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Nanyang Film Company
Tianyi Film Company (), also called Unique Film Productions, was one of the "big three" film production companies in pre-Second World War Republic of China. Founded in Shanghai in 1925 by the Shaw (Shao) brothers led by Runje Shaw (Shao Zuiweng), the company also established operations in Malaya and Hong Kong. Although the company's Shanghai studio was destroyed in 1937 during the Japanese invasion, its offshoot in Hong Kong, later called Shaw Brothers Studio, blossomed into a media empire under the leadership of the youngest brother, Sir Run Run Shaw. Founding In 1922, Runje Shaw (Shao Zuiweng), the eldest Shaw brother who had been a lawyer and businessman, was the manager of the theatre Xiao Wutai (Happy Stage or Laughter Stage) in Shanghai. Among his colleagues were Zhang Shichuan, Zheng Zhengqiu, and Zhou Jianyun, who co-founded Mingxing Film Company. In 1923 Mingxing released the film ''Orphan Rescues Grandfather'' to great commercial success. Inspired by his former c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runje Shaw
Runje Shaw (1896–1975), also known as Shao Zuiweng (C.W. Shaw) and Shao Renjie, was a Chinese film entrepreneur, producer and director. The eldest of the Shaw brothers, in 1925 he founded Tianyi Film Company (also called Unique Film Productions) in Shanghai, which became one of the top three film production companies in pre-WWII Republic of China, and the beginning of the Shaw Brothers media empire. Under Runje's leadership, his younger brothers Runde, Runme, and Run Run established branches of Tianyi in Hong Kong and Singapore. Runje retired from filmmaking after Tianyi's Shanghai base was destroyed in 1937 during the Japanese invasion, but his younger brothers, particularly Sir Run Run, rebuilt Tianyi's offshoots in Hong Kong and Singapore, of which Shaw Brothers Studio came to dominate filmmaking in Hong Kong. Early life Shaw was born in 1896 in Zhenhai, Ningbo, Zhejiang province. His birth name was Shao Tongzhang (邵同章) and Renjie (仁傑) was his courtesy name. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhou Jianyun
Zhou may refer to: Chinese history * King Zhou of Shang () (1105 BC–1046 BC), the last king of the Shang dynasty * Predynastic Zhou (), 11th-century BC precursor to the Zhou dynasty * Zhou dynasty () (1046 BC–256 BC), a dynasty of China ** Western Zhou () (1046 BC–771 BC) ** Eastern Zhou () (770 BC–256 BC) * Western Zhou (state) () (440 BC–256 BC) * Eastern Zhou (state) () (367 BC–249 BC) * Northern Zhou () (557–581), one of the Northern dynasties during the Northern and Southern dynasties period * Wu Zhou () (690–705), an imperial dynasty established by Wu Zetian * Later Zhou () (951–960), the last of the Five dynasties during the Five Dynasties and Ten Kingdoms period * Zhou (Zhang Shicheng's kingdom) () (1354–1367), a state founded by Zhang Shicheng during the Red Turban Rebellion * Zhou (Qing period state) () (1678–1681), a state founded by Wu Sangui during the Qing dynasty Other uses *Zhou (surname) (), Chinese surname *Zhou (country subdivision) (), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantonese Language
Cantonese ( zh, t=廣東話, s=广东话, first=t, cy=Gwóngdūng wá) is a language within the Chinese (Sinitic) branch of the Sino-Tibetan languages originating from the city of Guangzhou (historically known as Canton) and its surrounding area in Southeastern China. It is the traditional prestige variety of the Yue Chinese dialect group, which has over 80 million native speakers. While the term ''Cantonese'' specifically refers to the prestige variety, it is often used to refer to the entire Yue subgroup of Chinese, including related but largely mutually unintelligible languages and dialects such as Taishanese. Cantonese is viewed as a vital and inseparable part of the cultural identity for its native speakers across large swaths of Southeastern China, Hong Kong and Macau, as well as in overseas communities. In mainland China, it is the ''lingua franca'' of the province of Guangdong (being the majority language of the Pearl River Delta) and neighbouring areas such as Guangx ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Pingqian
Li Pingqian (1902 – 18 November 1984) was a Chinese filmmaker who directed over 90 films in his career in mainland China and Hong Kong. He is probably best known for his works with actresses Gong Qiuxia and Xia Meng, who each starred in more than a dozen of his films. Moreover, his 1964 Huangmei opera Huangmei or Huangmei tone ( or , pinyin: or ) originated as a form of rural folk song and dance that has been in existence for the last 200 years and possibly longer. Huangmei opera is one of the most famous and mainstream opera in China (others ... film ''Three Charming Smiles'' starring Chen Sisi was a huge hit in China. Filmography As actor As director In popular culture In the 2008 Chinese TV series ''Zhao Dan'' (赵丹), Li Pingqian is portrayed by actor Meng Jun (孟俊). External links * * {{DEFAULTSORT:Li, Pingqian 1902 births 1984 deaths Hong Kong film directors Film directors from Zhejiang Screenwriters from Zhejiang Chinese male silent film actors Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Films
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lianhua Film Company
