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Nadezhda Obukhova
Nadezhda Andreyevna Obukhova (russian: Наде́жда Андре́евна Обу́хова, 1886–1961) was a Russian mezzo-soprano. She was awarded the title People’s Artist of the USSR in 1937. Pianist Heinrich Neuhaus said that "he who even once hears her voice, will never forget it...". Asteroid 9914 Obukhova is named for her. Childhood Obukhova came from an artistic family. Two of her uncles were professional singers, one of whom was the opera director of the Bolshoi Theatre. Her grandfather was a noted pianist, and her great-grandfather Yevgeny Baratynsky was a poet of Pushkin circle. Her family had some wealth, and would often spend summers in Nice, France, where Obukhova received her first singing lessons from Eleanora Lipman. In 1907, she was enrolled at the Moscow Conservatory, where she was instructed by Umberto Masetti. Career After her graduation, she found work singing in various concerts around Russia, but she did not make her operatic debut until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Recording
The term studio recording means any recording made in a studio, as opposed to a live recording, which is usually made in a concert venue or a theatre, with an audience attending the performance. Studio cast recordings In the case of Broadway musicals, the term studio cast recording applies to a recording of the show which does not feature the cast of either a stage production or film version of the show. The practice has existed since before the advent of Broadway cast albums in 1943. That year the songs from Rodgers and Hammerstein's ''Oklahoma!'', performed by the show's cast, were released on a multi-record 78-RPM album by American Decca. (London original cast albums have existed since the early days of recording, however, and there are recordings in existence of excerpts from such shows as ''The Desert Song'', '' Sunny'', and ''Show Boat'', all performed by their original London stage casts.) History Before 1943, musicals were recorded in the U.S. with what might be termed s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Rodionovich Petrov
Vasily Rodionovich Petrov (russian: Василий Родионович Петров; , Kharkov Governorate, Russian Empire - 4 May 1937, Moscow, USSR) was an outstanding Russian opera singer ( bass). Feodor Chaliapin once commented to him, "Ah, Vasya, if I could have your voice." (ru: «Эх, Вася, мне бы твой голос»). This jocular remark bore testament to Vasily Petrov's undeniable talent. Petrov was born into the large family of a village tailor.'' Aron Prujanski''Отечественные певцы. 1750—1917: Словарь. — Изд. 2-е испр. и доп., электронное. —М., 2008. // Петров Василий Родионович/ref> His musical abilities were evident from an early age: he learned to play the violin at the age of five, and at the age of nine he was learning to play the violin professionally, as well as singing in a choir. He graduated from a ministerial free school for the poor and began to work as a teacher. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonid Speransky
Leonid (russian: Леонид ; uk, Леонід ; be, Леанід, Ljeaníd ) is a Slavic version of the given name Leonidas. The French version is Leonide. People with the name include: *Leonid Andreyev (1871–1919), Russian playwright and short-story writer who led the Expressionist movement in the national literature *Leonid Brezhnev (1906–1982), leader of the USSR from 1964 to 1982 *Leonid Buryak (b. 1953), USSR/Ukraine-born Olympic-medal-winning soccer player and coach *Leonid Bykov (1928–1979), Soviet and Ukrainian actor, film director, and script writer *Leonid Desyatnikov (b. 1955), Soviet and Russian opera and film composer *Leonid Feodorov (1879–1935), a bishop and Exarch for the Russian Catholic Church, and survivor of the Gulag *Leonid Filatov (1946–2003), Soviet and Russian actor, director, poet, and pamphleteer *Leonid Gaidai, (1923–1993), Soviet comedy film director *Leonid Geishtor (b. 1936), USSR (Belarus)-born Olympic champion Canadian pairs spri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonina Nezhdanova
Antonina Vasilyevna Nezhdanova (russian: Антони́на Васи́льевна Нежда́нова, – 26 June 1950), was a Russian and Soviet coloratura soprano. Nezhdanova was born in , near Odesa, Ukraine, then in the Russian Empire. In 1899, she entered the Moscow Conservatory. Upon her graduation three years later she joined the Bolshoi Theatre, rapidly becoming its leading soprano. She often sang, too, at the Mariinsky Theatre in Saint Petersburg and also in Kyiv and Odessa. Paris heard her in 1912, when she appeared opposite the tenor Enrico Caruso and the great baritone, Titta Ruffo. Nezhdanova was the dedicatee of Sergei Rachmaninoff's ''Vocalise'', and she was the first performer of the arrangement for soprano and orchestra, with Serge Koussevitzky conducting. She created a number of operatic roles. After the Russian Revolution she stayed on at the Bolshoi, unlike some of her fellow opera singers, who left their native country for the West. In 1936, she began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko (opera)
''Sadko'' ( rus, Садко, link=no, Sadkó , the name of the main character) is an 1898 opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a symphonic poem, tone poem on the subject, his Sadko (musical tableau), Op. 5. After finishing his second revision of this work in 1891, he decided to turn it into a dramatic work. The music is highly evocative, and Rimsky-Korsakov's famed powers of orchestration are abundantly evident throughout the score. According to the Soviet critic Boris Asafyev, writing in 1922, ''Sadko'' constitutes the summit of Rimsky-Korsakov's craft. From the opus 5 tone poem the composer quoted its most memorable passages, including the opening theme of the swelling sea, and other themes as leitmotivesAbraham, pp. 96–97. – he himself set out to "utilize for this opera th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Three Oranges
''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto was based on the Italian play '' L'amore delle tre melarance'' by Carlo Gozzi. The opera premiered at the Auditorium Theatre in Chicago, Illinois, on 30 December 1921. Composition history The opera was the result of a commission during Prokofiev's successful first visit to the United States in 1918. After well-received concerts of his works in Chicago (including his First Symphony), Prokofiev was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera. Conveniently, Prokofiev had drafted a libretto during his trip to the US; he had based it on Carlo Gozzi's play in the ''Commedia dell'arte'' tradition, (which was itself based on Giambattista Basile's fairy tale "The Love for Three Oranges"). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Arrieta
Juan Pascual Antonio Arrieta Corera (20 October 1821 – 11 February 1894), also known as Emilio Arrieta, was a Spanish composer. Arrieta was born in Puente la Reina, Navarre. His Italian musical training led him, under the favour of Queen Isabel II, to concentrate on operatic writing; and though he later composed '' zarzuelas,'' he remained less committed to the renascent art form than his contemporaries such as Francisco Asenjo Barbieri, who continued to write in an essentially Italianate style throughout his life. His ''zarzuela'' ''Marina'', one of the most popular lyric stage works in the Spanish repertoire, has been produced and recorded both on CD and DVD many times. Arrieta died in Madrid, aged 70. Works Operas *1846 ''Ildegonda'' *1850 ''La conquista di Granata'', 3 acts with libretto by Temistocle Solera *1851 ''Pergolesi'' *1871 ''Marina,'' 3 acts (adapted from the 1855 zarzuela) with libretto by Francisco Camprodón and Miguel Ramos Carrión Zarzuelas *1853 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Snow Maiden
''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky (which had premiered in 1873 with incidental music by Tchaikovsky). The first performance of Rimsky-Korsakov's opera took place at the Mariinsky Theatre, Saint Petersburg on 29 January 1882 ( OS; 10 February NS) conducted by Eduard Nápravník. By 1898 it was revised in the edition known today. It remained the composer's own favorite work. Analysis The story deals with the opposition of eternal forces of nature and involves the interactions of mythological characters (Frost, Spring, Wood-Sprite), real people (Kupava, Mizgir'), and those in-between, i.e., half-mythical, half-real (Snow Maiden, Lel’, Berendey). The comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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