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Nanker Phelge
Nanker Phelge (a.k.a. Nanker/Phelge) was a collective pseudonym used between 1963 and 1965 for several Rolling Stones group compositions. Stones bassist Bill Wyman explained the origins of the name in his 2002 book, ''Rolling with the Stones'': Thus anything credited to Nanker Phelge refers to a Mick Jagger/Brian Jones/Keith Richards/ Charlie Watts/ Bill Wyman/Andrew Loog Oldham collaborative composition. The ASCAP files for the very earliest Nanker Phelge compositions also list early Rolling Stones member Ian Stewart (also known as "the sixth Stone") as a co-author covered by the pseudonym. The name resurfaced in the late 1960s on the labels of the original vinyl pressings of '' Beggars Banquet'' and ''Let It Bleed''. Manufacture of both albums was credited to Nanker Phelge, which was then acknowledged as an ABKCO company (ABKCO was manufacturing the records that still bore the London and Decca labels). Songs credited to Nanker Phelge *" Stoned" (Oct. 1963) ( ASCAP also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi Germany, Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable phonograph, gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paint It Black
"Paint It Black" is a song recorded in 1966 by the English rock band the Rolling Stones. A product of the songwriting partnership of Mick Jagger and Keith Richards, it is a raga rock song with Indian, Middle Eastern, and Eastern European influences and lyrics about grief and loss. London Records released the song as a single on 7 May 1966 in the United States, and Decca Records released it on 13 May in the United Kingdom. Two months later, London Records included it as the opening track on the American version of the band's 1966 studio album ''Aftermath'', though it is not on the original UK release. Originating from a series of improvisational melodies played by Brian Jones on the sitar, all five members of the band contributed to the final arrangement, although only Jagger and Richards were credited as songwriters. In contrast to previous Rolling Stones singles with straightforward rock arrangements, "Paint It Black" has unconventional instrumentation including a prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got Live If You Want It! (EP)
''Got Live If You Want It!'' (stylized on the front cover as ''got LIVE if you want it!'') is a six-song extended play (EP) release by the Rolling Stones featuring live recordings from 1965. The title is a pun on the swamp blues song "I Got Love If You Want It" by Slim Harpo; the Stones recorded his "I'm a King Bee" for their 1964 debut album."I Got Love If You Want It" backed with "I'm a King Bee" was Slim Harpo's first single, released by Excello Records in 1957. ''Got Live If You Want It!'' reached number one in the UK and was the group's last EP. Although not issued in the US, three of its songs were included on albums released there by London Records in 1965: " I'm Alright" on ''Out of Our Heads''; and " Route 66" and " I'm Moving On" on ''December's Children (And Everybody's)''. With different tracks mostly recorded in 1966, London used the title for a live album released in December 1966. Recording Renowned for its raw-sounding quality, ''Got Live If You Want It!'' has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got Live If You Want It! (album)
''Got Live If You Want It!'' is a live album by the English rock band the Rolling Stones. It was released on 3 December 1966 by London Records in the United States. With its release, the label attempted to fill a marketing gap between the Stones' studio albums and capitalise on their popularity in the US market, which was heightened that year by a famously successful North American concert tour supporting their hit album ''Aftermath'' (1966). Discouraged by the fan hysteria accompanying the band in concert at the time, their producer-manager Andrew Loog Oldham abandoned the original idea of having the album capture the Stones in a single live performance at London's Royal Albert Hall. Instead, he selected ten concert recordings from other sources alongside two older studio tracks, which were overdubbed with crowd noise to give the impression of an entirely live albumall the tracks were credited on the original LP to the Royal Albert Hall performance. The album takes its title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spider And The Fly (song)
"The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album ''Out of Our Heads''. In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". In 1971, the song was released on an album for the first time in the UK on the Decca Records compilation ''Stone Age''. The song was written by Mick Jagger and Keith Richards. The lyrics speak about what the band, especially the leader, will do after their gig is over: Jagger explained in a 1995 interview with ''Rolling Stone'', "I wasn't really that mad about it, but when you listen to it on record, it still holds up quite interestingly as a blues song. It's a Jimmy Reed blues with British pop-group words, which is an interesting combination: a song somewhat stuck in a time warp." In an AllMusic review, Mike DeGagne describes it as one of their earliest attempts at country music. The Stones have performed "The Spider and the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Play With Fire (The Rolling Stones Song)
"Play with Fire" is a song by the English rock band the Rolling Stones, originally released as B-side to the song " The Last Time". It was later included on the American release of their 1965 album ''Out of Our Heads''. Composition and recording "Play with Fire" is credited to Nanker Phelge, a pseudonym used when tracks were composed by the entire band, even though lead singer Mick Jagger and guitarist Keith Richards are the only Rolling Stones to appear on the track. The song was recorded late one night in January 1965 while the Stones were in Los Angeles recording with Phil Spector at the RCA Studios. Richards performed the song's acoustic guitar opening while Jagger handled vocals and tambourine (enhanced using an echo chamber). Spector played bass, and Jack Nitzsche provided the song's distinctive harpsichord arrangement and tamtams. The Stones left for a tour of Australia the following day. The song's lyrics talk of the singer's relationship with a high society girl, dispa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Music Incorporated
Broadcast Music, Inc. (BMI) is a performance rights organization in the United States. It collects blanket license fees from businesses that use music, entitling those businesses to play or sync any songs from BMI's repertoire of over 20.6 million musical works. On a quarterly basis, BMI distributes the money to songwriters, composers, and music publishers as royalties to those members whose works have been performed. In FY 2022, BMI collected $1.573 billion in revenues and distributed $1.471 billion in royalties. BMI's repertoire includes over 1.3 million songwriters and 20.6 million compositions. BMI is the biggest performing rights organization in the United States and is one of the largest such organizations in the world. BMI songwriters create music in virtually every genre. BMI represents artists such as Patti LaBelle, Selena, Miley Cyrus, Lil Wayne, Lil Nas X, Birdman, Lady Gaga, Taylor Swift, Eminem, Rihanna, Shakira, Doja Cat, Megan Thee Stallion, Ed Sheeran, Karol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones No
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2120 South Michigan Avenue
"2120 South Michigan Avenue" is an original instrumental by the Rolling Stones, recorded for their second EP ''Five by Five''. It was also released on their second US album '' 12 X 5'' in 1964. Composer credit goes to Nanker Phelge, a title giving credit equally to all members of the band. In the book ''Rolling with the Stones'', Bill Wyman recalls that the composition process started with him playing a bass riff and that the others followed on jamming. The title refers to the address of the offices and recording studios of Chess Records and Checker Records in Chicago, where the five songs for the EP were recorded in June 1964. AllMusic reviewer Richie Unterberger described the track as "a great groovin' original blues-rock jam". The song was originally released at just over two minutes in length, fading early for lack of time available on a conventional EP in 1964. A full-length (3:38 minute) version appears on the 1964 West German Decca LP ''Around And Around,'' and the 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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