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Namiki Shōzō I
Namiki Shōzō I (並木正三) (1730–1773) was a prominent Japanese playwright who produced roughly 100 works for ''bunraku'' (puppet theater) and for ''kabuki''. Shōzō is also credited with inventing the revolving stage (回り舞台, ''mawaributai''), one of many tricks of stagecraft used extensively in ''kabuki'', and with popularizing the use of trapdoors (セリ上げ, ''seriage''). Shōzō left ''bunraku'' in 1751; adapting plays from ''bunraku'' to ''kabuki'' was a very common practice, and it is likely that many of Shōzō's kabuki plays began as puppet productions. His roughly one hundred plays were mostly '' jidai-mono'' (時代物, historical plays), and include ''Keisei ama no hagoromo'' (The Feathery Garment from Heaven, 1753), ''Sanjikkoku yobune no hajimari'' (The Beginning of the Heavy Cargo Ships on the Yodo River, 1758), and ''Sanzen-sekai yarikuri ōrai'' (Kin'emon the Notorious Pirate, 1772). References *Takaya, Ted T. (1985). "Namiki Shōzō." Kodansha En ...
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Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ...
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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Keren (kabuki)
are stagecraft tricks used in Japanese kabuki theater, making use of trapdoors, revolving stages, and other equipment. Often translated as "playing to the gallery," many drama enthusiasts consider these sorts of adaptations to be demeaning to the art of kabuki. According to one scholar, Ichikawa Ennosuke, "Rapid 'trick' appearances and disappearances of the actor are relatively few and are held in low esteem by the Kabuki connoisseur A connoisseur ( French traditional, pre-1835, spelling of , from Middle-French , then meaning 'to be acquainted with' or 'to know somebody/something') is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator ..., who refers to them as keren (playing to the gallery)". Primary forms of References {{DEFAULTSORT:Keren Kabuki Stagecraft Japanese words and phrases ...
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Jidai-mono
are Japanese kabuki or plays that feature historical plots and characters, often famous samurai battles. These are in contrast to , contemporary plays, which generally focus on commoners and domestic issues. is usually translated as "period plays". Film and television productions in this mode are called , and share many of the same features. Overview As the stereotypical audience for and kabuki were the merchant classes () of Edo period Japan, stories involving court nobles and heroic samurai were somewhat far removed from daily life, and the more everyday stories that dealt with contemporary, urban themes. Even though many of the viewers may have been samurai, the Edo period in which these plays were largely composed and performed was a period of peace, and so the notion of fierce battles and heroic sacrifices represented something of a romanticised escape in fiction. Stories were almost always derived from classic epics () or other historical sources, often with elements c ...
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Namiki Shōzō II
Namiki Shōzō II (並木正三) (died 1807) was a ''kabuki'' playwright and relative of the more prominent Namiki Shōzō I Namiki Shōzō I (並木正三) (1730–1773) was a prominent Japanese playwright who produced roughly 100 works for ''bunraku'' (puppet theater) and for ''kabuki is a classical form of Japanese dance- drama. Kabuki theatre is known for its .... Though none of his surviving plays are prominent ones, he may have been the author of the 1801 '' Kezairoku'' (or ''Gezairoku''), a kabuki playwriting manual. References *Takaya, Ted T. (1985). "Namiki Shōzō." Kodansha Encyclopedia of Japan. Tokyo: Kodansha Ltd. Kabuki playwrights 1807 deaths Year of birth missing Japanese dramatists and playwrights Japanese writers of the Edo period 18th-century Japanese writers 19th-century Japanese writers 18th-century Japanese people 19th-century Japanese people {{Japan-writer-stub ...
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Kabuki Playwrights
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes translate ...
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Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ...
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1730 Births
Year 173 ( CLXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Pompeianus (or, less frequently, year 926 ''Ab urbe condita''). The denomination 173 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Gnaeus Claudius Severus and Tiberius Claudius Pompeianus become Roman Consuls. * Given control of the Eastern Empire, Avidius Cassius, the governor of Syria, crushes an insurrection of shepherds known as the Boukoloi. Births * Maximinus Thrax ("the Thracian"), Roman emperor (d. 238) * Mi Heng, Chinese writer and musician (d. 198) Deaths * Donatus of Muenstereifel, Roman soldier and martyr (b. AD 140 Year 140 ( CXL) was a leap year starting on Thursday (link will display the full calendar) of the Julian cal ...
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1773 Deaths
Events January–March * January 1 – The hymn that becomes known as ''Amazing Grace'', at this time titled "1 Chronicles 17:16–17", is first used to accompany a sermon led by curate John Newton in the town of Olney, Buckinghamshire, England. * January 12 – The first museum in the American colonies is established in Charleston, South Carolina; in 1915, it is formally incorporated as the Charleston Museum. * January 17 – Second voyage of James Cook: Captain Cook in HMS Resolution (1771) becomes the first European explorer to cross the Antarctic Circle. * January 18 – The first opera performance in the Swedish language, ''Thetis and Phelée'', performed by Carl Stenborg and Elisabeth Olin in Bollhuset in Stockholm, Sweden, marks the establishment of the Royal Swedish Opera. * February 8 – The Grand Council of Poland meets in Warsaw, summoned by a circular letter from King Stanisław August Poniatowski to respond to the Kingdom's ...
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18th-century Japanese Dramatists And Playwrights
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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Japanese Writers Of The Edo Period
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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