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Nadine Renaux
Nadine Renaux (13 July 1912, Villeurbanne – 22 January 2005) was a French soprano, active in opera and operetta in FranceGourret J. ''Dictionnaire des Cantatrices de l'Opéra.'' Editions Albatros, Paris, 1987, p179. from the 1930s to the 1960s. Life and career Born Jeanne Chatagner (married name Perbal) she made her debut at the Paris Opéra-Comique on 18 July 1943 in the title role of Madame Butterfly.L'Art Lyrique website accessed 25 September 2015. She appeared in the title role of ''Angélique'', as Rosine in '''', Micaëla in '''', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villeurbanne
Villeurbanne (; frp, Velorbana) is a commune in the Metropolis of Lyon in Auvergne-Rhône-Alpes region in eastern France. It is situated northeast of Lyon, with which it forms the heart of the second-largest metropolitan area in France after that of Paris. Villeurbanne is the second-largest city in the metropolitan area of Lyon and the 20th most populated in France. In 2013, Villeurbanne was elected the city with the best administration of France, which attracts more and more people. History The current location of downtown Villeurbanne is known to have been inhabited as far back as 6000 BC. Its current name comes from a Gallo-Roman farming area, established at about the same time as Lyon (then ''Lugdunum'') and known as the ''Villa Urbana'' ("town house"). It would then become ''Urbanum'', then ''Villa Urbane'' and, ultimately, ''Villeurbanne''. Villeurbanne has belonged to the kingdom of France since 1349. It was then separated from La Guillotière (A former city lately incor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Mollet
Pierre Mollet (23 March 1920, Neuchâtel - 27 October 2007) was a Canadian operatic baritone. He was born in Switzerland. He became a naturalized Canadian citizen in 1974 and in 1979, he married the Canadian pianist Suzanne Blondin. Mollet was trained at the Lausanne Conservatory where he was a pupil of Charles Panzéra. In 1946, he won second prize at the Geneva International Music Competition. The following year he began studies in music interpretation with Nadia Boulanger in Paris, France and became highly active performing as a concert soloist with orchestras in that city during the late 1940s and 1950s. From 1948 to 1962, he traveled throughout Northern Africa and France performing in concerts sponsored by the Jeunesses Musicales International. He also sang in concerts at a number of notable music festivals such as the Strasbourg Festival and the Aix-en-Provence Festival. Mollet made his professional opera debut in 1952 portraying Pelléas in Claude Debussy's '' Pelléa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denise Duval
Denise Duval (23 October 192125 January 2016) was a French soprano, best known for her performances in the works of Francis Poulenc on stage and in recital. During an international career, Duval created the roles of Thérèse in ''Les mamelles de Tirésias'', Elle in ''La voix humaine'', and excelled in the role of Blanche de la Force in ''Dialogues of the Carmelites'',Obituary – Denise Duval. ''Opera'', April 2016, Vol 67 No 4, p448-449. leaving recordings of these and several other of her main roles. Life and career Duval was born in Paris, and attended the Collège de Libourne, appearing in the play ''Les Plus beaux yeux du monde'' by Jean Sarment. Her father, a colonel, allowed her to enrol in the theatre classes at the Conservatoire de Bordeaux, where she was spotted by the director, Gaston Poulet, who got her into the vocal classes.Laurent, François. Hommage : Denise Duval. '' Diapason'', No.644, March 2016, p16-17. From there she made her debut in ''Cavalleria rusticana' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Carlo Opera
Monte may refer to: Places Argentina * Argentine Monte, an ecoregion * Monte Desert * Monte Partido, a ''partido'' in Buenos Aires Province Italy * Monte Bregagno * Monte Cassino * Montecorvino (other) * Montefalcione Portugal * Monte (Funchal), a civil parish in the municipality of Funchal * Monte, a civil parish in the municipality of Fafe * Monte, a civil parish in the municipality of Murtosa * Monte, a civil parish in the municipality of Terras de Bouro Elsewhere * Monte, Haute-Corse, a commune in Corsica, France * Monte, Switzerland, a village in the municipality Castel San Pietro, Ticino, Switzerland * Monte, U.S. Virgin Islands, a neighborhood * Monte Lake, British Columbia, Canada Arts, entertainment, and media * ''Monte'' (film), a 2016 drama film by Amir Naderi * Three-card Monte * Monte Bank or Monte, a card game Other uses * Monte (dessert) a milk cream dessert produced by the German dairy company Zott * Monte (mascot), the mascot of the Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Basoche
