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My Size
"My Size" is a song by John Entwistle. The song is the first track on his debut solo album '' Smash Your Head Against the Wall'' and ends with the main riff from one of Entwistle's popular compositions, "Boris the Spider". "My Size" was released as a promotional single in 1971. When Entwistle was asked about the song, he said simply: "'My Size,' was just written in the studio, we wrote the chord progressions and then I went home and composed the tune and the words." In another interview Entwistle called "My Size" a sequel to his 1966 hit with The Who, "Boris the Spider". He said, "I wrote it as a sequel to 'Boris the Spider' for our manager. Our manager wanted me to put 'Boris the Spider' on my album. So I wrote 'My Size' and I wrote it in a sort of code so it sounds as if it were being sung about a woman. Then I stuck the ending on it as a clue. It wasn't a very good clue, I suppose." Entwistle later said: "A lot of people thought that 'My Size' from 'Smash Your Head' was actuall ...
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John Entwistle
John Alec Entwistle (9 October 194427 June 2002) was an English musician who was the bassist for the rock band The Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990. Renowned for his musical abilities, Entwistle's instrumental approach used pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bassist ever in a 2011 ''Rolling Stone'' readers' poll and, in 2020, the same magazine ranked him number three in its own list of the 50 greatest bassists of all time. Early life John Alec Entwistle was born on 9 October 1944 in Chiswick, which is now part of London. He was an only child. His father, Herbert, who died in 2003, played the trumpet and his mother, Maud (née Le ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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The Who Songs
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by ...
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Sabbath Bloody Sabbath (song)
"Sabbath Bloody Sabbath" is the opening title track of English heavy metal band Black Sabbath's 1973 album of the same name. Its main riff has been cited as "the riff that saved Black Sabbath" because Tony Iommi, who wrote most of the band's music, had been suffering from writer's block. They resorted to drastic measures (including renting out the supposedly haunted Clearwell Castle to live in) to inspire him. The song has been singled out for praise by hard rock and heavy metal guitar players, with Slash from Guns N' Roses stating to ''Guitar World'' in 2008, "The outro to 'Sabbath Bloody Sabbath' is the heaviest shit I have ever heard in my life. To this day, I haven't heard anything as heavy that has as much soul." Brent Hinds of Mastodon agrees, telling Nick Bowcott in 2008, "The 'dreams turn to nightmares, Heaven turns to Hell' riff at the end of that song is unbeatable." Live versions The song was rarely played live in the 1970s. During the Heaven & Hell Tour, it wa ...
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Black Sabbath
Black Sabbath were an English rock music, rock band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward (musician), Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne. They are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as ''Black Sabbath (album), Black Sabbath'' (1970), ''Paranoid (album), Paranoid'' (1970) and ''Master of Reality'' (1971). The band had multiple line-up changes following Osbourne's departure in 1979 and Iommi is the only constant member throughout their history. After previous iterations of the group – the Polka Tulk Blues Band and Earth – the band settled on the name Black Sabbath in 1969. They distinguished themselves through occult themes with horror-inspired lyrics and down-tuned guitars. Signing to Philips Records in November 1969, they released their first single, "Evil Woman (Crow song), Evil Woman", in January 1970, and their debut album, ''Black Sabbath'', was rel ...
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So Who's The Bass Player? The Ox Anthology
''So Who's the Bass Player? The Ox Anthology'' is a two-CD collection of the work of the late bassist for The Who, John Entwistle. It features rare recordings, spanning from the mid-1960s until his death in 2002. Included are songs written by Entwistle which were not included in some Who recordings, as well as songs which were rejected by the band originally. The album is a compilation of Entwistle's solo career and is chronologically arranged, starting with selections from his first album, '' Smash Your Head Against the Wall,'' through his last, an album of music from the 1997-1998 cartoon series Van Pires ('' Music from Van-Pires'', 2000), and also includes live performances. Track listing Disc one #"My Size" #" Pick Me Up (Big Chicken)" #" What Are We Doing Here?" #" Heaven and Hell" #" Ted End" #" Ten Little Friends" #" Apron Strings" #" Thinkin' It Over" #" Who Cares?" #" I Wonder" #" I Was Just Being Friendly" #" Do the Dangle" #" Made in Japan" #" Roller ...
