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My First Night With You
"My First Night with You" is a song written by Kenneth "Babyface" Edmonds and Diane Warren. It was originally recorded by Canadian singer Deborah Cox for her self-titled debut studio album (1995). In 1998, American singer Mýa covered the song for her self-titled debut studio album, serving as the album's third and final single. The album version was produced by Daryl Simmons, allowing Mýa to put her own spin on the record, while the Ric Wake pop-produced version was marketed at pop and adult contemporary radio. The lyrics of the ballad speak of a non-sexual experience with a man. The song received generally mixed reviews from contemporary music critics, some of whom were divided over Mýa's vocal performance. "My First Night with You" peaked at number 28 on both the US ''Billboard'' Hot 100 and the Hot R&B/Hip-Hop Songs charts. The song's accompanying music video was directed by G. Thomas Ferguson and University Music CEO Haqq Islam and features appearances by actor Lawre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mýa
Mya Marie Harrison (; born October 10, 1979), (stylized as Mýa), is an American singer, songwriter, dancer, and actress. Born into a musical family, she studied ballet, jazz, and tap dance as a child. Initially, Mýa began her career as a VJ and dance posse member on BET's ''Teen Summit''. During her stint at BET, she developed an interest in music which lead to independent deal from the guidance of CEO Haqq Islam. Signed in 1996 to Interscope Records, she released her eponymous debut album in April 1998. A critical and commercial success, the album produced her first top ten single "It's All About Me". Subsequent singles, "Ghetto Supastar (That Is What You Are)" and " Take Me There", continued to raise her profile and attained chart success worldwide, with the former garnering her first Grammy nomination. ''Fear of Flying'', her second album, was released in April 2000 and became a worldwide success, boosted by the success of its singles " Case of the Ex" and " Free". Harris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ab Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's 4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arista Records
Arista Records () is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of the Japanese conglomerate Sony. The label was previously handled by BMG Entertainment, the North American division of German conglomerate Bertelsmann. Though the label was founded in November 1974 by Clive Davis, Arista in its current form was re-established in 2018. Along with Epic Records, RCA Records, and Columbia Records, Arista is one of Sony Music's four flagship record labels. History Background After being fired from CBS Records, Clive Davis was recruited by Alan Hirschfield, CEO of Columbia Pictures, in June 1974 to be a consultant for the company's record and music operations. Shortly after his hiring by CPI, Davis became president of Bell Records, replacing the departing Larry Uttal. Davis's real goal was to reorganize and revitalize Columbia Pictures' music division. With a $10 million investme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saafir
Reggie Gibson (born August 23, 1970), better known as Saafir, is an emcee, producer and actor from Oakland, California. He is also a member of the rap group "Golden State Project" (formerly known as Golden State Warriors) with Ras Kass and Xzibit. Born in Oakland, California, he lived with Tupac Shakur and became a dancer for Digital Underground. Saafir took part in one of the most notorious Bay Area rap battles, when he and members of the Hobo Junction went against Casual and members of the Hieroglyphics Crew. The battle took place live on KMEL. Saafir made his recording debut on several cuts on Digital Underground's ''The Body-Hat Syndrome'' in 1993, followed by an appearance on Casual's '' Fear Itself'' in early 1994. He appeared in the film ''Menace II Society'' as Harold Lawson and was featured on the film's soundtrack. With a deal from Qwest Records, Saafir recruited the Hobo Junction production team (J Groove, J.Z., Rational, Big Nose, and Poke Martian) for his freestyl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Hilton-Jacobs
Lawrence Hilton-Jacobs (born September 4, 1953) is an American actor and singer. Best known for playing Freddie "Boom Boom" Washington in ''Welcome Back Kotter'' (1975–79), he has also appeared in a number of films and television shows, including ''Claudine'' (1974), ''Cooley High'' (1975), ''Roots'' (1977), ''Bangers and Mash'' (1983), ''Alien Nation (TV series)'' (1989–90), '' The Jacksons: An American Dream'' (1992), and '' 31'' (2016). Life and career Hilton-Jacobs was born in New York City, New York, the fifth of nine children of parents Hilton Jacobs (died 2000) and Clothilda Jacobs (died 2008). He began his acting career in the summer of 1969 and graduated from the High School of Art and Design in 1971. He attended Wilkes University for a short time before his acting career took off. Afterward, he studied acting with the Negro Ensemble Company and the Al Fann Theatrical Ensemble. In 1975, he won the role of Freddie "Boom Boom" Washington on the ABC hit comed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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