of South Australia
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia (after the National Gallery of Victoria). As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east. As well as its permanent collection, which is especially renowned for its collection of Australian art, AGSA hosts the annual Festival of Contemporary Aboriginal and Torres Strait Islander Art known as ''Tarnanthi'', displays a number of visiting exhibitions each year and also contributes travelling exhibitions to regional galleries. European (including British), Asian and North American art are also well represented in its collections. the Director of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitty Pultara Napaljarri
Kitty Pultara Napaljarri (born c. 1930) is an Anmatyerre-speaking Indigenous artist from Australia's Western Desert region. Born at Napperby Station east of Yuendumu, Northern Territory, she worked on the station and first learned to paint there around 1986. Her work is held in the collections of the Art Gallery of South Australia and South Australian Museum. Life Kitty Pultara was born on Napperby Station, east of Yuendumu and north-west of Alice Springs in Australia's Northern Territory, around 1925 or on 1 June 1938: the two main reference works give alternative dates. Johnson's 1994 biographical dictionary suggests that she may have been born as early as 1925, while Birnberg's 2004 biographical dictionary gives 1 June 1938. The ambiguity around the year of birth may be in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eileen Napaltjarri
Eileen Napaltjarri (born 1956) is a Pintupi-speaking Aboriginal Australian artist from Australia's Western Desert region. Eileen Napaltjarri, also known as Anyima Napaltjarri, began painting for Papunya Tula artists' cooperative in 1996. She was named as one of ''Australian Art Collector'' magazine's 50 Most Collectible artists in 2008; her works are held by the National Gallery of Australia and the Art Gallery of New South Wales. Life Born at Haasts Bluff, Northern Territory in 1956, daughter of Charlie Tarawa Tjungurrayi (aka Charlie Tararu Tjungurayi), one of the founding members of Papunya Tula Artists, and Tatali Nangala, Eileen was the only one of seven siblings to follow her parents' advice and take up painting. She was reportedly the only one still alive by 2008. Marriage discrepancies In 2008, researcher Vivien Johnson reported that she married Puuna Tjakamarra, and had two children, William Tjupurrula and Sharon Napurrula, as well as an adopted son, Jeffrey. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Australia
The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in the Australian Capital Territory, it was established in 1967 by the Australian Government as a national public art museum. it is under the directorship of Nick Mitzevich. Establishment Prominent Australian artist Tom Roberts had lobbied various Australian prime ministers, starting with the first, Edmund Barton. Prime Minister Andrew Fisher accepted the idea in 1910, and the following year Parliament established a bipartisan committee of six political leaders—the ''Historic Memorials Committee''. The Committee decided that the government should collect portraits of Australian governors-general, parliamentary leaders and the principal "fathers" of federation to be painted by Australian artists. This led to the establishment of what bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blake Prize
The Blake Prize, formerly the Blake Prize for Religious Art, is an Australian art prize awarded for art that explores spirituality. Since the inaugural prize in 1951, the prize was awarded annually from 1951 to 2015, and since 2016 has been awarded biennially. , the non-acquisitive prize, awarded since 2016 by the Casula Powerhouse Arts Centre (CPAC), is worth . In addition, CPAC awards the Blake Emerging Artist Prize, an acquisitive prize of (formerly the John Coburn Emerging Artist Award), and the Blake Established Artist Residency, which includes a residency and solo exhibition hosted by CPAC. History The prize was established in Sydney in 1949 as an incentive to raise the standard of religious art and to find suitable work to decorate churches. It was founded by Jewish businessman Richard Morley, the Reverend Michael Scott SJ, a headmaster of Campion Hall, Point Piper, and subsequently rector of Aquinas College (a Catholic residential college for university students in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ngoia Pollard Napaltjarri
Ngoia Pollard Napaltjarri (born c. 1948; also known as Ngnoia) is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. Ngoia Pollard married Jack Tjampitjinpa, who became an artist working with the Papunya Tula company, and they had five children. Having commenced painting in 1997, Ngoia Pollard won a major regional art prize in 2004. She went on to win the painting prize in the 2006 National Aboriginal & Torres Strait Islander Art Awards. Her works are held in major private and public collections, including the National Gallery of Australia. Life Daughter of Angoona Nangala and Jim Tjungurrayi, Ngoia Pollard was born circa 1948 in Haasts Bluff, Northern Territory, west of Alice Springs. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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