The United Photoplay Service Company () was one of the three dominant production companies based in Shanghai, China during the 1930s, the other two being the Mingxing Film Company and the Tianyi Film Company, the forerunner of the Hong Kong-based Shaw Brothers Studio. Names The original name of the company was Lianhua Productions. It is also known by a large number of translated names, notably China Film Company, United China Film Company and United Photoplay Service. The full name of the limited company later on was called "Lianhua Film Production and Processing Company, Ltd." History Lianhua was formally registered in March 1930 in Hong Kong by Luo Mingyou (Law Ming-yau) and his partner, director Li Minwei (Lai Man-Wai). In order to resist the invasion of American films that dominated the box office in Shanghai and other cities, Luo realized he would have to produce films that were equally attractive artistically and equally rigorous in the business of production and distrib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southeast Asia
Southeast Asia, also spelled South East Asia and South-East Asia, and also known as Southeastern Asia, South-eastern Asia or SEA, is the geographical United Nations geoscheme for Asia#South-eastern Asia, south-eastern region of Asia, consisting of the regions that are situated south of mainland China, east of the Indian subcontinent, and north-west of mainland Australia. Southeast Asia is bordered to the north by East Asia, to the west by South Asia and the Bay of Bengal, to the east by Oceania and the Pacific Ocean, and to the south by Australia (continent), Australia and the Indian Ocean. Apart from the British Indian Ocean Territory and two out of atolls of Maldives, 26 atolls of Maldives in South Asia, Maritime Southeast Asia is the only other subregion of Asia that lies partly within the Southern Hemisphere. Mainland Southeast Asia is completely in the Northern Hemisphere. East Timor and the southern portion of Indonesia are the only parts that are south of the Equator. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend Of The White Snake
The Legend of the White Snake is a Chinese legend. It has since been presented in a number of major Chinese operas, films, and television series. The earliest attempt to fictionalize the story in printed form appears to be ''The White Maiden Locked for Eternity in the Leifeng Pagoda'' () in Feng Menglong's '' Stories to Caution the World'', which was written during the Ming dynasty. The legend is now counted as one of China's Four Great Folktales, the others being ''Lady Meng Jiang'', ''Butterfly Lovers'', and ''The Cowherd and the Weaver Girl''. Basic story Lü Dongbin, one of the Eight Immortals, disguises himself as a '' tangyuan'' vendor at the Broken Bridge near the West Lake in Hangzhou. A boy called Xu Xian () buys some ''tangyuan'' from Lü Dongbin without knowing that they are actually immortality pills. After eating them, he does not feel hungry for the next three days so he goes back to ask the vendor why. Lü Dongbin laughs and carries Xu Xian to the bridge, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liang Shanbo And Zhu Yingtai
The Butterfly Lovers is a Chinese legend of a tragic love story of a pair of lovers, Liang Shanbo () and Zhu Yingtai (), whose names form the title of the story. The title is often abbreviated to Liang Zhu (). The story was selected as one of China's Four Great Folktales by the "Folklore Movement" in the 1920s—the others being the Legend of the White Snake (''Baishezhuan''), Lady Meng Jiang, and The Cowherd and the Weaving Maid (''Niulang Zhinü''). Six cities in China have collaborated in 2004 on a formal application for the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity on the legend at UNESCO, submitted in 2006 through the Chinese Ministry of Culture. Legend The legend of Liang Shanbo and Zhu Yingtai is set in the Eastern Jin dynasty (266–420 AD). Zhu Yingtai is the ninth child and only daughter of the wealthy Zhu family of Shangyu, Zhejiang. Although women are traditionally discouraged from taking up scholarly pursuits, Zhu manages to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Arts Film
Martial arts films are a subgenre of action films that feature numerous martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights. Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films. History Asian films are known to have a more minimalist approach to film based on their culture. Some martial arts films have only a minimal plot and amount of character development and focus almost exclusively on the action, while others have more creative and complex plots and characters along with action scen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gods And Demons Fiction
Gods and demons fiction () is a subgenre of fantasy fiction that revolves around the deities, immortals, and monsters of Chinese mythology. The term ''shenmo xiaoshuo'', coined in the early 20th century by the writer and literary historian Lu Xun, literally means "fiction of gods and demons". Works of shenmo fiction include the novels ''Journey to the West'' and ''Investiture of the Gods''. History ''Shenmo'' first appeared in the Ming Dynasty as a genre of Written vernacular Chinese, vernacular fiction, a style of writing based on Varieties of Chinese, spoken Chinese rather than Classical Chinese. The roots of the genre are found in traditional folktales and legends. Plot elements like the use of magic and Taoist alchemy, alchemy were derived from Chinese mythology and religion, including Taoism and Buddhism, popular among Ming intellectuals. ''The Three Sui Quash the Demons' Revolt'' (, 14th century CE) is an early gods and demons novel attributed to Luo Guanzhong. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