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Repertoire Records
Repertoire Records is a German record label from Hamburg, Germany, specialising in reissues of classic pop and rock albums originally issued in the 1960s and 1970s. The chairman is Thomas Neelsen. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External links Official site German record labels Pop record labels Rock record labels Reissue record labels Culture in Hamburg Companies based in Hamburg IFPI members Repertoire Records {{hamburg-stub ...
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Sundazed Records
Sundazed Music is an American independent record label based in Coxsackie, New York. It specializes in obscure and rare recordings from the 1950s to the 1970s. In 2000, Sundazed had a staff of 15 and two mixing studios, including a vintage audio equipment collection. History Label founders Bob Irwin and his wife Mary started the label in 1989. Irwin's skill at restoring old vinyl records for the (then new) CD format, attracted the attention of major labels, who increasingly solicited him to help them re-issue material from their back catalogs. He helped Sony Music release their archival Legacy Records label. Later, his restoration work included early material by the likes of Bob Dylan, Nancy Sinatra, and the Byrds. Irwin also worked at Arista for a time. The first Sundazed releases were 1960s recordings by the Knickerbockers and the Five Americans, and reflected Irwin's personal preference for garage rock and surf music. Later releases included the albums of the Turtles ...
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Promotional Single
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and television stations, and to tastemakers, such as DJs, music journalists, and critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional recordings, and recalls of promos are extremely rare ...
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Smash Your Head Against The Wall
''Smash Your Head Against the Wall'' is the debut solo studio album by English rock musician John Entwistle, released in May 1971 by Track Records in the UK and Decca Records in the US. ''Smash Your Head Against the Wall'' was the first solo album by any member of rock band the Who, born out of Entwistle's frustrations within the band, namely not having as many of his songs featured on their albums as he would've liked, and it features a guest appearance by the Who's drummer Keith Moon on one track ("No. 29 (External Youth)"), as well as strong musical influences from the band's work. Entwistle self-produced the album and it was recorded at Trident Studios in Soho, London over 2 weeks, with a young Roy Thomas Baker engineering the album (his first work). Baker would later become known for his work as a producer for the rock band Queen, and the same studio piano that was used by Entwistle during the sessions for this album was later used by Freddie Mercury on "Bohemian Rhapsody". ...
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Boris The Spider
"Boris the Spider" is a song written by the Who's bass guitarist, John Entwistle. It appears as the second track of their 1966 album ''A Quick One''. This song is claimed to be Entwistle's first composition, and became a staple of live shows. This song, along with "My Wife", "Heaven and Hell" and " The Quiet One", were Entwistle's most popular songs to perform live. "The Quiet One" was written to replace this song and "My Wife", which Entwistle had become quite tired of singing. Though this song was popular, it was not released as a single in the US and the UK. In Japan, "Boris the Spider" was released as the B-side to "Whiskey Man" in 1967. Background "Boris the Spider" was written after Entwistle had been out drinking with the Rolling Stones' bass guitarist, Bill Wyman. They were making up funny names for animals when Entwistle came up with "Boris the Spider". The song was written by Entwistle in six minutes and, according to Entwistle in a 1971 interview for ''Crawdaddy'' ...
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I Believe In Everything (song)
"I Believe in Everything" is a song by John Entwistle. "I Believe in Everything" was released as a single in 1971. The B-side was "My Size". The song also appears on Entwistle's debut solo album, ''Smash Your Head Against the Wall''. When Entwistle was asked about the song in comparison to the rest of the album, he said: I've been saying a lot of stuff that I didn't really believe in. I sort of wrote it for the heads, really, the people thinking, "ah, so that's where Entwistle's brain's at, he really sort of believes in the devil and hell and all that sort of business." So I wrote a number that touches on reincarnation, then goes into the absurd, with Father Christmas and the whole bit and right at the end just to prevent the heads from thinking that I did believe in everything like I was saying, 'cause they always seem to believe that you actually believe in your own words. I believe in some of them but not all of them, so I just wrote the joke in to throw them off, and it's don ...
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