Musical System Of Ancient Greece
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Musical System Of Ancient Greece
The musical system of ancient Greece evolved over a period of more than 500 years from simple scales of tetrachords, or divisions of the perfect fourth, into several complex systems encompassing tetrachords and octaves, as well as octave scales divided into seven to thirteen intervals. Any discussion of the music of ancient Greece, theoretical, philosophical or aesthetic, is fraught with two problems: there are few examples of written music, and there are many, sometimes fragmentary, theoretical and philosophical accounts. The empirical research of scholars like Richard Crocker, C. André Barbera, and John Chalmers has made it possible to look at the ancient Greek systems as a whole without regard to the tastes of any one ancient theorist. The primary genera they examine are those of Pythagoras and the Pythagorean school, Archytas, Aristoxenos, and Ptolemy (including his versions of the genera of Didymus the Musician, Didymos and Eratosthenes). Overview of the first complete to ...
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Scale (music)
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, ...
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Pythagoras
Pythagoras of Samos (;  BC) was an ancient Ionian Greek philosopher, polymath, and the eponymous founder of Pythagoreanism. His political and religious teachings were well known in Magna Graecia and influenced the philosophies of Plato, Aristotle, and, through them, Western philosophy. Modern scholars disagree regarding Pythagoras's education and influences, but most agree that he travelled to Croton in southern Italy around 530 BC, where he founded a school in which initiates were allegedly sworn to secrecy and lived a communal, ascetic lifestyle. In antiquity, Pythagoras was credited with mathematical and scientific discoveries, such as the Pythagorean theorem, Pythagorean tuning, the five regular solids, the theory of proportions, the sphericity of the Earth, the identity of the morning and evening stars as the planet Venus, and the division of the globe into five climatic zones. He was reputedly the first man to call himself a philosopher ("lover of wi ...
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Aristoxenos
Aristoxenus of Tarentum (; born 375, fl. 335 BC) was a Greek Peripatetic philosopher, and a pupil of Aristotle. Most of his writings, which dealt with philosophy, ethics and music, have been lost, but one musical treatise, ''Elements of Harmony'' (Greek: ; Latin: ''Elementa harmonica''), survives incomplete, as well as some fragments concerning rhythm and meter. The ''Elements'' is the chief source of our knowledge of ancient Greek music. Life Aristoxenus was born at Tarentum (in modern-day Apulia, southern Italy) in Magna Graecia, and was the son of a learned musician named Spintharus (otherwise Mnesias). He learned music from his father, and having then been instructed by Lamprus of Erythrae and Xenophilus the Pythagorean, he finally became a pupil of Aristotle, whom he appears to have rivaled in the variety of his studies. According to the ''Suda'', he heaped insults on Aristotle after his death, because Aristotle had designated Theophrastus as the next head of the Peripat ...
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Enharmonic Genus
In the musical system of ancient Greece, genus (Greek: γένος 'genos'' pl. γένη 'genē'' Latin: ''genus'', pl. ''genera'' "type, kind") is a term used to describe certain classes of intonations of the two movable notes within a tetrachord. The tetrachordal system was inherited by the Latin medieval theory of scales and by the modal theory of Byzantine music; it may have been one source of the later theory of the jins of Arabic music. In addition, Aristoxenus (in his fragmentary treatise on rhythm) calls some patterns of rhythm "genera". Tetrachords According to the system of Aristoxenus and his followers— Cleonides, Bacchius, Gaudentius, Alypius, Bryennius, and Aristides Quintilianus—the paradigmatic tetrachord was bounded by the fixed tones ''hypate'' and ''mese'', which are a perfect fourth apart and do not vary from one genus to another. Between these are two movable notes, called ''parhypate'' and ''lichanos''. The upper tone, lichanos, can vary over the r ...