''La Basoche'' is an opéra comique in three acts, with music by André Messager and words by Albert Carré. The opera is set in Paris in 1514 and depicts the complications that arise when the elected "king" of the student guild, the Basoche, is mistaken for King Louis XII of France. The opera was first performed at the Opéra-Comique in Paris in 1890. Productions soon followed in continental Europe, Britain and the US. After that, the piece was revived repeatedly in France and elsewhere well into the 20th century. Background and first production During the 1880s Messager had met with mixed fortunes. His opérette '' La fauvette du temple'' (1885) and opéra comique '' La Béarnaise'' (1885) ran well, and his ballet '' Les deux pigeons'' (1886) was a box-office triumph. But in the late 1880s success eluded him, and he had three failures in a row: '' Le bourgeois de Calais'' (1888), '' Isoline'' (1888), and '' Le mari de la reine'' (1889).Wagstaff, John, and Andrew Lamb"Message ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Magazine
''Opera'' is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to current subscribers (through Exact Editions). History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliott Stein
Elliott Stein (December 5, 1928 – November 7, 2012) was an American journalist and historian. In the 1950s he managed a literary review in Paris: "Janus." He also wrote for the review "Bizarre" with Kenneth Anger. He worked with Anger on Anger's book ''Hollywood Babylon.'' In the years 1960–1970 he was a film critic in Paris for the Financial Times and for Village Voice. Back in New York in the 1970s, Stein wrote for the Village Voice and publishers like "Criterion". He wrote regularly for Film Comment and Sight and Sound. He is referred to in the diaries and memoirs of Ned Rorem, Susan Sontag, John Ashbery and Richard Olney. He wrote ''New York City Inferno'' (1978) and ''Secrets of Sex'' (1970) and made a video-interview with himself (2005). He played in some movies: '' Les Coeurs Verts'' (1965) by Édouard Luntz Édouard Luntz (8 August 1931 – 26 February 2009) was a French film director. He directed nine films between 1959 and 1973. His 1966 film '' Les coeur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Prêtre
Georges Prêtre (; 14 August 1924 – 4 January 2017) was a French orchestral and opera conductor. Biography Prêtre was born in Waziers ( Nord), and attended the Douai Conservatory and then studied harmony under Maurice Duruflé and conducting under André Cluytens among others at the Conservatoire de Paris. Amongst his early musical interests were jazz and trumpet. After graduating, he conducted in a number of small French opera houses sometimes under the pseudonym Georges Dherain. His conducting debut was at the Opéra de Marseille in 1946. He also conducted at the opera houses in Lille and Toulouse. His Paris debut was at the Opéra-Comique in Richard Strauss's '' Capriccio''. He was director of the Opéra-Comique 1955–1959. He conducted at the Lyric Opera of Chicago 1959–1971. He was conductor, 1959, and music director 1970–1971, at the Paris Opéra. He was principal conductor of the Vienna Symphony 1986–1991. His Royal Opera House, Covent Garden, debut came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liliane Berton
Liliane Berton (11 July 1924, Bully-les-Mines, Pas-de-Calais - Paris, 22 April 2009) was a French soprano, known principally on the opera stage, but also active in radio recordings and as a teacher. Career Although considering a dramatic career, after vocal studies at the Conservatoire de Lille and the Conservatoire de Paris she made her debut at the Opéra de Marseille as Blonde in ''Die Entführung aus dem Serail''. Berton was taken on by the RTLN, and made her Paris debut at the Opéra as Siebel in ''Faust'' on 8 September 1952, before appearing in the premiere of ''Dolorès'' by Michel-Maurice Lévy at the Opéra-Comique on 7 November 1952.Wolff S. ''Un demi-siècle d'Opéra Comique (1900-1950).'' André Bonne, Paris, 1953. Her career encompassed many lighter soprano roles in the repertoire: l’Amour, Fatime (''Les Indes galantes''), Sophie (''Werther''), Poussette (''Manon''), Xenia (''Boris Godunov''), Rosina (''The Barber of Seville'', in French), Eurydice ('' Orphée''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work "The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five of whose films he compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
