Märchenerzählungen (Schumann)
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Märchenerzählungen (Schumann)
''Märchenerzählungen'' (Fairy tale narrations), Op. 132, is a trio composition by Robert Schumann in four movements for clarinet (violin ad libitum), viola and piano. He composed the clarinet-viola-piano trio in B-flat major, between 9 and 11 October 1853. The movements are connected by a motif (''Kernmotiv''). The work is dedicated to Schumann's pupil Albert Dietrich, and was published in 1854 by Breitkopf & Härtel. History The composition, one of Schumann's last works, uses the same combination of instruments as Mozart's ''Kegelstatt Trio''. The composer was interested in the "picturesque and the fanciful", but left no link to specific fairy tales, as for his earlier '' Märchenbilder'', Op. 113. The composition was completed in a few days. Clara Schumann noted in her diary: "Heute vollendete Robert 4 Stücke für Klavier, Klarinette und Viola und war selbst sehr beglückt darüber. Er meint, diese Zusammenstellung werde sich höchst romantisch ausnehmen." (Today Robert ...
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Piano Trio
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below. The term "piano trio" is also used for jazz trios, where it most commonly designates a pianist accompanied by bass and drums, though guitar or saxophone may figure as well. Form Works titled "Piano Trio" tend to be in the same overall shape as a sonata. Initially this was in the three movement form, though some of Haydn's have two movements. Mozart, in five late works, is generally credited with transforming the accompanied keyboard sonata, in which the essentially optional cello doubles the bass of the keyboard left hand, into the balanced trio which has since been a central form of chamber music. With the early 19th century, particular ...
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Kegelstatt Trio
The ''Kegelstatt Trio'', K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart. History Mozart wrote the piano trio on 10 sheets (19 pages) in Vienna and dated the manuscript on 5 August 1786. According to Mozart's 17-year-old student Karoline Pichler, the work was dedicated to another student of Mozart's, Franziska von Jacquin; Mozart and the von Jacquin family – father Nikolaus Joseph von Jacquin and his youngest son Gottfried – were quite close friends. They performed house concerts together, where Nikolaus played the flute and Franziska the piano. In a letter to Gottfried from 15 January 1787, Mozart praises Franziska's studiousness and diligence. Mozart dedicated a number of works to the von Jacquin family. One year later, Mozart wrote two Lieder, "" (K. 520) and "" (K. 530) explicitly for Gottfried von Jacquin to use under his own name. The German word ' means "a place where skittles are played", akin to a duckpi ...
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Piano Trios By Robert Schumann
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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Villa Musica
Villa Musica is a foundation of the German state Rhineland-Palatinate and the broadcaster Südwestrundfunk. Its goals are to support young performers of classical music and to run concerts. It is based in Mainz at the . A second institute of the foundation, the ''Akademie für Kammermusik'' (Academy of Chamber Music), is located at in Neuwied. History The foundation was founded in 1986 by the government of Rhineland-Palatinate and the broadcaster, then the Südwestfunk. They have organized more than 1000 concerts, mainly of chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb .... Highly gifted young musicians are selected in ''Vorspiel'' (recital). They then play with their teachers, both in rehearsal as in concert. The foundation organizes around 150 concerts per ye ...
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Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ...
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Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ...
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G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almos ...
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Joseph Joachim
Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century. Joachim studied violin early, beginning in Buda at age five, then in Vienna and Leipzig. He made his debut in London in 1844, playing Beethoven's Violin Concerto, with Mendelssohn conducting. He returned to London many times throughout life. After years of teaching at the Leipzig Conservatory and playing as principal violinist of the Gewandhausorchester, he moved to Weimar in 1848, where Franz Liszt established cultural life. From 1852, Joachim served at the court of Hanover, playing principal violin in the opera and conducting concerts, with months of free time in summer for concert tours. In 1853, he was invited by Robert Schumann to the Lower Rhine Music Festival, where he met Clara ...
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Ruppert Becker
Ruppert is both a surname and a given name. Notable people with the name include: Surname *Jacob Ruppert, National Guard colonel, U.S. Representative from New York, brewery owner, owner of the New York Yankees *James Ruppert, responsible for the deadliest shooting inside a private residence in American history *Michael Ruppert, founder and editor of ''From The Wilderness'' * Stefan Ruppert, German politician *Wilhelm Ruppert, SS trooper in charge of executions at Dachau concentration camp executed for war crimes Given name *Ruppert Jones, former Major League Baseball outfielder * Ruppert L. Sargent, United States Army officer and a recipient of the Medal of Honor for his actions in the Vietnam War See also *Rupert (name) Rupert or Ruppert is an English truncation of Latin ''Rupertus'', which derives from Old High German ''Hruodoperht/Hruodoberht'' ('p' and 'b' are the voiceless and voiced cognates of the same consonant); which is also the source of the name Robert ... {{given ...
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Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto ( her Op. 7), chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She premiered many works by ...
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Märchenbilder (Schumann)
''Märchenbilder'' or ''Fairy Tale Pictures'', for Piano and Viola, Op. 113, was written by Robert Schumann in March 1851. The work is dedicated to the German violinist and conductor Wilhelm Joseph von Wasielewski. It consists of four character pieces and is an original composition featuring the viola from the Romantic period. Schumann gives us few clues as to what creatures or events are depicted within each movement. His 1853 composition '' Märchenerzählungen'' for clarinet, viola and piano also leaves the details to the imagination of the performers and the audience. Movements # ''Nicht schnell'' (Not Fast) in D minor # ''Lebhaft'' (Lively) in F major # ''Rasch'' (Quick) in D minor # ''Langsam, mit melancholischem Ausdruck'' (Slowly, with Melancholic Expression) in D major Sources * Margit L. McCorkle, ''Robert Schumann. Thematisch-Bibliographisches Werkverzeichnis'', München-Mainz 2003, p. 160 * Klaus Martin Kopitz & Torsten Oltrogge, ''Ein Dichter namens Lou ...
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