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Diatonic Genus
In the musical system of ancient Greece, genus (Greek: γένος [''genos''], grammatical number, pl. γένη [''genē''], Latin: ''genus'', pl. ''genera'' "type, kind") is a term used to describe certain classes of Intonation (music), intonations of the two movable notes within a tetrachord. The tetrachordal system was inherited by the Latin medieval theory of scales and by the modal theory of Byzantine music; it may have been one source of the later theory of the jins of Arabic music. In addition, Aristoxenus (in his fragmentary treatise on rhythm) calls some patterns of rhythm "genera". Tetrachords According to the system of Aristoxenus and his followers—Cleonides, Bacchius, Gaudentius (music theorist), Gaudentius, Alypius (music writer), Alypius, Bryennius, and Aristides Quintilianus—the paradigmatic tetrachord was bounded by the fixed tones ''hypate'' and ''mese'', which are a perfect fourth apart and do not vary from one genus to another. Between these are two movable no ...
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Major Second
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a ...
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Minor Third
In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished third, Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip (music), skip melodically. Notable examples of ascending minor thirds include the opening two notes of "Greensleeves" and of "Light My Fire". The minor third may be derived from the Harmonic series (music), harmonic series as the interva ...
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Genus (music)
In the musical system of ancient Greece, genus (Greek: γένος 'genos'' pl. γένη 'genē'' Latin: ''genus'', pl. ''genera'' "type, kind") is a term used to describe certain classes of intonations of the two movable notes within a tetrachord. The tetrachordal system was inherited by the Latin medieval theory of scales and by the modal theory of Byzantine music; it may have been one source of the later theory of the jins of Arabic music. In addition, Aristoxenus (in his fragmentary treatise on rhythm) calls some patterns of rhythm "genera". Tetrachords According to the system of Aristoxenus and his followers— Cleonides, Bacchius, Gaudentius, Alypius, Bryennius, and Aristides Quintilianus—the paradigmatic tetrachord was bounded by the fixed tones ''hypate'' and ''mese'', which are a perfect fourth apart and do not vary from one genus to another. Between these are two movable notes, called ''parhypate'' and ''lichanos''. The upper tone, lichanos, can vary over the ran ...
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Euclid
Euclid (; ; BC) was an ancient Greek mathematician active as a geometer and logician. Considered the "father of geometry", he is chiefly known for the '' Elements'' treatise, which established the foundations of geometry that largely dominated the field until the early 19th century. His system, now referred to as Euclidean geometry, involved innovations in combination with a synthesis of theories from earlier Greek mathematicians, including Eudoxus of Cnidus, Hippocrates of Chios, Thales and Theaetetus. With Archimedes and Apollonius of Perga, Euclid is generally considered among the greatest mathematicians of antiquity, and one of the most influential in the history of mathematics. Very little is known of Euclid's life, and most information comes from the scholars Proclus and Pappus of Alexandria many centuries later. Medieval Islamic mathematicians invented a fanciful biography, and medieval Byzantine and early Renaissance scholars mistook him for the earlier philo ...
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Anima Mundi
The concept of the (Latin), world soul (, ), or soul of the world (, ) posits an intrinsic connection between all living beings, suggesting that the world is animated by a soul much like the human body. Rooted in ancient Greek and Roman philosophy, the idea holds that the world soul infuses the cosmos with life and intelligence. This notion has been influential across various systems of thought, including Stoicism, Gnosticism, Neoplatonism, and Hermeticism, shaping metaphysical and cosmological frameworks throughout history. In ancient philosophy, Plato's dialogue '' Timaeus'' introduces the universe as a living creature endowed with a soul and reason, constructed by the demiurge according to a rational pattern expressed through mathematical principles. Plato describes the world soul as a mixture of sameness and difference, forming a unified, harmonious entity that permeates the cosmos. This soul animates the universe, ensuring its rational structure and function according t ...
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Plato
Plato ( ; Greek language, Greek: , ; born  BC, died 348/347 BC) was an ancient Greek philosopher of the Classical Greece, Classical period who is considered a foundational thinker in Western philosophy and an innovator of the written dialogue and dialectic forms. He influenced all the major areas of theoretical philosophy and practical philosophy, and was the founder of the Platonic Academy, a philosophical school in History of Athens, Athens where Plato taught the doctrines that would later become known as Platonism. Plato's most famous contribution is the theory of forms, theory of forms (or ideas), which aims to solve what is now known as the problem of universals. He was influenced by the pre-Socratic thinkers Pythagoras, Heraclitus, and Parmenides, although much of what is known about them is derived from Plato himself. Along with his teacher Socrates, and his student Aristotle, Plato is a central figure in the history of Western philosophy. Plato's complete ...
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